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HAUTS DE FRANCE (59 - 62 - 82). Collection of 240 old and semi-modern postcards. Various towns and villages, the coast, ports, cliffs...

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HAUTS DE FRANCE (59 - 62 - 82). Collection of 240 old and semi-modern postcards. Various towns and villages, the coast, ports, cliffs...

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Estimate 90 - 120 EUR

Starting price 75 EUR

* Not including buyer’s premium.
Please read the conditions of sale for more information.

Sale fees: 24 %

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Sale closing from
Monday 22 Jul - 10:00 (CEST)

lille, France

Arthema Auction
+33662051231

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Sammlung

Lot 143

Estim. 35 000 - 55 000 EUR

Alain JACQUET (1939-2008) "Le déjeuner sur l'herbe" (1964) Cellulosic serigraphs on paper mounted on canvas. Diptych signed and dated. (Traces of an old tear restored at the top of each panel). 176 x 200 cm Provenance : - Former collection of Mr. René Bernard, art journalist with L'Express. Purchased directly from Alain Jacquet around 1966. - Private collection, Oise, by descent. Exhibitions : Museum of Contemporary Art, Chicago, 1968, a similar example exhibited, Alain Jacquet, Muzeum Sztuki, Lodzi, Poland, 1969, a similar piece exhibited and reproduced in the exhibition catalog, page 5, Pop Art, Nouveau Réalisme, Casino Communal, Knokke le Zoute, 1970, a similar piece exhibited, Donut Flight 6078, Musée d'Art Moderne, Paris, 1978, a similar piece exhibited, Les Uns par les autres, 8th Lille Festival, Musée des Beaux-arts, Lille, 1979, a similar work exhibited, Alain Jacquet, Galerie Jousse-Seguin, Paris, 1991, a similar work exhibited. The Pop image, Marlborough Gallery, New-York, 1993, a similar work exhibited. Passions Privées, Musée d'Art Moderne, Paris, 1995, a similar work reproduced in the exhibition catalog, p. 458, De Klein à Warhol, Centre Pompidou, Paris, 1998, a similar work exhibited and reproduced in the exhibition catalog, p. 84, Figuration Narrative, University Museum and Art Gallery, Hong Kong, 1998, a similar example reproduced in the exhibition catalog p. 59 Alain Jacquet œuvres de 1951 à 1998, Musée de Picardie, Amiens, 1998, a similar example reproduced in the exhibition catalog p. 35 La Figuration Narrative des années 60-70, Hospice Comtesse, Lille, 2007, a similar example reproduced in the exhibition catalog, Les années Pop, Centre Pompidou, Paris, 2001, a similar copy shown, Europop, Dumont, Zurich, 2008, a similar copy shown... Bibliography : Helen's Boomerang, Alain Jacquet, éditions Givaudan, Paris, 1978, similar copy reproduced on p. 44 25 ans d'Art en France - 1960-1985, éditions Larousse, Paris, 1986, similar copy reproduced p. 118 Pierre Restany, Alain Jacquet - Le déjeuner sur l'herbe, 25th anniversary, Turin, 1989, Duncan Smith, Alain Jacquet, éditions Art Press, Paris, 1990, a similar copy reproduced p. 5 and 32 Catherine Millet, L'art contemporain en France, éditions Flammarion, Paris, 1994, a similar copy reproduced on p. 104 Votre collection - L'Art contemporain en France, éditions Cercle d'Art, Paris, 2001, similar copy reproduced p. 44 Guy Scarpetta, Alain Jacquet - camouflages 1961-1964, éditions Cercle d'Art, Paris, 2002, one similar copy reproduced p. 98 and 99 Collection Art Contemporain, La collection du Centre Pompidou, Paris, 2007, a similar example reproduced on p. 232, Collection 2, Musée d'Art Moderne de la ville de Paris, éditions Paris Musée, 2008, a similar copy reproduced on p. 311, La résistance des images, Patinoire Royale, Brussels, 2015, a similar copy reproduced in the exhibition catalog, p. 13, Alain Jacquet, des images d'Epinal aux camouflages, Galerie Georges Philippe Vallois, Paris, 2015, a similar copy reproduced p. 83 * Reminder: In accordance with the conditions of sale, the buyer is responsible for the resale right on this lot (4% of the hammer price only from €750 to €50,000, 3% from €50,000.01 to €20,000 and decreasing thereafter). ATTENTION! BIDS AND PURCHASE ORDERS ON THIS LOT ARE SUBJECT TO CONDITIONS. IN ORDER TO BID ON THIS LOT PLEASE CONTACT THE FIRM: [email protected] Please note that bids and absentee bids on this lot are subject to conditions. To bid on this lot you must contact the auction house at: [email protected]

Lot 197

Estim. 5 000 - 7 000 EUR

RARE CONSOLE À L'ÉTRUSQUE PAR GEORGES JACOB (1739-1814)

Lot 15

Estim. 7 000 - 10 000 EUR

LOUIS XIII PERIOD CABINET In ebony and blackened wood veneer, the front opening with two drawers at the top, two leaves illustrating Le Repos pendant la Fuite en Egypte and La Sainte Famille avec Jean Baptiste enfant revealing an interior with fourteen drawers around the two central doors, an interior theater in violet, amaranth and satinwood with eight drawers, the base opening with two drawers, supported by six tapered uprights joined by a strut top and finished with flattened ball feet of later period;accidents and missing parts H.:184,5 cm (72 ½ in.) l.:155 cm (61 in.) P. 59 cm (23 ¼ in.) A Louis XIII ebony, ebonised, kingwood, amaranth and satinwood cabinet on stand This lot is sold in aid of the 30 Millions d'Amis Foundation. This lot is being sold in aid of 30 Millions d'Amis. * Information for buyers: When leaving the EU, a CITES re-export certificate may be required, at the expense of the future buyer. * Information to buyers: For an exit from the EU, a CITES re-export certificate will be necessary, at the buyer's expense. Ebony, used as early as the Middle Ages for the creation of small objects, became widespread in the 16th century for the manufacture of small pieces of furniture. It wasn't until the 17th th century, with the development of the ebony trade, that it became widely used for cabinets. A precious wood that is very difficult to carve, it is used for veneering, giving rise to the word cabinetmaker, to designate the craftsmen who adorn furniture with ebony and, more generally, veneered wood, as opposed to the joiner who works with solid wood. Our cabinet is typical of Parisian production in the first half of the 17th century, combining German influences in the shape of the piece, the use of ebony and the wavy decoration of the moldings, and French influences in the carved decoration. A piece of ceremonial furniture of imposing proportions, the upper part is crowned by a cornice and drawers, and opens to reveal two leaves with drawers and a niche decorated with polychrome perspective decoration, contrasting with the sobriety of the whole and creating a surprise effect. Decorated with carved scenes taken from engravings, which were intensively traded in Paris in the 17th century, they take up religious subjects from the Old and New Testaments or mythological subjects. The fashion for these cabinets dates back to the 1620s-1630s, reaching its peak in the 1640s-1650s and dying out after 1660. They were worn by leading figures in the kingdom such as Richelieu, Mazarin and Chancellor Séguier, as well as by members of the court, the aristocracy and the bourgeoisie in France and England. Among the few comparable pieces to have appeared on the market in recent years, let's recall the example sold at Christie's London on April 27, 2016, lot 226, or the one from the Gustav Leonhardt collection, sold at Sotheby's Amsterdam on April 29, 2014, lot 432.