Null Osswald-Lüttin, Ingeborg (1921-2013) 
Mother in Thought, 1973, charcoal dra…
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Osswald-Lüttin, Ingeborg (1921-2013) Mother in Thought, 1973, charcoal drawing. Woman with glasses looking at the viewer. Signed, dated and monogrammed in charcoal in pencil lower left. 36 x 52 cm, in passepartout. Note: Work is sold without frame

899 

Osswald-Lüttin, Ingeborg (1921-2013) Mother in Thought, 1973, charcoal drawing. Woman with glasses looking at the viewer. Signed, dated and monogrammed in charcoal in pencil lower left. 36 x 52 cm, in passepartout. Note: Work is sold without frame

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Set of 16 studies on Balzac: Ingrid Fischer-Zach, Die Bildwelt der "Comédie Humaine". Eine Untersuchung zur Metaphorik H. de Balzacs. Freiburg i. Br., 1969. Paperback. André Bellessort, Balzac et son oeuvre. Perrin, 1946, half cloth. Katharine Prescott Wormeley, Personal Opinions of Honoré de Balzac. Boston, Little Brown, 1899. Publisher's full cloth. Emil Ludwig, Kunst und Schicksal - Vier Bildnisse. Berlin, Ernst Rowohlt Verlag, 1927. Full cloth publisher. Maurice Descotes, Le Monde de l'enseignement dans l'œuvre romanesque de Balzac. Cahiers de l'Université, special issue 1985. Paperback. Emmanuel Querouil, Le Père Goriot et le roman d'éducation. Pierre Bordas, 1986. Paperback. Arsène Houssaye, Histoire du 41e fauteuil. Excerpt: chapter X "Balzac" pp. 233 to 237. L. Petit de Julleville. Histoire de la langue et de la littérature française des origines à 1900. Armand Colin, 1913. Volume VII, paperback. Hanns Heiss, Balzac, sein Leben und seine Werke. Heidelberg, Carl Winters Universitätbuchhandlung, 1913. full cloth. Pierre Laubriet, Un catéchisme esthétique: Le Chef-d'œuvre inconnu de Balzac. Paris, Didier, 1961. Paperback. Ramon Fernandez, Balzac ou l'envers de la création romanesque. Grasset, 1980. Paperback. Comte de Gobineau, Études critiques (1844-1848). Simon Kra, 1927, paperback, 600 copies on vellum. Herbert J. Hunt, Balzac's Comédie humaine. University of London, The Athlone Press, 1959. Full cloth. [Collective] Balzac dans le monde. Éditions contemporaines, Boivin et Cie, 1950. Paperback. Per Nykrog, La Pensée de Balzac dans La Comédie humaine. Copenhagen, Munksgaard, 1963. Full cloth. Dr. W. R. Bett, The Infirmities of Genius. London, C. Johnson, 1952. Full cloth. Lot of 18 studies on Balzac: Zola, Les romanciers naturalistes. Paris, Charpentier, 1923. Half-bound. Zola, le roman expérimental. Paris, Charpentier, 1923. Half-bound. Sergio de Pilato, Balzac e il mondo Giudiziario. Napoli, Edizioni "La Toga", 1937. Paperback. Gérard Gengembre, Balzac Le Napoléon des lettres. Gallimard, 1992. Paperback. Paul Albert, La Littérature française au XIXe siècle. Librairie Hachette et Cie, 1885. Demi-basane. Rémy Montalée, Reading Balzac. Paris, Eugène Figuière, 1925. Paperback. Pierre Abraham, Balzac. Rieder, 1929, paperback. Ferdinand Brunetière, Honoré de Balzac. Calmann-Lévy, sd, paperback. Philippe Bertault, Balzac et la musique religieuse. Paris, Naert, 1929, paperback, mailing to Pierre Abraham. Philippe Bertault, Introduction à Balzac. Odilis, 1963, publisher's hardback. André Le Breton, Le Roman Français au XIXe Siècle -Avant Balzac - Boivin et Cie, éditeurs, [1901]. Paperback. Simone Lang, Balzac-Express, La Comédie humaine. Éditions Saint-Germain-des-près, 1973. Paperback. Max Milner, Presentation of Massimilla Doni by Honoré de Balzac. José Corti, 1964. Paperback. Anne-Marie Baron, Le Fils prodige, L'Inconscient de La Comédie humaine. Paris, Nathan, 1993. Paperback. Diana Festa McCormick, Les Nouvelles de Balzac. Paris, Nizet, 1973. Paperback. Emile Faguet, Balzac. Hachette, 1913, bradel binding. Dr. Henri Favre, Balzac et le temps présent. Marpon et Flammarion, 1888, paperback. Jean-Daniel Gollut and Joël Zufferey, Construire un monde - Les phrases initiales de La Comédie humaine. Delachaux et Niestlé, 2000. Paperback. Lot of 14 studies on Balzac: Paul Flat, Essais sur Balzac. Plon, Nourrit, 1893, paperback. Paul Flat, Seconds essais sur Balzac. Plon, Nourrit, 1894, paperback. Richard Beilharz, Balzac. Darmstadt, Wissenschaftliche Buchgesellschaft, 1979, paperback. Philippe Bertault, Introduction à Balzac. Odilis, 1963, publisher's hardback, mailing to Balzac bookseller Georges Courville. Mary F. Sandars, Honoré de Balzac, his life and writings. New York and London, Kennikat Press, 1970. Full cloth. [Collective] Hermétisme et Poésie - Comédie italienne et Théâtre français - Honoré de Balzac. Cahiers de l'Association Internationale des Études françaises, 1963. Paperback. Alphonse Pagès, Balzac moraliste. Michel Lévy Frères, 1866. Half-percaline. Alphonse de Lamartine, Balzac et ses œuvres. Michel Lévy Frères, 1866. Half basane. Gilbert Guislain, Balzac (Collection "Panorama d'un auteur") Studyrama, 2004. Paperback. Juliette Grange, Balzac, L'argent, la prose, les anges. La Différence 1990. Paperback. Arlette Michel, Le Mariage chez Honoré de Balzac - Amour et féminisme. Société d'édition "Les Belles Lettres", 1978. Paperback Paul Bourget, Études et portraits - Sociologie et littérature. Plon-Nourrit et Cie, 1906. Full cloth. Pierre-François Mourrier, Balzac, l'injustice de la loi. Éditions Michalon, 1996. Paperback. Ferdinand Brunetière, Honoré de Balzac. Calmann-Lévy, 1906. Half cloth.

Albert Ebert, bundle of prints four works, present are "Dame mit Fächer und sitzende Frau", lithograph, catalogue raisonné Brade/Stula L18; "Mutter mit Kind III/Die Unterhaltung", etching, Brade/Stula R28; "Beim Fotografen", etching Brade/Stula R33 and "Liebespaar", etching, Brade/Stula R35, posthumous prints, each with signature of Else Ebert's estate, each work framed behind passepartout and under glass, dimensions max. approx. 14.5 x 23.5 cm. Artist information: German painter and graphic artist (1907 Halle/Saale to 1976 Halle/Saale), considered the most important naive artist of the GDR, 1921 began an unfinished apprenticeship as a bricklayer, subsequently worked as a casual and unskilled labourer until 1939, including 1928-34 as a self-employed wool merchant and as a furniture carrier, construction worker, market assistant etc., 1939-45 military service in the 2. After being wounded and captured, he spent time in a military hospital, where he discovered painting as a vocation, 1946-47 studied at the "Burg Giebichenstein" art academy in Halle under Charles Crodel and Waldemar Grzimek, largely self-taught, from 1947 construction worker and 1948 temporary trainee in restoration techniques at the Moritzburg State Gallery in Halle, 1948 first exhibition participation with the artists' association "Die Fähre" and freelance painter until 1951, from 1951 member of the Association of Visual Artists (VBK) of the GDR, 1951-52 restoration course with Kurt Bunge, 1954-56 worked as a stoker at Burg Giebichenstein and construction worker in Halle, from 1956 freelance in Halle with the support of friends and a scholarship from the CDU (GDR), 1973 honoured with the Art Prize of the City of Halle, took part in the art exhibitions of the GDR from 1958-77, source: Vollmer, Eisold "Artists in the GDR", picture atlas "Art in the GDR" and Wikipedia.