Null Mohamed ATAALLAH known as Romain ATALA (1939-2014)
Femme Flamme [Componible…

Description

Mohamed ATAALLAH known as Romain ATALA (1939-2014) Femme Flamme [Componibles], 1977 Acrylic on panel, signed and dated lower right and countersigned on the back. H. 100 cm - L. 80 cm Very slight scratches on the lower right. Provenance: Acquired directly from the artist in Caen in the late 1970s by a relative of the artist, and kept in the same collection ever since. We would like to thank Madame Daniele Atala, wife and successor in title of the artist, for confirming the authenticity of this work.

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Mohamed ATAALLAH known as Romain ATALA (1939-2014) Femme Flamme [Componibles], 1977 Acrylic on panel, signed and dated lower right and countersigned on the back. H. 100 cm - L. 80 cm Very slight scratches on the lower right. Provenance: Acquired directly from the artist in Caen in the late 1970s by a relative of the artist, and kept in the same collection ever since. We would like to thank Madame Daniele Atala, wife and successor in title of the artist, for confirming the authenticity of this work.

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Estim. 20 - 40 EUR

Lot of 17 studies on Balzac: Jean Ygaugnin, Paris in Balzac's time and in the "Comédie humaine". La ville et la société. Nizet, 1992, paperback. George B Raser, Guide to Balzac's Paris. Imprimerie de France, 1964, paperback, fold-out map. George B Raser, The heart of Balzac's, Paris. Imprimerie de France, 1970, paperback, plates. G Gougenheim Balzac et JF Oberlin. In mélanges, 1945, I. Etudes Alsatiques, les belles lettres, 1946. Michel Butor, Improvisations sur Balzac. Tome III "scènes de la vie féminine". La Différence, 1998, paperback. [Collectif], Balzac. Paris-Match "LEs Géants", 1970, publisher's binding. Maurice Bardèche, Une interprétation de Balzac. Martel, 1951, supplement to the edition of La Comédie humaine, with a suite in black. Philippe Murray, Balzac, le 19e siècle, l'occulte. Tel quel n°39, Autumn 1981, p.5 to 40. J Maurice, Histoire de la Vallée du Lys. Imprimerie centrale de Touraine, 1973, paperback. Maurice Allem, Balzac. Hachette, 1950, paperback. Michel Thibon Cornillot, Balzac-Marx et l'argent. In "Connexions" n°25, 1978. pp.62-103. René-Alexandre Courteix, Balzac et la Révolution française. Aspects idéologiques et politiques. Puf, 1997, roché. Robert Brasillach, Le Paris de Balzac. Preface by Maurice Bardèche. L'inédit, 1984. N°227 on white laid paper, in sheets. Marcel Girard, Tours dans l'œuvre de Balzac. Promenade littéraire. City of Tours, 1999. Booklet. Romain Guignard, Balzac and Issoudun. Issoudun, Gaignault, 1949, paperback. Unesco (collective), Hommage à Balzac. Mercure de France, 1950, paperback. Alain, Reading Balzac. Laboratoires Martinet, 1935, paperback. Lot of 17 studies on Balzac: Stefan Sweig, Three Masters: Balzac, Dickens, Dostoyevsky. Belfond, 1951, paperback. René-Alexandre Courteix, L'Humanitarisme, hypocrisie de la société moderne? -Balzac's premonitory vision. L'Écritoire du Publieur, 2006, paperback. [Collectif] Textes réunis par Andrea Del Lungo et Alexandre Péraud, Envers balzaciens. La Licorne, 2001, paperback. Philippe Bertault, Balzac. Hatier, 1962, paperback. Eugène Poitou, M. de Balzac, étude morale et littéraire. From Revue des Deux Mondes, vol. 6 N° 4 (December 15, 1856) pp. 713-767. [Collective] Avec Balzac - Pour le centenaire de sa mort. Librairie Armand Colin, Sté d'Histoire Littéraire de la France, 1950, paperback. [Collective] Analyses & reflections on Balzac Le Chef-d'œuvre inconnu, Gambara, Massimilla Doni. Ellipses, 1993, paperback. Gérard Farasse Envois & Dédicaces. Presses Universitaires du Septentrion, 2010, paperback. Pal Ronai Jegyzetek Honoré de Balzac Fiatalkori Regényeihez. Budapest, 1930, paperback, consignment to Balzac bookseller Georges Courville. Dr Max Ridard, Louis Lambert et la métapsychologie balzacienne. Imprimerie R. Foulon, 1960, paperback, mailing. Alain Henry and Hilde Olrik, Le Texte alternatif - Les antagonismes du récit dans l'Histoire des Treize de Balzac. Copenhagen, Romansk Institut, January 1978. Paperback. Maurice Serval, Autour de Balzac "César Birotteau". Armand Colin, 1931. Paperback. With a letter to Serval. Madeleine Berry, Balzac. Edition universitaires, 1972, paperback. Hubert Gillot, Le Médecin de campagne -Deuxième étude balzacienne. Georges Courville, 1938. Paperback. Georges Ascoli, Balzac romancier - Le Père Goriot. Center de Documentation Universitaire, 1939. "Les Cours de la Sorbonne" Fascicule IV. Typescript paginated 77 to 96. Philippe M. Denizot, Catalogue de la Comédie humaine de Balzac. Art et Poésie de Touraine, 1969. Mimeographed self-published work, limited edition of 300 copies. Pierre-Georges Castex, Nouvelles et Contes de Balzac (Études philosophiques). Center de Documentation Universitaire, 1961. "Les Cours de la Sorbonne". Mimeograph of 92 p. Signed hand-written letter from the author to Dr. Fernand Lotte. Lot of 18 studies on Balzac: Pierre-Antoine Perrod, En marge de La Comédie Humaine. Lyon, Henneuse, 1962. Paperback. Judith Meyer-Petit, Les Mots de Balzac. Éditions Paris Musées / Actes Sud. 1999. paperback. Jacques Borel, Proust et Balzac. José Corti, 1975, paperback. Safei-El-Dine Awad and Dr. Mohamed Ambar, Balzac - Eugénie Grandet - Etudes littéraires. Cairo, Dar El Nahda, 1982. Paperback. [Collectif] Un Roman au Musée: Le Colonel Chabert. Paris Musées, 1997. Paperback. Hermann Sattler, Honoré de Balzacs Roman La Peau de chagrin. Halle, Druck von Ehrhardt Karras, 1912. paperback. Louis Bourreau, Un Roman provinois de Balzac: Pierrette. Montereau, Imprimerie Claverie, 1934. Booklet. [Collective] Issue devoted to Balzac. Revue des Sciences Humaines, N° 57-58 January-June 1950. paperback. Claude Bremond and Thomas Pavel, De Barthes à Balzac - Fictions d'un critique , critiques d'une fiction. Albin Michel, 1998. Paperback. Wolfgang Eitel, Balzac in Deutschland - Untersuchungen zur Rezeption des französicschen Romans in Deutschland 1830-1930. Lang, 1979. paperback

Estim. 5 000 - 7 500 EUR

Géza Vörös, Francis of Assisi preaching to the birds Depiction of St Francis of Assisi (1181/82 to 1226), preaching to birds under a tree on the lakeshore, the "Chronica maiora" by Matthew of Paris already reports the event in the 13th century as follows "... But the Roman people, who were hostile to everything good, despised the preaching of this man of God so much that they did not listen to him or even attend his holy exhortations. Finally, after they had refused to accept his preaching for many days, Francis severely rebuked their hardness of heart: "I am greatly grieved," he said, "at your unhappy situation, for you not only spurn me, the servant of Christ, but also despise him in me, since I proclaim to you the Good News of the Saviour of the world. Therefore I now leave Rome, and in your desolation I invoke the testimony of him who is the faithful witness in heaven; and to your shame I will proclaim the Good News of Christ to the wild beasts and the birds of the air, that they may hear the healing words of God, obey them and find peace." ...", colourful, stylised contour painting, oil on canvas, signed "vörösgéza" in ligature in Hungarian at lower right, old fragmentary Hungarian label of the "Nemzeti Szalon Budapest [National Salon Budapest]" on the reverse with partly illegible handwritten additions "... A mű cime: Szent Ferenc prédikál [Eng.: The title of the work: St Francis preaches] A műneme: olajfestnej [Eng.: His work: oil painting]" as well as other labels and illegible annotations and the stamp "Nürnberg Kiállítás [Eng.Exhibition] 1929", from 23.02.-14.04.1929 the "Exhibition of Modern Hungarian Art" took place in Nuremberg, the painting was shown at the exhibition and is listed as follows on page 37 in the exhibition catalogue (copy enclosed) "Vörös Géza ... 413 Hl. Franziskus mit den Vögeln 1927 Öl ...", craquelure, retouching, framed, folded dimensions approx. 70.5 x 70.5 cm. Artist information: actually Géza Róth, called himself "Géza Vörös" from 1917, signed "vörösgéza", Hungarian Jewish, later Protestant painter and graphic artist (1897 Nagydobrony [today Ukraine: Велика Добронь resp. Welyka Dobron] until 1957 Budapest), from 1916 in Budapest, studied 1917-20 at the Budapest Academy under Ede Balló, Dezső Pécs-Pilch and István Réti, undertook several study trips to Paris, participated in exhibitions from 1920, 1922-24 member of the painters' colony Szolnok on the Tisza and pupil of Adolf Fényes, around 1925 temporary member of the artists' colony Nagybánya [today: Baia Mare in Romania), 1929 to the 1940s active in the Szentendre artists' colony on the Danube near Budapest and in Zebegény, 1939 study trip to Italy, internment in a labour camp during World War 2. Internment in a labour camp during the Second World War, from 1948 founding member of the Nagymaros painters' colony, member of the New Artists' Association and New Society of Artists, influenced by Hugó Scheiber, source: Thieme-Becker, Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Bénézit and Hungarian Wikipedia.

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