Description

Jean-Baptiste Deshays de Colleville, genannt „Le Romain“, 1729 Colleville – 1765 Rouen

THE FORD CROSSING Oil on canvas. 78 x 64 cm. Jean-Baptiste Deshays was a pupil and later son-in-law of François Boucher. He was married to Boucher's daughter Jeanne-Elisabeth Victoire Boucher. This familial and artistic connection also explains the style and the pictorial conception. The oval format and the light atmosphere already remove any harshness or heaviness from the scene. Even the arduous crossing of the ford with a heavily laden mule and a young woman carrying her child is translated into a lightness that is entirely in keeping with Rococo painting. This also applies to the slender tree that juts into the picture at an angle. Three of his works ended up in the collection of the French King Louis XV. Deshays received his first lessons from his father Jean Dominique Deshays and then continued his studies with Jean-Baptiste Descamps. His teachers in Paris were Hyacinthe Collin de Vermont and Jean Restout the Younger. In 1751 he won first prize at the Académie des Beaux-Arts, as well as a further award at the Prix de Rome. He remained in Rome under Natoire until 1757, which earned him the nickname Le Romain. His brilliant career began in Paris, which was brought to an end by his early death in 1765. Even during his lifetime, the most important cultural figures were highly enthusiastic about Deshay's work, such as Diderot, who described him as "le premier peintre de la nation..." at the Salon of 1761. Provenance: Sotheby's Paris, November 2012, lot 330, cat. pp. 72-73 with illus. South German aristocratic property. Literature: Cf. André Bancel, Jean-Baptiste Deshays, 1729-1765, Paris 2008, p. 360. Cf. Marc Sandoz, Jean-Baptiste Deshays, 1729-1765, Tours 1977 (1400515) (11) Jean-Baptiste Deshays de Colleville, also known as "Le Romain", 1729 Colleville - 1765 Rouen THE CROSSING OF A FORD Oil on canvas. 78 x 64 cm. Jean-Baptiste Deshays was a student and later son-in-law of François Boucher. He was married to Boucher's daughter Jeanne Elisabeth Victoire Boucher. This familial and artistic connection also explains the style and concept of the painting. Provenance: Sotheby's Paris, November 2012, lot 330, cat. pp. 72-73 with ill. Southern German noble property. Literature: cf. André Bancel, Jean-Baptiste Deshays, 1729-1765, Paris 2008, p. 360. cf. Marc Sandoz, Jean-Baptiste Deshays, 1729-1765, Tours 1977.

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Jean-Baptiste Deshays de Colleville, genannt „Le Romain“, 1729 Colleville – 1765 Rouen

Estimate 20 000 - 40 000 EUR

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For sale on Thursday 27 Jun : 10:00 (CEST)
munich, Germany
Hampel
+4989.288.041.70
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