Null DONATI (Vitaliano).
Della storia naturale marina dell' Adriatico.
Venice: F…
Description

DONATI (Vitaliano). Della storia naturale marina dell' Adriatico. Venice: Francesco Storti, 1750 - In-4, 276 x 197 : (4 ff.), LXXXI pp. 10 plates. Speckled calf, cold fillet framing the boards, ornate ribbed spine, red speckled edges (period binding). First edition of the most important work by Italian physician, archaeologist and botanist Vitaliano Donati (1717-1862). "It contains general considerations on marine biology, original observations on the hydrography and geology of the eastern Adriatic coast, descriptions of some fossils, and above all a detailed presentation of the many species that live in this sea. Donati's work influenced European biological thought by demonstrating the essentially animal nature of coral reproduction and growth. The book's scientific success earned him international renown." (Dizionario Biografico degli Italiani, XLI, p. 62-63.) Donati's study is followed by a letter to Donati from Italian physician and botanist Leonard Sesler, in which he describes a new species of terrestrial plant that he named Vitaliana to honor Vitaliano Donati. The edition is illustrated with 10 plates, the last of which depicts the Vitaliana described by Sesler. EXEMPLAIRE OF THE FAMOUS BOTANIST ANTOINE-LAURENT DE JUSSIEU (1748-1836), director of the Paris Museum of Natural History, author of Genera Plantarum, one of the most important botanical works in history. Binding skilfully restored, some wear and tear. Provenance: Antoine-Laurent de Jussieu (cat. 1857, no. 419, and Livres et documents provenant des bibliothèques d'Antoine, Bernard, Antoine-Laurent et Adrien de Jussieu, 1997, no. 91).

DONATI (Vitaliano). Della storia naturale marina dell' Adriatico. Venice: Francesco Storti, 1750 - In-4, 276 x 197 : (4 ff.), LXXXI pp. 10 plates. Speckled calf, cold fillet framing the boards, ornate ribbed spine, red speckled edges (period binding). First edition of the most important work by Italian physician, archaeologist and botanist Vitaliano Donati (1717-1862). "It contains general considerations on marine biology, original observations on the hydrography and geology of the eastern Adriatic coast, descriptions of some fossils, and above all a detailed presentation of the many species that live in this sea. Donati's work influenced European biological thought by demonstrating the essentially animal nature of coral reproduction and growth. The book's scientific success earned him international renown." (Dizionario Biografico degli Italiani, XLI, p. 62-63.) Donati's study is followed by a letter to Donati from Italian physician and botanist Leonard Sesler, in which he describes a new species of terrestrial plant that he named Vitaliana to honor Vitaliano Donati. The edition is illustrated with 10 plates, the last of which depicts the Vitaliana described by Sesler. EXEMPLAIRE OF THE FAMOUS BOTANIST ANTOINE-LAURENT DE JUSSIEU (1748-1836), director of the Paris Museum of Natural History, author of Genera Plantarum, one of the most important botanical works in history. Binding skilfully restored, some wear and tear. Provenance: Antoine-Laurent de Jussieu (cat. 1857, no. 419, and Livres et documents provenant des bibliothèques d'Antoine, Bernard, Antoine-Laurent et Adrien de Jussieu, 1997, no. 91).

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Charles Saxon, Der Rennsieger humorous caricature with a jockey on his horse with an opulent winner's wreath, pencil drawing with slight yellowing on paper, around 1970, signed "Saxon" lower right, minimal traces of age, framed behind glass and mat, mat opening approx. 21 x 17 cm. humorous caricature with a jockey on his horse with an opulent winner's wreath, pencil drawing with slight yellowing on paper, around 1970, signed "Saxon" lower right, minimal traces of age, framed behind glass and mat, mat opening approx. 21 x 17 cm. Artist info: actually Charles David Isaacson, called Chuck, called himself "Saxon" as an artist, us-American illustrator, commercial and advertising artist as well as cartoonist, animated film designer and musician (1920 Brooklyn/New York City to 1988 Stamford/Connecticut), studied at Columbia University in New York City from 1936-40, artistically self-taught, at the same time drummer in various jazz bands and editor of the humour magazine "Jester", later employed as an editor at Dell Publishing, 1943-45 participated in World War 2 as a pilot in the United States Army Air Corps, then returned to New York. He then returned to New York and became editor of "Modern Screen", while also creating cartoons for "The Saturday Evening Post", 1948-49 cartoon editor of "This Week" magazine, 1950-56 editor of various Dell Public Company magazines, from 1956 employed as a cartoonist for "The New Yorker" magazine, while also working as a commercial artist for various companies such as American Airlines, Kodak etc., In 1972 he was awarded an honorary doctorate in the humanities by Hamilton College Clinton/New York, received various awards and was a prizewinner for cartoons at the Venice Film Festival, 1963 Gold Medal of the Art Directors Club and 1980 Reuben Award, from 1954 he worked in New Canaan/Connecticut, source: Wikipedia and Internet.

Pair of armchairs; attributed to VALENTINO (Astragal, Italy,1829-, Venice, 1902); Venice, c. 1880. Walnut and partially gilt embossed leather. They have tow on the inside. The original leather has been preserved and one of the moldings of the front pillar is missing. Measurements: 78 x 57 x 57 cm (x2). Pair of armchairs made of molded and carved walnut wood. Both have the same design of curved openwork backrest decorated with fantastic animals leaning on each other. The upper part of the backrest is decorated in high relief with a mask. The legs are baluster-shaped and have vegetal detailing on the knees. The style of this pair of chairs is very reminiscent of works by Valentino Besarel in fact in the book "Valentino Panciera Besarel (1829-1902) Storia e arte di una bottega d'intaglio in Veneto" you can see a very similar fireplace front made in marble. "Besarel" is a nickname of popular origin used to distinguish the artist's family from other homonymous lineages, but it has come to dominate even the surname, to the point that even in the artistic world he is known simply as "Valentino Besarel". The last representative of the "Besarel" Panciera was Valentino's daughter Caterina, who died in 1947. The Besarel family had been engaged in wood carving for generations: his great-grandfather Valentino (1747-1811), a pupil of Giampaolo Gamba "Zampòl" and disciple of the master Andrea Brustolon, his grandfather Giovanni (1778-1842) and also his father Giovanni Battista (1801-1873) had been carvers; the latter had achieved some local fame by leaving works in several churches in the Zoldo area. Valentino received his first training in his father's workshop, to which he added, in the early 1840s to the school of the Belluno draughtsman Antonio. The turning point came when he met Giuseppe Segusini, who saw him work while, following his father, he decorated the archdeaconry church of Agordo. Thanks to the architect from Feltre, he was able to attend the Accademia di Venezia from 1853 to 1855, although he was unable to complete his studies. His first independent works, also commissioned by Segusini, were Saints Peter and Paul for the high altar of the parish church of Tiser and the Four Evangelists for the cathedral of Belluno (1855-1856). Besarel worked for a long time in his native land, until in the sixties he moved to Venice, where he received great honors and European fame, to the point of becoming an official supplier to the main monarchies of the continent. Not even the disability he suffered with the loss of four fingers could interrupt Valentino's activity. They have tow in the interior. The original leather is preserved and one of the front pillar moldings is missing.