Null Rudolf DIKENMANN (1832-1888). "Rorschach - Lindau - Zürich - Pfäfers baths"…

Description

Rudolf DIKENMANN (1832-1888). "Rorschach - Lindau - Zürich - Pfäfers baths" (Switzerland). Set of four aquatints enhanced with watercolor. Stamped on reverse. 19th century (Size: 10 x 6.5 cm) A black engraving of the former Bellelay Jesuit convent, mounted on cardboard, is included.

193

Rudolf DIKENMANN (1832-1888). "Rorschach - Lindau - Zürich - Pfäfers baths" (Switzerland). Set of four aquatints enhanced with watercolor. Stamped on reverse. 19th century (Size: 10 x 6.5 cm) A black engraving of the former Bellelay Jesuit convent, mounted on cardboard, is included.

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Estim. 800 - 1 200 EUR

George William Mote, British 1832-1909- Shepherd with his flock on a track near Guildford, Surrey; oil on canvas, signed and dated 'GW Mote 1888' (lower right), 76.5 x 63.7 cm. Provenance: Anon. sale, Christie's, London, 15 March 2006, lot 428. Private Collection, UK. Note: Mote was a largely self-taught artist, who often worked under the patronage of the book collector and antiquarian Sir Thomas Phillipps (1792-1872). Phillipps allowed Mote and his wife to live in Broadway Tower, a folly in the Worcestershire countryside, which he owned, and which commanded sweeping views of the surrounding Cotswolds, a setting which clearly served as inspiration for Mote's extensive landscapes. Mote began exhibiting at the Royal Academy in 1857, thereafter exhibiting regularly there and at the Suffolk Street Galleries.

Estim. 150 - 200 EUR

GRAND-EST Set of sixteen notaries' fees. It includes : - Three octagonal tokens, Congres des Notaires de France, Strasbourg, 1976, two in silver 950 thousandths, hallmarked horn 1*, one in bronze. Obverse: "STRASBOURG MAI 1976" titling, STRASBOURG cathedral stylized within a circle of twelve stars representing the countries of the European Community. On reverse: "LEX EST QUODCUMQUE NOTAMUS. A L'EXERGUE : 73E CONGRES DES NOTAIRES DE FRANCE", with the gnomon in the center - Unit weight of a silver token: 22 g - B ; - Two octagonal tokens, silver 950 thousandths, horn hallmark, Notaires de l'arrondissement de Vassy, 1851. Obverse: titled "NOTAIRES DE L'ARRT DE VASSY (HAUTE - MARNE)", tables of the Law in front of scales on an ornate console. Reverse: titling "LEGES ET MORES - 1851. (law and customs) within a laurel wreath - Unit weight: 12 g - B ; - Two octagonal tokens, Chambre des notaires de l'arrondissement de Vitryle François, one in silver 950 thousandths, hallmarked lampe antique (1832-1841), the second in bonze. Obverse: titled "FRANCOIS IER ROI DE FRANCE", bust of François I laureate on right, signed CAUNOIS. Reverse: Title "SCIRE LEGEM COLERE JUSTITIAM - CHAMBRE DES NOTAIRES - ARRONDISSEMENT DE VITRY LE FRANCOIS. (know the law, practice justice), open code within a stylized laurel wreath - Unit weight of silver token: 18 g - B ; - 30 mm octagonal token, 950 thousandths silver, antique lamp hallmark, Notaires de l'arrondissement de Vassy, 1837. Obverse: Title "NOTAIRES DE L'ARRT DE VASSY (HAUTE - MARNE )/CHARTE 1830", tables of the Law in front of a balance. Reverse: "LEGES ET MORES - 1837" (law and customs) titling in a frame. (law and customs) within a laurel wreath - Unit weight: 14 g - B ; - 29 mm octagonal token, 950 thousandths silver, horn hallmark, Chambre des notaires de l'arrondissement de Sedan. Obverse: Title "LEX EST QUODCUMQUE NOTAMUS". (est loi ce que nous consignons), code de lois ouvert dans un grènetis, au bas une balance à plateaux, signature PAPETERIE DORVILLE. On reverse: Titulature "ARRONDISSEMENT DE SEDAN/ ARDENNES / EN TROIS LIGNES DANS UN GRÈNETIS : CHAMBRE/ DES/ NOTAIRES." - Weight: 12 g - B ; - 30 mm octagonal token, silver 950 thousandths, Notaires de l'arrondissement de Troyes, 1823. Obverse: Titulation "QUODCUMQUE NOTAMUS LEX. 1823", tables of the Law and scales within a wreath of two laurel branches attached by a ribbon, signature BARRE F. Reverse: Titulation "NOTAIRES DE L'ARROND. DE TROYES (AUBE)", two hands embracing (One faith) radiating within a wreath of two lily stems attached by a ribbon - Weight: 14 g - B ; - 29 mm octagonal token, 950 thousandths silver, horn hallmark, Notaires de l'arrondissement de Sainte-Menehould, 1888. Obverse: Title "ARRONDISSEMENT DE SAINTE-MENEHOULD/MARNE", the arms of Sainte-Menehould in a crowned shield. Reverse: Titulation "SUUM CUIQUE TUETUR / 1888 / NOTAIRES", within a wreath of oak leaves and laurel - Weight: 18 g - B ; - 30 mm octagonal token, silver 950 thousandths, Notaires de l'arrondissement de Chalons, 1827. Obverse: Title "QUOD NOTAMUS LEX / 1827 SIGNED DUBOIS", tables of the Law on scales within a laurel wreath. Reverse: Titulation "NOTAIRES DE L'ARRONDT DE CHALONS (MARNE)", oval shield bearing the coat of arms of France surrounded by the collars of the Orders, surmounted by the royal crown, set on a fleurdelisé mantle lined with ermine, with the scepter and hand of Justice in saltire below the shield - Weight: 14 g - B ; - 31 mm circular token, 950 thousandths silver, horn hallmark, Notaires de l'arrondissement de Saint Quentin. Obverse: titled "NOTAIRES DE L'ARRONDISSEMENT DE SAINT-QUENTIN", the town's coat of arms supported by two angels holding a crown, signed DEVAMBEZ-GRAVEUR. On reverse: "BAHAIN LE CATELET MOY SAINT SIMON RIBEMOND VERMAND", the six coats of arms of the arrondissement's communes, separated alternately by an ear of corn or a caduceus, with the Table of Laws and the balance in the center - Weight: 14 g - B ; - 30 mm circular token, in 950 thousandths silver, Notaires de l'arrondissement de Troyes, 1807. Obverse: Titulation: "NOTAIRES DE L'ARRONDISSEMENT DE TROYES - AUBE", crowned royal coat of arms on crossed sceptre fleurdelisé and hand of justice, surrounded by the collars of the Orders and wrapped in the royal mantle. Reverse: Title: "IN SCRIPTIS, LEX; IN ACTIS, FIDES. - 1807", hand emerging from a cloud holding a balance, within a twisted circle - Weight: 12 g - B ; { Full description in PDF catalog }

Estim. 20 - 40 EUR

Set of 9 studies on Balzac: Alain, Reading Balzac. Laboratoires Martinet, 1935. Cazauran, "Sur Catherine de Médicis" by Honoré de Balzac. Collection de l'ENS de jeunes filles, 1976. Ponceau, Paysages et destins balzaciens. Paris, Myrte, 1950. Métadier, Balzac homme politique. L'Harmattan, 2006. Vouga, Balzac malgré lui. José Corti, 1957. Bertault, Balzac et la religion. Boivin, 1942. Giraudoux, Le film de la duchesse de Langeais d'après la nouvelle de Balzac. Grasset, 1942, illustrations by Laglenne. Ki Wist, Les manuscrits de premier jet de Honoré de Balzac. Henriquez, 1964. 2 volumes in common cover. Clouzot and Valensi, Le Paris de la comédie humaine. Le Goupy, 1926, half-chagrin with corners. Lot of 12 studies on Balzac: Le Breton, Balzac l'homme et l'oeuvre. Boivin, sd. Faguet, "En lisant les beaux vieux livres". Extract from his 1911 book. Favre, Balzac et le temps présent. Flammarion, 1888. Demi-basane. Faguet, Dix neuvième siècle, études littéraires. Société française d'imprimerie et de librairie, 1900. Half-percaline. Neefs, Balzac, l'éternelle genèse. Manuscrits modernes, 2015. Brunetière, Etudes critiques sur l'histoire de la littérature française. Hachette, sd, seventh series. Dédéyan, Le faustisme romantique de Balzac. Revue des lettres modernes, n°39, Autumn 1958. Pommier, Créations en littérature. Hachette, 1955. Copy with dispatch to the writer André Maurois. Myrdal, Balzac und der Realismus Essays. Bucherei Oberbaum, 1978. Janis Glasgow, Une esthétique de comparaison - Balzac et George Sand. Nizet, 1978. Wedmore, Balzac. London, Walter Scott, 1890. Claudia Schmölders, über Balzac. Diogènes, 1977. Set of 9 studies on Balzac: Barny, Etudes textuelles 3. Volume 63, 1993, 5 texts on Balzac. Pommier, Créations en littératures. Hachette, 1955. Evans, Louis Lambert et la philosophie de Balzac. José Corti, 1951. Chardon, Expliquez-moi Balzac (2 Balzac). Foucher, 1962. Lecour, Généalogie des personnages de la Comédie humaine. Vrin, 1966. One volume and 33 folding plates. Important work. In common folder and slipcase. Voivenel, Autour des femmes et l'amour. Raoul Lion, 1950. Copy enriched with a letter to Dr. Moynier. Ingrid Ulrike Lange, Der Selbstmord in Honoré de Balzacs Comédie humaine. Romanistischer Verlag, 1995. Garnand, The influence of Walter Scott on the works of Balzac. NY, Octagon books, 1971. Weigand, Stendhal und Balzac, essays. Leipzig, Im Inselverlag, 1911. [autographs by Bardèche] Set of 15 studies on Balzac: F Germain - Honoré de Balzac, L'enfant maudit (critical edition). Paris, belles lettres, 1965. Half morocco, fine copy. Bardèche, Balzac romancier. Paris, Plon, 1940. Enriched copy with two typescript letters signed by Bardèche to Charles Gould of Bristol University. Half-percaline. Balzac and Italy. Paris, Des Cendres, 2003. Lucey, Les ratés de la famille - Balzac et les formes sociales de la sexualité. Paris, Fayard, 2008. Guise, Balzac. Nancy, Presses universitaires, 1994. Lotte, Dictionnaire biographique des personnages fictifs de la Comédie humaine. Paris, Jose Corti, 1952. Adamson, The genesis of Le Cousin Pons. Oxford university press, 1966. Swahn, Balzac et le merveilleux - étude du roman balzacien 1822-1832. Lund University press, 1991. Surville, Balzac, sa vie et ses oeuvres. Paris, librairie nouvelle, 1858. Blanchard, Témoignages et jugements sur Balzac. Paris, Champion, 1931. Lotte, Dictionnaire biographique des personnages fictifs de la Comédie humaine. Paris, Corti, 1956. Bérard, La genèse d'un roman de Balzac - Illusions perdues 1837 - du manuscrit à l'édition. Paris, Colin, 1961. Affron, Patterns of failure in La Comédie humaine. Yale university press, 1966. Prendergast, Balzac - Fiction and Melodrama. Edward Arnold, 1978. Vanoncini, Figures de la Modernité. Paris, Corti, 1984.

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