Description

Paolo Piazza, 1537/57 Castelfranco Veneto – 1621 Venedig, zugeschrieben

SALOME WITH THE HEAD OF JOHN THE BAPTIST Oil on canvas. Doubled. 108 x 173 cm. Inscription lower margin. In ebonized frame decorated with ornaments. Originally from Trevigiano, the painter Cosimo di Castelfranco, known to us as Paolo Piazza, studied Venetian painting at the school of Palma il Giovane, Veronese and the Bassano family. After a brief stay in his native city, where he also left some of his works, he moved to Venice permanently in 1593. Under the name Cosimo di Castelfranco, he took his vows as a Capuchin friar in 1598. He was always associated with sacred representations, his specialty, and to pursue this inclination he was invited to Munich by Duke Wilhelm V of Bavaria, who commissioned him to paint a martyrdom of Saints Peter and Paul. He traveled extensively in Europe and Italy: his presence is documented in Innsbruck, Reggio Emilia, Parma for Ranuccio Farnese and Rome for Paul V and Scipione Borghese. This refined composition shows the various influences and stylistic stimuli that the painter absorbed and brought together during his many travels: the soft color transitions indicate a deep affinity with Venetian painting, but the details of Salomé's clothing reveal an interest in Nordic subtleties; in the horrible expression of the executioner, still holding the sword with which he beheaded the saint, it is obvious that Piazza was under the influence of Caravaggio in Rome. (13908117) (13) Paolo Piazza, 1537/57 Castelfranco Veneto - 1621 Venice, attributed SALOME WITH THE HEAD OF SAINT JOHN THE BAPTIST Oil on canvas. Relined. 108 x 173 cm. Inscribed on lower edge.

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Paolo Piazza, 1537/57 Castelfranco Veneto – 1621 Venedig, zugeschrieben

Estimate 30 000 - 35 000 EUR

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For sale on Thursday 27 Jun : 10:00 (CEST)
munich, Germany
Hampel
+4989.288.041.70
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Spanish school; late sixteenth century. "The decapitation of St. John". Oil on cradled panel. It presents restorations in the pictorial surface. Measurements: 72 x 44 cm. In this oil painting the decapitation of John the Baptist is represented, with the executioner depositing the head of the saint on the tray, where the figure of the princess Salome, dressed in an opulent dress, picks it up. In the foreground, on the right, the body of the saint is shown in all its rawness, with the wound clearly visible. The saint's anatomy also stands out for its contorted position, in a forced foreshortening of great expressive power, which reveals the painter's baroque training. The warm and golden colors, difficult to define, are also baroque elements. The scene is set in an interior of classical architecture but gloomy, opened in the background by a small opening. According to tradition, Salome, a woman of great beauty, danced for her stepfather, and he enthusiastically offered to grant her the prize she wished. Then the young woman asked, following her mother's instructions, for the Baptist's head, which was given to her "on a silver platter". This biblical story has often been depicted in painting, as it offers the possibility of depicting exotic settings and half-naked women without abandoning the biblical repertoire, although it is not about this particular work. Salome was a princess, daughter of Herod Philip and Herodias, and stepdaughter of Herod Antipas, related to the death of St. John the Baptist in a story told in the New Testament (Matthew and Mark). It presents restorations in the pictorial surface.