1 / 2

Description

THREE-SEATER SOFA, ATTRIBUTED TO GEORGES JACOB (1739-1814), EMPIRE PERIOD mahogany and mahogany veneer, with lion-head armrests. It stands on saber feet at the back and curved lion's claw feet at the front. (Restorations) A three-seater sofa attributed to Georgs Jacob, First Empire period, early 19th century HEIGHT 94 - WIDTH 180 - PROF. 72 CM - H. 37 - W. 70,9 - D. 28,3 IN.

Automatically translated by DeepL. The original version is the only legally valid version.
To see the original version, click here.

225 
Go to lot
<
>

THREE-SEATER SOFA, ATTRIBUTED TO GEORGES JACOB (1739-1814), EMPIRE PERIOD mahogany and mahogany veneer, with lion-head armrests. It stands on saber feet at the back and curved lion's claw feet at the front. (Restorations) A three-seater sofa attributed to Georgs Jacob, First Empire period, early 19th century HEIGHT 94 - WIDTH 180 - PROF. 72 CM - H. 37 - W. 70,9 - D. 28,3 IN.

Estimate 1 000 - 2 000 EUR

* Not including buyer’s premium.
Please read the conditions of sale for more information.

Sale fees: 31.2 %
Leave bid
Register

For sale on Wednesday 03 Jul : 17:30 (CEST)
paris, France
Tajan
+33153303030
Browse the catalogue Sales terms Sale info

Delivery to
Change delivery address
Delivery is not mandatory.
You may use the carrier of your choice.
The indicated price does not include the price of the lot or the auction house's fees.

You may also like

ATTRIBUTED TO GEORGES JACOB (1739-1814), PAIR OF ARMCHAIRS WITH GENDARME HAT QUEEN BACKS, LOUIS XVI PERIOD in cream-colored, molded and carved wood, decorated with ribboned rushes, acanthus leaves, rosettes and fluting. The flat back decorated at the ends with plumet, the armrests trimmed with cuff, the curved armrest supports dying into a pedestal, the tapered and fluted legs. (Accents to the upholstery fabric, minor accidents, wear and tear, missing the end of a plumet). A pair of cabriolet armchairs attributed to Georges Jacob, Louis XVI period, 18th century HEIGHT 93 - WIDTH 61 - DEPTH 52,50 CM - H. 6,6 - W. 24 - D. 20,7 IN. Georges Jacob (1739-1814) established himself as the grand master of the seat in the 18th century. He received his master's degree on September 4, 1765, and from the reign of Louis XV to the Consulate, he produced seating in all styles. He established himself as the great innovator of Neoclassicism. The tapered fluted legs, the rose-ornamented connecting thimble and the wide acanthus-leaf arm brackets are representative of his style under Louis XVI. The ingenuity of his designs and the quality of his workmanship made him the supplier to the Garde-Meuble de la Couronne. Indeed, Marie-Antoinette called on his virtuosity for the Treillage room at the Petit Trianon, as well as for the châteaux of Fontainebleau, Rambouillet, Saint-Cloud and Versailles. His prestigious clientele included members of the royal family such as Monsieur, the King's brother and Comte de Provence, for whom he became ordinary carpenter; the Comte d'Artois, Louis XVI's second brother; and Madame Élisabeth, his sister. In addition to his Louis XVI chairs, Georges Jacob was a leading figure in Neoclassicism, creating pieces for the painter Jacques-Louis David, inspired by the excavations at Herculaneum and Pompeii, as depicted in the master's paintings. This association enabled Georges Jacob to continue his production after the fall of the Monarchy.