Description

Manufacture Nationale de Sèvres Two Rapin n° 6 sconces in translucent new hard paste porcelain, 1921 and 1929, ribbed base, top decorated with a frieze with engraved medallion of Rapin and Gauvenet. Marked: black stamp S 1921 DN for pâte dure nouvelle and red stamp decorated in Sèvres 1921. Marked: black cachet "à la rose" letter date b. The 1921 sconce: Height: 31.5 cm - Width: 23.6 cm - Depth 11.9 cm The 1929 sconce: Height: 31.1 cm - Width: 23.4 cm - Depth: 11.7 cm Thanks to its constituents - kaolin, feldspar and quartz - porcelain, when fine, becomes translucent. This property was used as early as the 18th century by the Sèvres manufactory, which produced "garde-vues", lighting fixtures with translucent walls. From 1827 onwards, Sèvres produced lithophanies, small porcelain pictures in which intaglio engravings create a play of light and shadow. From 1925 to 1930, designer Henri Rapin and sculptor Jean-Baptiste Gauvenet created over thirty models and decorations for porcelain lighting fixtures based on the lithophanie principle. The success of their "salon de lumière", presented at the 1925 Exposition des Arts Décoratifs in Paris, led to the prestigious commission of six large lighting vases, designed by Émile-Jacques Ruhlmann for the Île-de-France liner inaugurated in 1927. Henri Rapin is a French illustrator, painter and decorator. He was a pupil of Jean-Léon Gérôme and artistic advisor at the Manufacture de Sèvres from 1920 to 1934, where he invented new forms. Rapin was involved in the creation of some fifteen works in the collections of the Mobilier National (ceramics, lighting, clocks, screens, seats). For the majority of these, he collaborated with other artists, notably Jean Veber, Odilon Redon, Marcel Prunier and Josep Jardi Guardiola, also represented in the Mobilier National collections.

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Manufacture Nationale de Sèvres Two Rapin n° 6 sconces in translucent new hard paste porcelain, 1921 and 1929, ribbed base, top decorated with a frieze with engraved medallion of Rapin and Gauvenet. Marked: black stamp S 1921 DN for pâte dure nouvelle and red stamp decorated in Sèvres 1921. Marked: black cachet "à la rose" letter date b. The 1921 sconce: Height: 31.5 cm - Width: 23.6 cm - Depth 11.9 cm The 1929 sconce: Height: 31.1 cm - Width: 23.4 cm - Depth: 11.7 cm Thanks to its constituents - kaolin, feldspar and quartz - porcelain, when fine, becomes translucent. This property was used as early as the 18th century by the Sèvres manufactory, which produced "garde-vues", lighting fixtures with translucent walls. From 1827 onwards, Sèvres produced lithophanies, small porcelain pictures in which intaglio engravings create a play of light and shadow. From 1925 to 1930, designer Henri Rapin and sculptor Jean-Baptiste Gauvenet created over thirty models and decorations for porcelain lighting fixtures based on the lithophanie principle. The success of their "salon de lumière", presented at the 1925 Exposition des Arts Décoratifs in Paris, led to the prestigious commission of six large lighting vases, designed by Émile-Jacques Ruhlmann for the Île-de-France liner inaugurated in 1927. Henri Rapin is a French illustrator, painter and decorator. He was a pupil of Jean-Léon Gérôme and artistic advisor at the Manufacture de Sèvres from 1920 to 1934, where he invented new forms. Rapin was involved in the creation of some fifteen works in the collections of the Mobilier National (ceramics, lighting, clocks, screens, seats). For the majority of these, he collaborated with other artists, notably Jean Veber, Odilon Redon, Marcel Prunier and Josep Jardi Guardiola, also represented in the Mobilier National collections.

Estimate 4 000 - 6 000 EUR

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For sale on Thursday 27 Jun : 14:00 (CEST)
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MANUFACTURE NATIONALE DE SÈVRES - ANNE-MARIE FONTAINE (1900-1938) DECOR DESIGNER - HENRI RAPIN (1873-1939) DESIGNER OF THE MODEL FORM. "Colombes en vol parmi une végétation stylisée" our proof dated 1934 Vase Rapin n° 21, the form designed in [1925]. Rare covered vase for mounting, with baluster base and domed lid. Proof in porcelain (new paste) with polychrome enameled decoration. The bottom has a large hole for a mounting base. Marked with the Manufacture Nationale de SÈVRES date stamp g (1934) in black and inscribed CU.12.32 PN under the base. Height: 50 cm Public collections: Victoria and Albert Museum, London - A covered vase of the same shape (Rapin no. 21) and with the same decoration, treated in different tones, is preserved in this institution under inventory no. C.116:,2-1992. Bibliographyand related works : - Les Echos d'Art - No. 48, July 1929. Two Rapin n° 21 potiches in siliceous porcelain, with decorations by Beaumont and Gensoli, reproduced on page 16. - La Renaissance de l'Art français et des Industries de luxe - Year 1929. Two Rapin n° 21 potiches in siliceous porcelain, with decorations by Beaumont and Gensoli, reproduced on page 539. - L'Art vivant - N° 150 of July 1931. A Rapin n° 21 vase, with decoration by Simon Lissim, reproduced on page 342. - Les œuvres de la Manufacture Nationale de Sèvres 1738 - 1932 - Tome III Les vases et les pièces décorées- Édition de la Manufacture Nationale de Sèvres, 1932. Identical models, with different decorations, reproduced on plates 3 (ill. 2031) and 11 (ill. 2111). - L'Art vivant - N° 167, December 1932. Two Rapin potiches n° 21, with decorations by Roche and Lissim, reproduced on page 618. - Mobilier et Décoration - N° 7, July 1934. A Rapin n° 21 vase, with Daragnès decoration, reproduced on page 278. - Art et Industrie - N° 8 of July-August-September 1934. A Rapin n° 21 vase, with Boufleury decoration, reproduced on page 17. - Art et Industrie - N° 2, February 1936. A Rapin vase n° 21, with a Daragnès design, reproduced on page 37. - Sèvres, élégance du 20 ème siècle - L'Exposition des Porcelaines de Sèvres du style Art Déco - Catalogue of the exhibition held at the Tokyo Metropolitan Teien Art Museum, Tokyo (October 2 - December 19, 1993), Éditions de la Fondation Culturelle de la Ville de Tokyo, Tokyo, 1993. A Rapin vase no. 21, without decoration, referenced under no. 36 and reproduced on page 42. Expert: Mr. Emmanuel Eyraud.