Description

Bernardo Bellotto, genannt „Canaletto“, 1721 Venedig – 1780 Warschau

VIEW OF THE KARLSKIRCHE Oil on canvas. 48.3 x 79.9 cm. This view shows the church of St. Charles Borromeo from the banks of the Vienna River looking east. In the foreground, partially obscured by trees, the roofs and chimneys of a small group of buildings known as the "Bärenmühle" can be seen. The west front of the large Fischer-von-Erlach church is dominated by the bold combination of a portico with two columns and the large baroque dome behind it. To the right is the small St. Augustine's Chapel, the cemetery chapel of the municipal hospital. To the left of the church, a wing of Palais Schwarzenberg and the dome of the Gardekirche can be seen in the distance, and on the far left is the famous Stone Bridge over the Vienna River. The composition can be dated with certainty to 1760 or the following year, as the roof of the Bärenmühle represents a terminus post quem: It was painted after the fire in June 1759. Provenance: Frans Josef Honig (1877-1930), Vienna, from 1926. Karl Haberstock, Berlin, from 1929. Caspari Gallery, Munich, 1930. Max Emden (1874-1940), Hamburg. Karl Haberstock, Berlin. Reich Chancellery, Berlin. In stock, Alt Ausee, Austria. Central collection point Munich (number 1411), January 15, 1946. Transferred to the Prime Minister, June 10, 1949. Property of the Federal Republic of Germany, 1966. Returned to the heirs of Max Emden, 2019. Literature: H. Tietze, Alt-Wien in Wort und Bild vom Ausgang des Mittelalters bis zum Ende des XVIII. Jahrhunderts, Vienna 1926, illus. pl. 104. H.A. Fritzsche, Bernardo Bellotto genannt Canaletto, Burg bei Magdeburg 1936, p. 115, no. VG 114. A. Trost, Canaletto's Views of Vienna, pp. 19 and 23, no. 9, fig. 9 H. Aurenhammer, in: Johann Bernhard Fischer von Erlach, exhib. cat. Vienna, Graz and Salzburg 1956, pp. 169, 53, fig. 12. H. Sedlmayer, in Johann Bernhard Fischer von Erlach, Vienna and Monaco, 1956, p. 134, ill. 165. S. Kozakiewicz, "An almost unknown painter, Lorenzo Bellotto, son of Bernardo and a series of Bellottian views of Rome", in Venice and Poland in the Centuries from the XVIIth to the XIXth Century, Venice and Rome 1965, p. 98, fig. 61; G. Heinz, in Bernardo Bellotto gennant Canaletto, exhibition catalog Vienna 1965, p. 59, no. 46. K. Haberstock, Hundert Bilder aus der Galerie Haberstock Berlin, Munich 1967, no. 67. S. Kozakiewicz, Bernardo Bellotto, London 1972, Vol. I, pp. 114 and 127, Vol. II, p. 198, and 200-01, no. 258, ill. 258. M.J. Knofler, Das Theresianische Wien. Der Alltag in den Bildern Canalettos, Vienna, Cologne and Graz 1979, p. 22, fig. 3. A. Rizzi, 'Promenades bellottiane per Vienna e dintorni', in Ateneo Veneto, vol. CLXXIX, 1992, pp. 274-75. A. Rizzi, Bernardo Bellotto. Dresden Vienna Munich 1747-1766, Venice 1996, p. 104, no. 86. W. Seipel (ed.), Bernardo Bellotto gennant Canaletto. Europäische Veduten, exhib. cat. Vienna 2005, p. 111, under no. 17, fig. 1. Exhibition: Munich, Caspari Gallery, Italian Painting, Venetians of the 16th to 18th centuries, 1930, no.4. Munich, Technische Hochschule, Architecture exhibition of the Bavarian State Painting Collections Munich, Settembre-Ottobre 1954. Düsseldorf, Kunstmuseum, in prestito dal 1966. Warsaw, The Royal Castle Museum, Bernardo Bellotto. On the occasion of the 300th anniversary of the painter's birth, 23 Settembre 2022 - 10 Gennaio 2023. (14012513) Bernardo Bellotto, also known as "Canaletto", 1721 Venice - 1780 Warsaw VIEW OF THE CHURCH OF ST CHARLES Oil on canvas. 48.3 x 79.9 cm. Framed. Provenance: Frans Josef Honig (1877-1930), Vienna, from 1926. Karl Haberstock, Berlin, from 1929. Caspari Gallery, Munich, 1930. Max Emden (1874-1940), Hamburg. Karl Haberstock, Berlin. Reich Chancellery, Berlin. In stock, Alt Ausee, Austria. Central Collection Point Munich (number 1411), 15 January 1946. Transferred to the Prime Minister, 10 June 1949. Property of the Federal Republic of Germany, 1966. Returned to the heirs of Max Emden, 2019. Literature: H. Tietze, Alt-Wien in Wort und Bild vom Ausgang des Mittelalters bis zum Ende des XVIII. Jahrhunderts, Vienna 1926, ill. plate 104. H.A. Fritzsche, Bernardo Bellotto genannt Canaletto, Burg bei Magdeburg 1936, p. 115, no. VG 114. A. Trost, Canaletto's Views of Vienna, pp. 19 and 23, no. 9, fig. 9 H. Aurenhammer, in: Johann Bernhard Fischer von Erlach, exhib. cat. Vienna, Graz and Salzburg 1956, pp. 169, 53, fig. 12. H. Sedlmayer, in Johann Bernhard Fischer von Erlach, Vienna and Monaco, 1956, p. 134, ill. 165. S. Kozakiewicz, 'An almost unknown painter, Lorenzo Bellotto, son of Bernardo and a series of Bellottian views of Rome', in Venice and Poland in the Centuries from the XVIIth to the XIXth Century, Venice and Rome 1965, p. 98, fig. 61; G. Heinz, in Bernardo Bellotto gennant Canaletto, exhibition catalogue Vienna 1965, p. 59, no. 46. K. Haberstock, Hundert Bilder aus der Galerie Haberstock Berlin, Munich 1967, no. 67. S. Kozakiewicz

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Bernardo Bellotto, genannt „Canaletto“, 1721 Venedig – 1780 Warschau

Estimate 600 000 - 800 000 EUR

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For sale on Thursday 27 Jun : 10:00 (CEST)
munich, Germany
Hampel
+4989.288.041.70
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