Null Space picture album "Die Olympischen Spiele 1936", with picture viewer, "Ra…

Description

Space picture album "Die Olympischen Spiele 1936", with picture viewer, "Raumbild-Zeitgeschichte", vol. 1, 100 space pictures by Heinrich Hoffmann (Reichsbildberichterstatter der NSDAP), Raumbild-Verlag Otto Schönstein Diessen a. A., the first 22 pictures are glued in, complete, linen cover with color embossed title, paper browned and partially soiled, cover soiled and color embossing rubbed, 30 x 21 cm, 4280 - 0003

60065

Space picture album "Die Olympischen Spiele 1936", with picture viewer, "Raumbild-Zeitgeschichte", vol. 1, 100 space pictures by Heinrich Hoffmann (Reichsbildberichterstatter der NSDAP), Raumbild-Verlag Otto Schönstein Diessen a. A., the first 22 pictures are glued in, complete, linen cover with color embossed title, paper browned and partially soiled, cover soiled and color embossing rubbed, 30 x 21 cm, 4280 - 0003

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Starting price 300 EUR

Arnold, KarlSilent celebration. Original sketch. Circa 1936. Pen and graphite on wove paper. 34.5 x 26.5 cm. With estate stamp verso. Framed under passepartout and glass. Arnold, Karl Stille Feier. Original sketch drawing. Circa 1936. Pen and graphite on wove paper. 34.5 x 26.5 cm. With estate stamp verso. Framed under passepartout and glass. With the red estate stamp and the autograph number 824 verso. Probably an unpublished caricature for the magazine Simplicissimus on the occasion of the 1936 Olympic Games. With the artist's own handwritten text: "Stille Feier. Now the youth of the world is being called out again - but I was once the world's second-best runner." - Karl Arnold (1883-1953) studied from 1901 at the Academy of Fine Arts in Munich under Karl Raupp, Ludwig von Löfftz and Franz von Stuck. Out of financial necessity, he turned to the editorial offices of the leading Munich illustrated magazines and from 1907 published drawings in Simplicissimus and in the magazine Die Jugend. By 1942, Arnold had published over 1800 drawings in Simplicissimus. - Small holes from previous mounting in the margins, mainly under the passepartout. Beautifully preserved and lively composition. Original sketch. Pen and graphite on wove paper. Framed under mat and glass. With the red estate stamp and the autograph number 824 verso. Probably an unpublished caricature for the magazine Simplicissimus on the occasion of the 1936 Olympic Games. With the artist's own handwritten text. - Small holes from previous mounting in the margins, mainly under the passepartout. Nicely preserved and lively composition.

Starting price 800 EUR

Clarenbach, MaxLandscape of the Eifel. Circa 1910. Oil on hardboard. Approx. 36.5 x 46.5 cm. Signed. Fully mounted on backing and framed (unopened). - Apparently in good condition, the colors applied richly, powerfully and opaquely. German - Düsseldorf School of Painting Clarenbach, Max Landscape of the Eifel. Circa 1910. oil on hardboard. Approx. 36.5 x 46.5 cm. Signed. Laminated to support over the entire surface and framed (unopened). - Apparently in good condition, the colors applied richly, powerfully and opaquely. Max Clarenbach is one of the most important representatives of the Düsseldorf school of painting, and he explored the Rhenish landscape more extensively than any other artist. In his late work, he expanded his radius and painted the landscape of the Bergisches Land and Ruhr Valley. In his views, he showed the versatility of nature in the changing seasons and in interaction with the mood that it created and which is directly transferred to the viewer in their perception. Clarenbach's works are sensitive snapshots of nature; influenced by French Impressionism, light played an extremely important role in his work and he generally painted plein air, in direct proximity to the subject. Clarenbach also celebrates the open sky in our painting, devoting more than three-quarters of the picture surface to it. The artist depicts the Eifel region, with its rolling hills shaped by prehistoric volcanic activity, with a meadow of flowers, which is gently nestled between two forests on either side. The result is an atmospheric overall impression of untouched nature in the Rhenish landscape. Oil on hardboard. Signed. Fully mounted to underlying mat and framed (unopened). - Apparently in good condition, the colors applied richly, energetic and opaquely. - Max Clarenbach is one of the most important representatives of the Düsseldorfer Malerschule and was more extensively occupied with the Rhenish landscape than any other painter. In his late work, he expanded his radius and drew himself to the landscape in the Bergisches Land and Ruhrtal. In his views, he showed the versatility of nature during the year's seasons and in interaction with the mood created by it which in its perception is directly transferred to the viewer. Clarenbach's works are sensitive snapshots of nature, characterized by French Impressionism, light played an extremely important role in his work and the artist painted plen-air. Clarenbach also celebrates the unlimited sky in our painting devoting more than three-quarters to it. The artist shows the Eifel region with its rolling hills characterized by prehistoric volcanic activity, with a meadow of flowers gently bordered by two forests. The result is an atmospheric overall impression of unspoilt nature in the Rhineland landscape. This work is taxed. A premium of 23.95% will be added to the hammer price and the final invoice amount will be subject to 7% (books) or 19% VAT in the European Union. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

Estim. 40 - 50 EUR

Olympic Games Berlin 1936. Die Olympischen Spiele 1936 in Berlin und Garmisch-Partenkirchen. [Berlin], Cigaretten-Bilderdienst Altona-Bahrenfeld, [1936]. 2 albums in blue cloth boards in publisher's illustrated dust jacket. Minor wear to dust jackets. Color and black illustrations in and out of text, including numerous vignettes (no apparent lacks).

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