Null Niclas Castello, geb. 1978 Neuhaus am Rennweg
CUBE PAINTING "IMAGINE, PUSH …

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Niclas Castello, geb. 1978 Neuhaus am Rennweg CUBE PAINTING "IMAGINE, PUSH EXIT", 2017 Acrylic and oil pastel on framed canvas, as well as 24 carat gold-plated screws in plexiglass frame. 100 x 60 x 50 cm. Dated and monogrammed "2017 N.C." on the bottom of the canvas. Accompanied by a certificate of authenticity from the artist with fingerprint. Niclas Castello is a German contemporary artist influenced by Pop Art, Neo-Expressionism and Street Art. He is known for his sculptures, but has also created paintings. In New York he developed his neo-expressionist compositions and his unique style inspired by the ready-made concept of art history. He lives in New York and Berlin and works with renowned galleries in Europe and the USA.(1390551) (18) Niclas Castello, born 1978 Neuhaus am Rennweg CUBE PAINTING "IMAGINE, PUSH EXIT", 2017 Acrylic and oil crayon on framed canvas, and 24 ct gilt screws in acrylic frame. 100 x 60 x 50 cm. Dated and monogrammed "2017 N.C." on canvas below. Accompanied by original certificate of authenticity from the artist with a fingerprint.

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Niclas Castello, geb. 1978 Neuhaus am Rennweg CUBE PAINTING "IMAGINE, PUSH EXIT", 2017 Acrylic and oil pastel on framed canvas, as well as 24 carat gold-plated screws in plexiglass frame. 100 x 60 x 50 cm. Dated and monogrammed "2017 N.C." on the bottom of the canvas. Accompanied by a certificate of authenticity from the artist with fingerprint. Niclas Castello is a German contemporary artist influenced by Pop Art, Neo-Expressionism and Street Art. He is known for his sculptures, but has also created paintings. In New York he developed his neo-expressionist compositions and his unique style inspired by the ready-made concept of art history. He lives in New York and Berlin and works with renowned galleries in Europe and the USA.(1390551) (18) Niclas Castello, born 1978 Neuhaus am Rennweg CUBE PAINTING "IMAGINE, PUSH EXIT", 2017 Acrylic and oil crayon on framed canvas, and 24 ct gilt screws in acrylic frame. 100 x 60 x 50 cm. Dated and monogrammed "2017 N.C." on canvas below. Accompanied by original certificate of authenticity from the artist with a fingerprint.

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École CONTEMPORAINE Man with cane Oil on canvas H. 130 cm - L. 161 cm Tears and missing parts We enclose: Michel ROUX (b. 1950), artist and François CALI (1923-1980), writer Hierograms, 1978 Superb book devoted to the meticulous graphic work of Miche Roux, published in Vence by Galerie Pierre Chave. H. 47 cm - L. 37 cm DV

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Chantal CRESTANT (born 1939). Les Marais perdus aux portes de Ré. Watercolor. Signed and dated 1978 lower right. 28 x 51 cm (view). Under glass.

Estim. 1 500 - 2 000 EUR

MICHAUX (Henri). Nice set of 15 volumes, some in first editions and/or accompanied by signed autograph letters: - Mouvements. Sixty-four drawings. One poem. An afterword. Paris, Gallimard, 1951. Large in-4 paperback, illustrated printed cover (cover partly detached). Original edition illustrated with numerous full-page engraved drawings by the author, printed in an edition of 1,370 copies; no. 299 of 1,399 on Papeteries Téka special mat vellum, enriched with a long L.A.S. from Henri Michaux, sl, January 1, 1955, 1 p. gd in-8 to a friend: "Like myself, spread the news that I'm not coming. It's the only chance I have of coming. You are threatened - by an invasion of locusts - tired of the St Germain des Prés - Seizième journey. [...] I'm not going to Egypt. Memphis no longer exists. never existed. The sphinx has gone underground. [...] As for the whale, for lack of a date to give it, for lack also of the optimism which, I see, suddenly invades you, I give up entering its belly. [...]" - Le Lobe des Monstres. L'Arbalète, 1944. Small square in-12, paperback, printed cover. First edition, 235 copies; n°20 of 230 on pur fil Lana. Author's engraved drawing on frontispiece. With a small L.A.S. "H.M." written on both sides of a small mourning envelope, addressed to Georges HENEIN: "Journalists are the enemies of sleep, peace, the sky and the ocean... But do you seriously think that I would be figaro-positive? [...]", he might see him later at Brauner's. - Coup d'arrêt. Paris, Le Collet de Buffle, 1975. In-8 in ff. with printed cover. First edition printed in an edition of 575 copies; n°14 of 60 on handmade paper from the Larroque mill. With a C.A.S. (with a few tears, restored and lined) on nrf headed paper (he is interested in Marc Colleprel's (?) position as secretary). - Affrontements. Fata Morgana, 1981. In-8 paperback, filled printed cover. Uncut. Original edition of 1,800 copies; one of 1,720 on tinted laid paper, enriched with an E.A.S. from Henri Michaux to Colette Roubaud and a L.A.S. from the latter. - Affrontements. Fata Morgana, 1981. In-8 paperback, filled printed cover. Uncut. Original edition of 1,800 copies; n°16 of 75 on Arches laid paper. - Le jardin exalté. Fata Morgana, 1983. Small in-8 paperback, filled printed cover. Uncut. Original edition of 1800 copies; n°14 of 75 numbered on Amatruda laid paper. - Par surprise. Fata Morgana, 1983. In-8 paperback, filled printed cover. Uncut. Original edition of 1,800 copies; one of 1,725 on tinted laid paper. - Par des traits. Fata Morgana, 1984. Large in-8 paperback, filled printed cover. Numerous full-page and in-text drawings. Original edition printed in 1800 copies; one of 1720 on offset vellum, with an E.A.S. from Henri Michaux to Colette Roubaud. - Par des traits. Fata Morgana, 1984. Large in-8 paperback, printed cover filled. Cover partly detached. Numerous full-page and in-text reproductions of drawings. Original edition printed in 1800 copies; one of 1720 on offset vellum centaure. - Les Rêves et la Jambe. A philosophical and literary essay. Antwerp, ça ira, 1923. Photocopied copy of the original in-12 (which bore an E.A.S. to Robert Guiette), with handwritten corrections and accompanied by a handwritten copy by Colette Roubaud of a long and beautiful L.A.S. from Henri Michaux addressed to her, Paris, May 16, 1978, 1 p. in-4: "[...] The studies you address to me show me that for a long time you have followed or raised me. With embarrassment, however, I enter the reading of H.M. mystique, then with emotion (which I should not have, which would be enough to condemn me) I enter the light that you, in my work (?) see, whereas it is darkness that is almost constantly there, where I live. [...]" - Moments. Traversées du temps. Paris, nrf, Le point du jour, 1973. In-8 paperback, printed cover. 9112 copies of original edition; no. 2623 of 9000 on bouffant alfa Calypso Libert, with handwritten notes in pencil in the margins or in ink on loose paper by Colette Roubaud. - Mouvements. Sixty-four drawings. One poem. An afterword. Paris, nrf, Gallimard, 1982. Large in-8 paperback, filled illustrated cover. Numerous full-page and in-text reproductions. New edition (g.ed. 1951) printed in 2000 copies (no. 1048). - Face à ce qui se dérobe. Paris, nrf, Gallimard, 1975. In-12 paperback. Unnumbered copy from the year of the original. - Un Barbare en Asie. Paris, nrf, Gallimard, 1933. In-12 paperback. Second edition on title and third edition on cover. - Ecuador. Paris, nrf, Gallimard, 1929. In-12 paperback. 4th edition.

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