Null Lot of vintage clothes, some in tulle.

Description

Lot of vintage clothes, some in tulle.

118

Lot of vintage clothes, some in tulle.

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Estim. 440 - 550 EUR

Four-panel icon with Mother of God. Russia, 2nd half 19th century. H 31.5cm, W 26.5cm. Tempera painting on chalk ground and wood, two vertical back pontics (upper one missing), depictions of "Mother of God soothe my sorrow" (on gold ground), "Mother of God seeking out the forsaken" (nimbuses and details of the clothing gilded), "Mother of God soothing the tormented" (on a gold background), "Mother of God softening the evil hearts" (on a gold background), Cyrillic tituli of the depictions above and below, ancient Greek inscription "MHP" and "ΘY" on the respective left and right corners of the picture or Nimbus of the Mother of God, notes by the icon painter in lead and incised on the reverse. Minor chips to the wooden edge, some gold abrasion, slight signs of wear due to age. Provenance: Ex Gorny & Mosch 300, 2023, lot 463; from the West German private collection B. H., acquired from 1985 and before 1995.

Estim. 600 - 750 EUR

Icon with Christ Pantocrator. Russia, 18th - 19th century. H 17.9cm, W 14.8cm. Tempera on chalk ground. Wooden panel. Kovcheg, missing vertical back sponki. Gilt nimbus, ancient Greek and Cyrillic inscriptions and details in clothing. In good condition. Small chips to the wooden edge. Provenance: Ex Gorny & Mosch 300, 2023, lot 786 c; from the private collection B. H., West Germany, acquired from 1985 and before 1995.

Estim. 200 - 300 EUR

Figura tallada de marfil "Dama con ramo", ppo. s.XX

Estim. 1 000 - 1 200 EUR

Spanish school, first half of the 19th century. Untitled. Oil on canvas. Frame with lack of polychromy and signs of old xylophages. It can make pair with the lot 35246883 Measurements: 40 x 31 cm; 50 x 42 cm (frame). Image of mythological inspiration showing a young woman who seems to be a nymph holding a light garment which is attached to her waist, underlining her forms, in a similar way to how Greek statuary worked the bodies with the technique of "wet cloths". Stylistically, the piece is part of the neoclassicism that pervaded the aesthetics of the second third of the 19th century. Aesthetically, it should be noted that academicism is a direct legacy of classicism, hence the predilection for themes such as the one presented here, taken from mythology, although captured from a sensual and decorative point of view far removed from the solemnity of ancient classical art. This also explains his approach to the subject, recreating the mythological figures in a completely new way. Nevertheless, we can appreciate an ideal of beauty that is not based on reality, although the painter's study of nature is undeniable, but rather an idealism based on reality through his sum of experience, that is to say, an aesthetic sublimation that reflects a beauty that transcends reality.

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