Null Guido Reni (seguace di)
Madonna in adoration of the sleeping child Oil on o…

Description

Guido Reni (seguace di) Madonna in adoration of the sleeping child Oil on oval canvas 72 cm diameter The work is taken from Guido Reni's composition preserved at the Doria Pamphilj Gallery in Rome. Within gilt frame.

114

Guido Reni (seguace di) Madonna in adoration of the sleeping child Oil on oval canvas 72 cm diameter The work is taken from Guido Reni's composition preserved at the Doria Pamphilj Gallery in Rome. Within gilt frame.

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Benvenuto di Giovanni (1436-1518) – Follower Benvenuto di Giovanni (1436-1518) - Follower, Madonna with child and bird, tempera or oil colours on gold ground on wooden panel, integrated frame. 40X23,5 cm

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G. RENI (1575-1642) Circle, Angel with censer, Red chalk drawing Guido Reni (1575 Calvenzano - 1642 Bologna) Circle: Two angels with censer and wafer plate, 17th century, Red chalk drawing Technique: Red chalk drawing on Paper, relined on Paper Inscription: lower left inscribed: "Guido reni". Date: 17th century Description: Partial copy after the painting "Adoration of the Shepherds" by Guido Reni in the Certosa di S. Martino in Naples. Keywords: Angels; Clouds; Consecration; Incense; Hosts; Communion; Heaven; Paradise; Carthusian Church of Naples; Adoration of the Shepherds, 17th century, Renaissance, Religious, Italy, Size: Paper: 20,0 cm x 25,6 cm (7,9 x 10,1 in)

FOLLOWER OF GUIDO RENI, LATE XVIII CENTURY Lucrezia Pastel on paper applied to canvas, 100 x 81.3 cm. Frame Gilt wooden glovebox frame with rudentate section and leafy corners, early 19th century

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Giovan Francesco Gessi (1588 - 1649) Giovan Francesco Gessi (1588 - 1649) San Giovanni Battista Olio su tela 58 x 66 cm Provenienza: Christie's Londra, 13.11.1997, lotto 222 (come Cerchia di Guido Reni) Stato di conservazione. Supporto: Stato di conservazione. Superficie: La attribuzione alla maturità di Giovan Francesco Gessi è stata avanzata da Denis Mahon e Stephen Pepper, dopo aver visto il dipinto presso lo studio di restauro Giantomassi e Zari. Il dipinto è in relazione con alcune opere di Guido Reni del 1621-1623, ed in particolare la definizione del corpo di Cristo nella pala con Cristo che appare alla Madonna eseguita per il Duomo di Modena nel 1622 (Baccheschi 1971, scheda 109) e nel Battesimo di Cristo, oggi al Kunsthistorisches Museum, Vienna (ibidem, scheda 115) Bibliografia di riferimento: Cesare Garboli, introduzione di, e Edi Baccheschi, apparati di, "L'opera completa di Guido Reni", Milano, 1971

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