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Francesco Tironi, um 1745 Venedig – 1797 Bologna

Pair of paintings VIEW OF THE RIALTO BRIDGE WITH THE PALAZZO CAMERLENGHI and SANTA MARIA DELLA SALUTE ON THE CANAL GRANDE WITH A VIEW OF THE PUNTA DELLA DOGANA Oil on canvas. 52 x 69 cm. Accompanied by an expertise by Dario Succi, Gorizia. Both views offer a view of the respective groups of buildings from the canal, enlivened by gondolas and a staffage of figures. The two paintings were probably created as counterparts. This is supported by the fact that the larger buildings, both the Palazzo Camerlenghi and its counterpart, the domed church, dominate the left and right edges of the picture respectively, and in both views the lighting is from the right. A similar version of the view with Santa Maria della Salute (58 x 75 cm) is dated by Dario Succi to around 1780, while an only slightly larger view of the Rialto Bridge is said by Succi to date back to 1770. Tironi was one of the last vedutists in Venice in the 18th century. Accordingly, his style was already influenced by Canaletto and both Francesco and Antonio Guardi. Drawings can be found in the Albertina in Vienna, the National Gallery in Washington, etc. The two paintings clearly show the influence of Guardi and Canaletto (1697-1768), but are nonetheless important as additional historical documents of the history of Venice. The painter was almost forgotten before Hermann Voss made him known again in 1927/28 with his work on the vedute of Venice. Not much is known about the painter's biography; he probably came from a family from Friuli. In addition to general views and city vedutas of generally famous squares, Tironi's work often includes intimate parts of the city or individual buildings, whereby the beige-brown color scheme is usually typical of his works. Provenance: Palazzo Corner Spinelli, Venice. Literature: Dario Succi, La Serenissima nello specchio di rame, Castelfranco 2013, vol. I, p. 220, no. 44 and vol. II, pp. 914-927. Lino Moretto, Francesco Tironi, in: Giuseppe Pavanello (ed.), Canaletto. Venezia e i suoi splendori, Marsilio 2008, pp. 206 f. Dario Succi, Francesco Tironi. Ultimo vedutista del Settecento veneziano, Marina del Friuli, 2004. pp. 36-38, pp. 44-45 and p. 53 fig. 24. Dario Succi, Il fiore di Venezia. Dipinti dal Seicento all'Ottocento in collezioni pürivate, Gorizia 2014, p. 249, fig. 178. Marina Stefani Mantovanelli, Arte Veneta, 1969, p. 253 f. Hermann Voss, Francesco Tironi. Ein vergessener venezianischer Vedutenmaler, in: Zeitschrift für bildende Kunst 61 (1927/28), pp. 266-270. Filippo De Boni, Biografia degli artisti, vol. 3, Venice 1840, p. 78. (1401257) (11) Francesco Tironi, ca. 1745 Venice - 1797 Bologna A pair of paintings VIEW OF THE RIALTO BRIDGE WITH THE PALAZZO CAMERLENGHI and SANTA MARIA DELLA SALUTE ON THE GRAND CANAL WITH VIEW OF THE PUNTA DELLA DOGANA Oil on canvas. 52 x 69 cm. Accompanied by an expert's report by Dario Succi, Gorizia. The two paintings were probably created as counterparts. A similar version of the view with the Church of Santa Maria della Salute (58 x 75 cm) is dated by Dario Succi to ca. 1780, while a slightly larger version of a view of the Rialto Bridge allegedly dates to 1770 (Succi). Provenance: Palazzo Corner Spinelli, Venice. Literature: Dario Succi, La Serenissima nello specchio di rame, Castelfranco 2013, vol I, p. 220, no. 44 and vol. II, pp. 914-927. Lino Moretto, Francesco Tironi, in: Giuseppe Pavanello (ed.), Canaletto. Venezia e i suoi splendori, Marsilio 2008, pp. 206. Dario Succi, Francesco Tironi. Ultimo vedutista del Settecento veneziano, Marina del Friuli, 2004. pp. 36-38, 44-45, ill. 24 p. 53. Dario Succi, Il fiore di Venezia. Dipinti dal Seicento all'Ottocento in collezioni private, Gorizia 2014, p. 249, ill. 178. Marina Stefani Mantovanelli, Arte Veneta, 1969, pp. 253. Hermann Voss, Francesco Tironi. Ein vergessener venezianischer Vedutenmaler, in: Zeitschrift für bildende Kunst 61 (1927/28) 266-270. Filippo De Boni, Biografia degli artisti, vol. 3, Venice 1840, p. 78. cf. Giannantonio Moschini, Della vita e degli scritti dell'abate G. Galliciolli veneziano, 1806; Della letteratura veneziana del secolo XVIII fino a nostri giorni, 4 vols., 1806-08; Guida per l'isola di Murano, 1808. (†)

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Francesco Tironi, um 1745 Venedig – 1797 Bologna

Estimate 130 000 - 160 000 EUR

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For sale on Thursday 27 Jun : 10:00 (CEST)
munich, Germany
Hampel
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