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TEACHING THE ARABIC LANGUAGE - 2 BOOKS : - by L. MACHUEL, 1888, Director of Public Education in Tunisia. From Adolphe Jourdan, bookseller-publisher in Algiers, 4 place du Gouvernement. "MANUEL DE L' ARABISANT ou RECUEIL DE PIECES ARABES. first part: administrative, judicial, political etc. letters preceded by a form and followed by a vocabulary - (binding to be redone). Publisher's delivery in linen cloth. - by CASPARI and URICOECHEA - Maisonneuve éditions 1881. "ARAB GRAMMAIRE" - 532 pages - publisher's blue cloth binding.

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TEACHING THE ARABIC LANGUAGE - 2 BOOKS : - by L. MACHUEL, 1888, Director of Public Education in Tunisia. From Adolphe Jourdan, bookseller-publisher in Algiers, 4 place du Gouvernement. "MANUEL DE L' ARABISANT ou RECUEIL DE PIECES ARABES. first part: administrative, judicial, political etc. letters preceded by a form and followed by a vocabulary - (binding to be redone). Publisher's delivery in linen cloth. - by CASPARI and URICOECHEA - Maisonneuve éditions 1881. "ARAB GRAMMAIRE" - 532 pages - publisher's blue cloth binding.

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Estimate 30 - 45 EUR

Starting price 25 EUR

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JOSE MARIA MIJARES (Havana, 1921-2004). "Bird. Oil on canvas. Enclosed certificate María Antonia Cabrera de Mijares. Provenance Doña María Antonia Cabrera de Mijares, widow of the artist. Measurements: 90 x 121 cm; 117 x 150 cm (frame). In this work the autochthonous referents are fused with the formal language learned in Europe to produce works where the characters of the Yoruba pantheon that will populate great part of his later production already appear. The Cuban school of the 20th century was characterized by embracing the European avant-garde and developing, on that basis, a language of its own. This generalized current of artists trained in Europe, who returned to Cuba, meant a great artistic impulse for the country. Thanks to painters who fused their roots and experiences, thus creating a new personal and independent language as can be seen in the representation of this bird. A symbol that was used on several occasions by Mijares, who resorted to the symbolism of the bird as the protagonist of some of his compositions. Mijares, considered one of the great 20th century Cuban and Latin American artists, studied at the San Alejandro National School of Fine Arts in Havana, where he taught. Among his teachers were Romanach, Menocal, Valderrama, Ramon Loy, Caravia and others. It was Mijares himself who recognized that one of his most influential teachers was Ponce, who helped him develop his own style of expression. He was a member of the group Diez Pintores Concretos. Between 1968 and 1973 he was a member of Grupo Gala in Miami, where he settled at the age of 47. He directed Alacrán Azul magazine in Miami. He held his first exhibition at the Havana Lyceum (1947). In the eighties he exhibited in Coral Gables, Florida, where he reiterated his presence. In 1994 the Cuban Museum of Art and Culture of Miami dedicated a retrospective to him. Also the Alfredo Martinez Gallery of Coral Gables would organize an ontological one in 1996. As for group exhibitions, it is worth mentioning his participation in the Venice Biennial of 1952. He is represented at the Cintas Foundation in New York, the Loewe Art Museum, Florida; the Museum of Modern Art of Latin America in Washington, D.C., and the Museum of Modern Art in New York. Mijares' well-deserved recognition came mainly from knowing how to harmonize his universal vocation with the search for an autochthonous Cuban language. His works are characterized by illustrating a personal, expressive artistic style, with a special poetics that values at the same time the versatility of his plastic resources and an exquisite sensitivity in handling different themes. Sometimes starting from a colorful postcubism through which he practically enters into abstraction, but without losing the referential thread. The Florida International University awarded Mijares an honorary doctorate in fine arts in December 2001. In 2002, he opened the Mijares Gallery in Coral Gables, where his latest works were exhibited. Attached certificate María Antonia Cabrera de Mijares.

Lot 296

Estim. 750 - 1 500 EUR

MARIA MIKILEVA (1988)

Lot 535

Estim. 20 - 40 EUR

Set of 16 studies on Balzac: Ingrid Fischer-Zach, Die Bildwelt der "Comédie Humaine". Eine Untersuchung zur Metaphorik H. de Balzacs. Freiburg i. Br., 1969. Paperback. André Bellessort, Balzac et son oeuvre. Perrin, 1946, half cloth. Katharine Prescott Wormeley, Personal Opinions of Honoré de Balzac. Boston, Little Brown, 1899. Publisher's full cloth. Emil Ludwig, Kunst und Schicksal - Vier Bildnisse. Berlin, Ernst Rowohlt Verlag, 1927. Full cloth publisher. Maurice Descotes, Le Monde de l'enseignement dans l'œuvre romanesque de Balzac. Cahiers de l'Université, special issue 1985. Paperback. Emmanuel Querouil, Le Père Goriot et le roman d'éducation. Pierre Bordas, 1986. Paperback. Arsène Houssaye, Histoire du 41e fauteuil. Excerpt: chapter X "Balzac" pp. 233 to 237. L. Petit de Julleville. Histoire de la langue et de la littérature française des origines à 1900. Armand Colin, 1913. Volume VII, paperback. Hanns Heiss, Balzac, sein Leben und seine Werke. Heidelberg, Carl Winters Universitätbuchhandlung, 1913. full cloth. Pierre Laubriet, Un catéchisme esthétique: Le Chef-d'œuvre inconnu de Balzac. Paris, Didier, 1961. Paperback. Ramon Fernandez, Balzac ou l'envers de la création romanesque. Grasset, 1980. Paperback. Comte de Gobineau, Études critiques (1844-1848). Simon Kra, 1927, paperback, 600 copies on vellum. Herbert J. Hunt, Balzac's Comédie humaine. University of London, The Athlone Press, 1959. Full cloth. [Collective] Balzac dans le monde. Éditions contemporaines, Boivin et Cie, 1950. Paperback. Per Nykrog, La Pensée de Balzac dans La Comédie humaine. Copenhagen, Munksgaard, 1963. Full cloth. Dr. W. R. Bett, The Infirmities of Genius. London, C. Johnson, 1952. Full cloth. Lot of 18 studies on Balzac: Zola, Les romanciers naturalistes. Paris, Charpentier, 1923. Half-bound. Zola, le roman expérimental. Paris, Charpentier, 1923. Half-bound. Sergio de Pilato, Balzac e il mondo Giudiziario. Napoli, Edizioni "La Toga", 1937. Paperback. Gérard Gengembre, Balzac Le Napoléon des lettres. Gallimard, 1992. Paperback. Paul Albert, La Littérature française au XIXe siècle. Librairie Hachette et Cie, 1885. Demi-basane. Rémy Montalée, Reading Balzac. Paris, Eugène Figuière, 1925. Paperback. Pierre Abraham, Balzac. Rieder, 1929, paperback. Ferdinand Brunetière, Honoré de Balzac. Calmann-Lévy, sd, paperback. Philippe Bertault, Balzac et la musique religieuse. Paris, Naert, 1929, paperback, mailing to Pierre Abraham. Philippe Bertault, Introduction à Balzac. Odilis, 1963, publisher's hardback. André Le Breton, Le Roman Français au XIXe Siècle -Avant Balzac - Boivin et Cie, éditeurs, [1901]. Paperback. Simone Lang, Balzac-Express, La Comédie humaine. Éditions Saint-Germain-des-près, 1973. Paperback. Max Milner, Presentation of Massimilla Doni by Honoré de Balzac. José Corti, 1964. Paperback. Anne-Marie Baron, Le Fils prodige, L'Inconscient de La Comédie humaine. Paris, Nathan, 1993. Paperback. Diana Festa McCormick, Les Nouvelles de Balzac. Paris, Nizet, 1973. Paperback. Emile Faguet, Balzac. Hachette, 1913, bradel binding. Dr. Henri Favre, Balzac et le temps présent. Marpon et Flammarion, 1888, paperback. Jean-Daniel Gollut and Joël Zufferey, Construire un monde - Les phrases initiales de La Comédie humaine. Delachaux et Niestlé, 2000. Paperback. Lot of 14 studies on Balzac: Paul Flat, Essais sur Balzac. Plon, Nourrit, 1893, paperback. Paul Flat, Seconds essais sur Balzac. Plon, Nourrit, 1894, paperback. Richard Beilharz, Balzac. Darmstadt, Wissenschaftliche Buchgesellschaft, 1979, paperback. Philippe Bertault, Introduction à Balzac. Odilis, 1963, publisher's hardback, mailing to Balzac bookseller Georges Courville. Mary F. Sandars, Honoré de Balzac, his life and writings. New York and London, Kennikat Press, 1970. Full cloth. [Collective] Hermétisme et Poésie - Comédie italienne et Théâtre français - Honoré de Balzac. Cahiers de l'Association Internationale des Études françaises, 1963. Paperback. Alphonse Pagès, Balzac moraliste. Michel Lévy Frères, 1866. Half-percaline. Alphonse de Lamartine, Balzac et ses œuvres. Michel Lévy Frères, 1866. Half basane. Gilbert Guislain, Balzac (Collection "Panorama d'un auteur") Studyrama, 2004. Paperback. Juliette Grange, Balzac, L'argent, la prose, les anges. La Différence 1990. Paperback. Arlette Michel, Le Mariage chez Honoré de Balzac - Amour et féminisme. Société d'édition "Les Belles Lettres", 1978. Paperback Paul Bourget, Études et portraits - Sociologie et littérature. Plon-Nourrit et Cie, 1906. Full cloth. Pierre-François Mourrier, Balzac, l'injustice de la loi. Éditions Michalon, 1996. Paperback. Ferdinand Brunetière, Honoré de Balzac. Calmann-Lévy, 1906. Half cloth.

MARIA MIKILEVA (1988)

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