Null Schuler, Jean (St. Ingbert 1912 - 1984 Paris), "Nuit Catalane", composition…

Description

Schuler, Jean (St. Ingbert 1912 - 1984 Paris), "Nuit Catalane", composition with figures, color silkscreen, at lower margin signed, dated. Signed at lower margin, dat. 1973, titled, numbered 12/40 and inscribed serigraph, 53.5 x 64.5 cm, paper browned, bottom glass rubbed, total size 56 x 56 cm. Glass rubbed, overall size: 56 x 67 cm, 4228 - 0021

460024

Schuler, Jean (St. Ingbert 1912 - 1984 Paris), "Nuit Catalane", composition with figures, color silkscreen, at lower margin signed, dated. Signed at lower margin, dat. 1973, titled, numbered 12/40 and inscribed serigraph, 53.5 x 64.5 cm, paper browned, bottom glass rubbed, total size 56 x 56 cm. Glass rubbed, overall size: 56 x 67 cm, 4228 - 0021

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Estim. 120 - 200 EUR

Set of 6 19th century dermatology books: 1. SAT-DEYGALLIÈRES (Dr. A.-H.): Théorie nouvelle de la maladie scrofuleuse. Paris, Gabon, Montpellier and Bruxelles, 1829. One volume. 12 by 20 cm. VII-(1)-368 pages. Contemporary full basane, spine ornate, top cover slightly frayed, small crack over 3 cm on lower jaw and small trace of worm on 1st board, otherwise good condition. First edition. Bound in: BROUSSAIS (Casimir): Sur la duodénite chronique; thèse présentée et soutenue à la faculté de Médecine de Paris, le 9 avril 1825. Paris, Mlle Delaunay, 1825, 79 pp. 2. MAHON (Frères): Remède contre la teigne. Paris, Madame Huzard (née Vallat La Chapelle), November 1821. One volume. 12 by 19.2 cm. 14 pages. Modern bradel boards. Good condition. 3. SUDRE (Dr. A.-S.): Dissertation on the functions of the skin. Montpellier, Jean Martel Le Jeune, 1821. One volume. 18.5 by 24 cm. (2)-154-(1) pages. Modern bradel boards. Minor worm work in the margins of all ff. without affecting the text. First edition. Uncommon. B.I.U.M. 1821, vol. 80 no. 107; lacking in the N.U.C.; Worldcat does not locate any copies in the United States. 4. BAUDOT (Dr. Emile): Traité des affections de la peau. D'après les doctrines de M. Bazin. Paris, F. Savy, 1869. One volume. 13 by 22 cm. VII-(1)-431 pages. Contemporary half-basane, smooth spine. Some foxing, otherwise very good condition. Some in-text illustrations. First edition. 5. BIDOU (François-Simon): Réflexions pratiques sur les maladies de la peau appellent dartres, sur leurs causes, leur siège, les moyens de guérison employés jusqu'à ce jour, et sur une nouvelle méthode de traitement appelé traitement par absorption cutanée; accompagnées d'un nombre considérable d'observations où son emploi a été suivi d'un succès complet. Fourth edition, entirely revised and augmented with new observations of the greatest interest. Paris, L'Auteur, Gabon, Pichard et Renard, 1828. One volume. 12.5 by 19.5 cm. 168 pages. Modern bradel boards. -Scattered foxing, small marginal wetness. 6. GIBERT (Camille-Melchior): Manuel des maladies spéciales de la peau, vulgairement connues sous les noms de dartres, teigne, lèpre, etc.. Paris, Deville Cavelin; Montpellier, Louis Castel, 1834. One volume. 9.5 by 15 cm. X-538 pages + 1 f. errata. Contemporary half-brown calf, spine nicely decorated with romantic designs. Very good condition. First edition. A pupil of Biett, Gibert succeeded Alibert as professor of dermatovenereology. He described pityriasis rosé. Gibert's syrup, with mercury biiodide and potassium iodide, is still used today."

Estim. 180 - 200 EUR

RAOH SCHORR (Muttenz, Switzerland, 1901-1991). "Calf". Bronze figure with green patina. Signed on one side. Measurements: 18 x 24 x 8 cm. Raoh Schorr studied at the Hoffmanschule in Munich and later in Paris in 1923. In the French capital he knew the main painters of the School of Paris. He assisted Jean Dufy with fabric designs and designed dresses for the couturier Robert Piguet. After gaining a reputation as a decorative animal sculptor, he moved to London in 1936, where he had a solo exhibition in 1937 at the Redfern Gallery. He acquired a bronze, Bengal Tiger, from the Tate Gallery and was commissioned by Royal Doulton to design ceramic animals. He exhibited bronzes for many years at RA. Harrods, Elizabeth Arden and Helena Rubinstein were among his clients. Text source: 'Artists in Britain since 1945' by David Buckman (Art Dictionaries Ltd, part of Sansom & Company).

Estim. 700 - 800 EUR

JOSEP LLIMONA BRUGUERA (Barcelona, 1864 - 1934) and JOAQUIM VICENS GIRONELLA (1911-1997). "Crucifixion". Christ in stucco (Llimona) and cross in wood (Gironella), 1932. Cross signed and dated by Gironella. Measurements: 30 x 30 x 6 cm (Christ); 62 x 42 x 8 cm (cross). A self-taught artist, Joaquim Vicens Gironella made cork sculptures, and was discovered and exhibited by Jean Dubuffet. He also wrote many poems and plays. Josep Limona is remembered as the most important Catalan sculptor of modernism. Trained at the Llotja School in Barcelona, he obtained the pension to go to Rome in 1880. During his stay in Italy he was influenced by Florentine Renaissance sculpture. With the works he sent from there he obtained prizes (gold medal at the Universal Exhibition of Barcelona in 1888), as well as a great reputation. With his brother Joan he founded the Círculo Artístico de Sant Lluc, a Catalan artistic association of religious character (the two brothers were deep believers). Towards the middle of the 90's his style already drifts towards full modernism. He received the prize of honor at the International Exhibition of Fine Arts held in 1907 in Barcelona. From 1900 he focused on his famous female nudes, and in 1914 he created, in collaboration with Gaudí, his impressive "Resurrected Christ". His artistic genius also manifested itself in large public monuments such as the equestrian statue of St. Jordi in Montjuic Park in Barcelona, as well as in works of funerary imagery, such as the pantheons he created for several cemeteries. In addition to exhibiting in Barcelona and other Catalan cities, he exhibited his work in Madrid, Brussels, Paris, Buenos Aires and Rosario (Argentina). He was president of the Board of Museums of Barcelona between 1918 and 1924, and again from 1931 until his death in 1934. Throughout his life he received numerous decorations, including those awarded by the governments of France and Italy. He also received the Gold Medal of the City of Barcelona in 1932, in recognition of his extraordinary work in the development of museum activity. Llimona's work is preserved in the Monastery of Montserrat, the National Art Museum of Catalonia and the Reina Sofia Museum, among others.

Starting price 400 EUR

Noailles, Anna Comtesse deLes Jardins. Mit 30 Pochoir-Illustrationen von Jean Berque. Paris u. Lausanne, Frères Gonin, 1935. 77 S., 1 Bl. 4°. Lose Doppelbll. in OUmschlag, in HPgt.-Chemise und OHPgt.-Schuber (Umschl., Chemise u. Schuber etwas braunfleckig, Schuber mit Läsuren). Noailles, Anna Comtesse de Les Jardins. Mit 30 Pochoir-Illustrationen von Jean Berque. Paris u. Lausanne, Frères Gonin, 1935. 77 S., 1 Bl. 4°. Lose Doppelbll. in OUmschlag, in HPgt.-Chemise und OHPgt.-Schuber (Umschl., Chemise u. Schuber etwas braunfleckig, Schuber mit Läsuren). Exemplaire d'artiste außerhalb der Auflage von 150 Exemplaren. Im Druckvermerk von Berque als solches bezeichnet und signiert. - Carteret IV, 305. Monod 8706. - Jean Berque (1896-1954) war Schüler der Nabis-Größen Félix Vallotton, Maurice Denis und Paul Sérusier. - Vereinzelt etwas braunfleckig. Insgesamt sehr gutes Exemplar mit den stimmungsvoll kolorierten und grazilen Illustrationen. With 30 pochoir illustrations by Jean Berque. Loose double fol. in orig. wrappers, in orig. half vellum chemise and slipcase (wrappers, chemise and slipcase somewhat brown-stained, slipcase with small defects). - Exemplaire d'artiste outside the edition of 150 copies. Inscribed as such and signed by Berque in the imprint. - Jean Berque (1896-1954) was a pupil of the Nabis greats Félix Vallotton, Maurice Denis and Paul Sérusier. - A few isolated brown spots. Overall very good copy with the atmospherically coloured and graceful illustrations.

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