Null Jakob Ferdinand Voet, 1639 Antwerpen – 1689 Paris, zugeschrieben
PORTRAIT O…
Description

Jakob Ferdinand Voet, 1639 Antwerpen – 1689 Paris, zugeschrieben PORTRAIT OF A NOBLEMAN Oil on canvas. 73 x 53 cm. In Louis XV style frame. Set in contrast against an indeterminate ground, the slightly left-facing bust portrait of a man of prime age with an allonge wig and ornamentally decorated mauve silk robe with a striped bow, which came into fashion in the 1680s. The career of the Antwerp painter Vouet also took him via France to Italy, where he spent a longer period of time in Rome. Between 1672 and 1678, he created the famous series of 37 portraits of the most beautiful women in Rome. His work suggests that he was inspired by the portraitists Pierre Mignard and Carlo Maratta, who were active in Rome. (1390301) (13)

901 

Jakob Ferdinand Voet, 1639 Antwerpen – 1689 Paris, zugeschrieben PORTRAIT OF A NOBLEMAN Oil on canvas. 73 x 53 cm. In Louis XV style frame. Set in contrast against an indeterminate ground, the slightly left-facing bust portrait of a man of prime age with an allonge wig and ornamentally decorated mauve silk robe with a striped bow, which came into fashion in the 1680s. The career of the Antwerp painter Vouet also took him via France to Italy, where he spent a longer period of time in Rome. Between 1672 and 1678, he created the famous series of 37 portraits of the most beautiful women in Rome. His work suggests that he was inspired by the portraitists Pierre Mignard and Carlo Maratta, who were active in Rome. (1390301) (13)

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Adrien De Braekeleer, attr, Two genre scenes including a view of a Dutch interior, with three elderly men at a table, served by a young maid, furthermore an idyllic backyard scene with people teasing each other and gentlemen having a snack at an improvised table, poetic, finely glazed genre painting, oil on panel, each signed lower left partly indistinctly "A. De Braekeleer" and each probably dated "1852", each with brand stamp "L.C. Gerardts - Anvers [Engl.: Antwerp]" on the reverse of the painting plate and once with old freight label "von Bremen nach Leipzig", old retouches, somewhat in need of cleaning, framed as counterparts in stucco frames of the period which have been subsequently rebronzed (rest.bed.), rebate dimensions approx. 33 x 26 cm. including a view of a Dutch interior, with three elderly men at a table, served by a young maid, furthermore an idyllic backyard scene with people teasing each other and gentlemen having a snack at an improvised table, poetic, finely glazed genre painting, oil on panel, each signed lower left partly indistinctly "A. De Braekeleer" and each probably dated "1852", each with brand stamp "L.C. Gerardts - Anvers [Engl.: Antwerp]" on the reverse of the painting plate and once with old freight label "von Bremen nach Leipzig", old retouches, somewhat in need of cleaning, framed as counterparts in stucco frames of the period which have been subsequently rebronzed (rest.bed.), rebate dimensions approx. 33 x 26 cm. Artist info: actually Ferdinand Norbertus Adrianus De Braekeleer, also Adriaan or Adriaen, Belgian genre painter (1818 Antwerp to 1904 Antwerp-Borgerhout), initially trained and worked as a merchant, later turning to painting and pupil of his uncle Ferdinand de Braekeleer the Elder (1792-1883), influenced by the history painting of Hendrik Baron Leys (1815-1869), who, as the brother-in-law of his teacher Ferdinand de Braekeleer the Elder, worked in his studio for a time, organised various exhibitions in Antwerp, Nijmegen, Rotterdam, The Hague and Ghent, active in Antwerp, source: Thieme-Becker, Bénézit, Müller-Singer, Wurzbach, Müller-Klunzinger, Boetticher, Seubert as well as French. and Dutch Wikipedia.