Null A PEN DRAWING AND WATERCOLOUR PAINTING ON PAPER DEPICTING A FIGURE PADDLING…
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A PEN DRAWING AND WATERCOLOUR PAINTING ON PAPER DEPICTING A FIGURE PADDLING BY THE SEA WITH A ROWING BOAT ON THE BEACH, 31cm x 23cm Signed indistinctly. Mounted in a frame and glazed. 47cm x 31cm

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A PEN DRAWING AND WATERCOLOUR PAINTING ON PAPER DEPICTING A FIGURE PADDLING BY THE SEA WITH A ROWING BOAT ON THE BEACH, 31cm x 23cm Signed indistinctly. Mounted in a frame and glazed. 47cm x 31cm

Estimate 20 - 30 GBP

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Giovanni Battista Tiepolo Venice 1696 - 1770 Madrid, attributed Bozzetto of the Assumption of the Virgin Fresco in the Oratory of Purity, Udine Watercolour pen and ink drawing on paper 25 x 15.5 cm, with frame 36.7 x 29.5 cm Giovanni Battista Tiepolo was one of the most important Italian painters of the 18th century. Known for his vibrant colour palette, dynamic compositions, and masterful use of light, Tiepolo became a leading figure of the Rococo period. He studied under Gregorio Lazzarini and quickly developed a distinctive style that combined dramatic narrative with a light, airy touch. His works include magnificent frescoes, altarpieces, and numerous drawings that had a significant influence on the art world of his time. This exquisite work is a watercolour ink drawing depicting a bozzetto of the Assumption of Mary. In this preparatory sketch, Mary is depicted in the centre; her figure is gracefully lifted up by a group of flying angels. A larger angel leading her upwards emphasises the divine assistance at her Assumption. Tiepolo's characteristic flowing lines and delicate splashes of colour convey a sense of movement and ethereal lightness, capturing the transcendental moment with finesse. Below Mary sits a man, possibly Christ, who indicates the heavenly goal with an upward gesture. Two putti at his side hold a staff, emphasising the sacred narrative and the heavenly hierarchy of the scene. On the right-hand side, a figure is depicted praying to heaven, perhaps representing the person who commissioned this painting. This inclusion not only personalises the work of art, but also reflects the devotional aspect of the commission. This bozzetto demonstrates the artist's ability to convey complex theological themes with clarity and grace. The composition, characterised by a dynamic interplay of figures and expressive gestures, illustrates the artist's mastery in translating spiritual events into a visual form.

Honoré-Victorin Daumier, French 1808-1879- Don Quixote on horseback; pen and brown ink on paper, signed with initials 'h.D' (lower right), 21 x 17 cm. Provenance: as recorded in the Daumier Register, the collection of Count Z. Myzielski. as recorded in the Daumier Register, the collection of Harry J. Spiro, USA. Private Collection, UK. Literature: Maison, K.E., Honoré Daumier: Catalogue Raisonné of the Paintings, Watercolours and Drawings, vol. 2 (Greenwich, Conn., 1968), plate 143. Laughton, Bruce, The Drawings of Daumier and Millet (New Haven and London, 1991), p. 183, 1991. Daumier Register online, no.10422. Note: Daumier was a renowned painter, draughtsman and caricaturist, known for his humorous though also often poignant and realistic portrayals of life in nineteenth-century France. While best known, both during his lifetime and after, for his politically and socially critical cartoons, which were widely circulated in magazines such as Le Charivari and La Caricature, Daumier also achieved some acclaim among his own circle as a painter, with the writer Honoré de Balzac (1799-1850) remarking: "there is a lot of Michelangelo in that fellow." A multifaceted artist, Daumier also worked in the medium of sculpture, and a number of his painted clay caricature busts of politicians and society figures are in the collection of the Musée d'Orsay, Paris, where many of the artist's sketches are also held. Daumier appears to have been fascinated by the literary subject of Don Quixote and often turned to Miguel de Cervantes' early 17th-century epic novel for inspiration, creating over sixty drawings and paintings featuring Don Quixote and his squire Sancho Panza roaming the Spanish plains. The Daumier Register compares the present drawing to a number of other known examples, including one recorded in the Armand Hammer Daumier and Contemporaries Collection (Los Angels CA, accession no. AH.1990.1.4588). Daumier also shows Don Quixote in a similar pose in several of his paintings, such as the one in the collection of the Staatliche Museen zu Berlin (A I 976), in which the literary hero is accompanied by his squire Sancho Panza. The Daumier Register describes how in these works 'we see a difficult descent, in which Don Quixote is carefully leading his horse down a steep hill.'