Null KISLING Moïse (1891-1953), painter of the Partis school. 
L.A.S. "Kiki" add…
Description

KISLING Moïse (1891-1953), painter of the Partis school. L.A.S. "Kiki" addressed to Ruth Thomas, Central-Park (New-York), July 2, 1945. 2 pp. in-4. Letterhead at her address, envelope enclosed, letter in French. Beautiful letter from Kisling to her friend Ruth Thomas, discussing a hypothetical return to Europe. With the armistice signed two months earlier, Kisling was not yet sure what was going to happen, especially as reconstruction was still going to take a long time. "I hope you become a good Californian, and maybe for a few more years, since our dear Europe is and will be in the shithouse for a long time to come. I, who dreamed of taking the first boat home, am still here and really don't know when I'll leave, so frightening are the letters I receive from over there! [I don't know how to explain my silence after all the letters he's sent me. [] A year later he was back in France, in Sanary sur Mer, where he would spend the rest of his life. He wrote to Ruth on December 15, 1946, saying he was looking forward to his return and his new home in France.

220 

KISLING Moïse (1891-1953), painter of the Partis school. L.A.S. "Kiki" addressed to Ruth Thomas, Central-Park (New-York), July 2, 1945. 2 pp. in-4. Letterhead at her address, envelope enclosed, letter in French. Beautiful letter from Kisling to her friend Ruth Thomas, discussing a hypothetical return to Europe. With the armistice signed two months earlier, Kisling was not yet sure what was going to happen, especially as reconstruction was still going to take a long time. "I hope you become a good Californian, and maybe for a few more years, since our dear Europe is and will be in the shithouse for a long time to come. I, who dreamed of taking the first boat home, am still here and really don't know when I'll leave, so frightening are the letters I receive from over there! [I don't know how to explain my silence after all the letters he's sent me. [] A year later he was back in France, in Sanary sur Mer, where he would spend the rest of his life. He wrote to Ruth on December 15, 1946, saying he was looking forward to his return and his new home in France.

Auction is over for this lot. See the results

You may also like

TABLEAU "USINE, FUMEUR CHAT" by Jean LAMBERT-RUCKI (1888-1967) Framed oil on panel, signed and dated "1919" upper left. Certificate of authenticity enclosed. Size: 72.5 x 60 cm Good condition He attended the Academy of Fine Arts in his hometown from an early age, where he rubbed shoulders with his compatriot Moses Kisling, under the Munich influence that prevailed in Krakow at the time. Like Kisling, his teacher was Józef Pankiewicz, who had been to France and had met the Impressionists Pierre Bonnard and Édouard Vuillard. Pankiewitz encouraged Kisling to go to Paris, and probably Rucki too. In 1909, an exhibition of Picasso's work was held in Munich. Rucki discovers Cubism and "Negro art", and travels constantly to Eastern European cities: Vienna, Moscow, where he makes portraits to earn a living. He came into contact with this milieu, in which international art from Paris was very present, and where Cubism was disseminated. As early as 1910, a traveling Art Français exhibition showed Cubist works in St. Petersburg, Moscow and Kiev. Around 1909 or 1910, Rucki saw a Gauguin exhibition in Krakow. He decided to leave for France. In February 1911, he moved to Paris and enrolled at the Académie Colarossi. There he met up again with his compatriot Moïse Kisling, who had arrived in France a year earlier. He shared a room with Modigliani on rue de la Grande Chaumière, and became very close to Soutine, who had arrived in Paris the same year. Soutine's studio was located at La Ruche, where Marc Chagall, Blaise Cendrars, Gustave Miklos and, a little later, Fernand Léger were already living.