Null Félix Resurrección Hidalgo (Manila, The Philippines, 1855 - Barcelona, 1913…
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Félix Resurrección Hidalgo (Manila, The Philippines, 1855 - Barcelona, 1913) "Jolo Island" Pencil and chalk drawing on paper. Signed in pencil and dated 1878. 21,5 x 28,5 cm. There is a small tear in the lower margin. Félix Resurrección Hidalgo was a prominent Spanish-Filipino painter of the 19th century. Born in Manila into a wealthy family, he trained at the University of Santo Tomás and the Academy of Drawing and Painting in Manila. Initially he painted landscapes and genre scenes. In 1880, he received a scholarship to study in Madrid, where he presented his most important artwork, ‘’Young Christian Women Exposed to the Populace‘’, which received a Medal for Second place at the National Exhibition in Madrid in 1884. He then settled in Paris, where he created his most famous painting, ‘The Boat of Acheron’, inspired by Dante's Divine Comedy. This work won him a Gold Medal at the General Exhibition of the Philippines in 1887. Hidalgo was also successful in other international exhibitions. As market opportunities grew, his style shifted towards decorative symbolist landscapes, although he continued to produce allegorical-political compositions with an emphasis on the historical identity of the Philippines. His artistic legacy helped to reinforce the cultural identity of the Philippines prior to its independence. In conclusion, Felix Hidalgo was one of the great masters of Philippine painting and left an important legacy in the history of Philippine art.

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Félix Resurrección Hidalgo (Manila, The Philippines, 1855 - Barcelona, 1913) "Jolo Island" Pencil and chalk drawing on paper. Signed in pencil and dated 1878. 21,5 x 28,5 cm. There is a small tear in the lower margin. Félix Resurrección Hidalgo was a prominent Spanish-Filipino painter of the 19th century. Born in Manila into a wealthy family, he trained at the University of Santo Tomás and the Academy of Drawing and Painting in Manila. Initially he painted landscapes and genre scenes. In 1880, he received a scholarship to study in Madrid, where he presented his most important artwork, ‘’Young Christian Women Exposed to the Populace‘’, which received a Medal for Second place at the National Exhibition in Madrid in 1884. He then settled in Paris, where he created his most famous painting, ‘The Boat of Acheron’, inspired by Dante's Divine Comedy. This work won him a Gold Medal at the General Exhibition of the Philippines in 1887. Hidalgo was also successful in other international exhibitions. As market opportunities grew, his style shifted towards decorative symbolist landscapes, although he continued to produce allegorical-political compositions with an emphasis on the historical identity of the Philippines. His artistic legacy helped to reinforce the cultural identity of the Philippines prior to its independence. In conclusion, Felix Hidalgo was one of the great masters of Philippine painting and left an important legacy in the history of Philippine art.

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Featured Lot - Félix Resurreccion Hidalgo y Padilla (1857–1915) - 19th Century Philippine School Signed and dated by the author in 1889. Measurements 75 x 50 cm, 98 x 77 cm (with frame). In 1879 he earned one of the pensions paid by the Manila Provincial Council to continue his training at the San Fernando Academy of Fine Arts in Madrid. After traveling to Rome where he met other Filipino artists such as Juan Luna or M. Zaragoza, he settled permanently in Paris where he would stand out in painting with historical, symbolic and landscape themes. Félix Resurrección Hidalgo was a man of great literary culture to the point that José Rizal upon publishing his famous "Noli me tangere" sent him a copy and asked for his opinion. There is evidence that one of the opinions most valued by Rizal, hero of Philippine independence and of the Parliamentary representation of the Philippine Islands in the Peninsula. Bibl.: A. Roces, Felix Resurreccion Hidalgo and the generation of 1872, Manila, Eugenio López Foundation, 1995; Discovering Philippine art in Spain, exhibition catalogue, Manila, National Centennial Commission, 1998. Provenance: acquired directly from the arti in Paris by Don Ángel Avilés Merino, Spanish painter, (Córdoba, January 24, 1842 - Madrid, November 13, 1924), with a signed letter from in his personal archives, dated, May 2, 1922, with the same measurements and description and given as a gift to Antonio Maura, Spanish politician. By descent, private Spanish collection.