Null Peifer-Watenphul, Max (1896-1976)
Lake Constance, colour drawing on paper,…

Description

Peifer-Watenphul, Max (1896-1976) Lake Constance, colour drawing on paper, 1957. Sailboats on the lake. Monogrammed and dated lower right: "[19]57". Sheet 22 x 26 cm. Passepartout 30 x 32.5 cm.

903

Peifer-Watenphul, Max (1896-1976) Lake Constance, colour drawing on paper, 1957. Sailboats on the lake. Monogrammed and dated lower right: "[19]57". Sheet 22 x 26 cm. Passepartout 30 x 32.5 cm.

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Charles CURTELIN (1859-1912). Sailboats in port. Watercolor on paper signed lower right. 18 x 26.5 cm (brown spots).

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Max Ackermann, Five sketches arranged in a frame behind glass, seated woman, graphite and red chalk on laid paper, around 1906, mat cut-out approx. 18.5 x 18 cm, number Max Ackermann-Archiv 4224; Girl in front of a Landscape, graphite on laid paper, c. 1905, mat cut-out c. 12.5 x 8.5 cm, number Max Ackermann-Archiv 4225; Sitting Woman, ink on laid paper, c. 1905, mat cut-out c. 9.0 x 8.0 cm, number Max Ackermann Archive 4226; Two Girls in Front of a Tree, ink on smooth paper, c. 1905, matted cut-out approx. 10 x 7.0 cm, number Max Ackermann Archive 4227 and Sketch Sheet with Women's Heads, graphite, ink and red chalk on paper, c. 1905, matted cut-out approx. 17 x 21.5 cm, number Max Ackermann-Archiv 4228, confirmations from the Max Ackermann-Archiv are available, various states of preservation, folded dimensions approx. 65 x 50 cm. Artist information: important German painter and graphic artist. Painter and graphic artist (1887 Berlin to 1975 Unterlengenhardt/Schwarzwald), pioneer of abstract art in Germany, childhood in Ilmenau/Thuringia, from 1903 trained as a porcelain modeller in a porcelain factory in Ilmenau, 1906-07 studied with Henry van de Velde at the Weimar art school on a grand ducal scholarship, Hans Olde, Ludwig von Hofmann and Sascha Schneider, 1908-09 studies at the Dresden Academy under Richard Müller and Gotthardt Kuehl, 1909-10 studies at the Munich Academy under Franz von Stuck, from 1912 studies at the Stuttgart Academy and pupil of Adolf Hölzel, 1915-17 military service in the First World War, from 1920s onwards, freelance work. World War I, freelance work in Stuttgart from the 1920s and foundation of a "training workshop for new art" in 1921, study trip to Paris in 1926, member of the Reich Association of German Visual Artists, maintained numerous contacts with important artists, including Piet Mondrian, Adolf Loos, Wassily Kandinsky and George Grosz, foundation of the seminar for "Absolute Painting" at the Stuttgart Adult Education Centre in 1930, 1936-45 ostracised as "degenerate", banned from teaching and exhibiting and some of his works confiscated, relocated to Hornstaad on Lake Constance and spent time painting in Hemmenhofen, his studio in Stuttgart destroyed in 1943, lecturer at the Stuttgart Adult Education Centre from 1946, awarded the title of professor and moved to Stuttgart in 1957, guest of honour at the German Academy in Rome Villa Massimo in 1964, received numerous honours, including the Ströher Prize in 1950. including the Ströher Prize for non-objective art in 1950 and the Federal Cross of Merit in 1972, worked in Stuttgart, Lake Constance and Bad Liebenzell, source: Vollmer, AKL, "Franz von Stuck und seine Schüler", matriculation of the Munich Academy, Dressler and Internet.

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