Null MATERIAL - FRANCE - Pre-printed LEUCHTTURM ALBUM with limpid Hawid pockets …

Description

MATERIAL - FRANCE - Pre-printed LEUCHTTURM ALBUM with limpid Hawid pockets installed for hingeless collecting. INTERIEUR luxe complet de 1849 à 1999 - 13-hole sheets on 170-gram paper for maximum protection. Publisher's value, approx. 1,000 (one thousand) euros.

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MATERIAL - FRANCE - Pre-printed LEUCHTTURM ALBUM with limpid Hawid pockets installed for hingeless collecting. INTERIEUR luxe complet de 1849 à 1999 - 13-hole sheets on 170-gram paper for maximum protection. Publisher's value, approx. 1,000 (one thousand) euros.

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Estim. 200 - 250 EUR

Regionalist school, late 19th century "Two old women". Unsigned oil on canvas. Stamp on the stretcher of Alexandre Le-Franc's company, one of the first French companies to sell artists' materials. 46 x 55 cm Slight indentation of the canvas

Estim. 80 - 120 EUR

Paper mill. France, circa 1900. Paper mill. France, circa 1900. Containing small writing materials.

Estim. 2 000 - 2 400 EUR

MODEST CUIXART I TÀPIES (Barcelona, 1925 - Palafrugell, Girona, 2007). Untitled, Madrid, 1970. Mixed media on paper. Signed and dated in the upper left corner. Certified by the artist on the back. Size: 36 x 50 cm; 52 x 63 cm (frame). Cuixart initially studied medicine, but soon abandoned his studies to devote himself to painting and entered the Academia Libre de Pintura in Barcelona. In 1948 he took part in the founding of the group Dau al Set, together with Brossa, Ponç, Tàpies and Tharrats, among others. Concerned with the plastic value of the sign, his work has from the outset a strong kinship with surrealism, as well as a great sensitivity towards the expressive power of colour. Towards 1955 he immersed himself in material informalism. In 1959 he won first prize at the São Paulo Biennial and exhibited at the Documenta in Kassel, and the following year he took part in an exhibition of Spanish avant-garde works at the Tate Gallery in London and the Guggenheim Museum in New York. In the 1970s he exhibited in numerous national and international capitals, including Paris, Madrid, São Paulo, Amsterdam, Tokyo, Basel, Barcelona and Milan, among others. In the following decade, Cuixart gradually freed his painting from its aggressive aspects to give it a more lyrical tone. He also took part in a group exhibition at the Palais de l'UNESCO in Paris, was awarded the Cross of Saint George by the Generalitat de Catalunya and the Cross of Isabella the Catholic. In 1988 he holds an anthological exhibition in Japan, in the cities of Kobe and Tokyo. He continues to work with exuberant colours and forms, and reincorporates a more material figuration into his work. In 1998 the foundation named after him was created in Palafrugell, and the following year he was awarded the Gold Medal for Merit in Fine Arts by the Ministry of Culture. He is represented in the Museo Nacional Centro de Arte Reina Sofía, the Tate Gallery in London, the Museo Nacional de Arte de Cataluña, the Contemporary Art Museums of Madrid, Barcelona and Saint-Etienne (France), the Patio Herreriano in Valladolid, the Museo de Grabado Español Contemporáneo in Marbella, the Museo de Arte de la Universidad de São Paulo, the Museo de Arte Abstracto in Cuenca and the Museo del Ampurdán, among many others.

Estim. 2 500 - 3 000 EUR

ANTONI TÀPIES PUIG (Barcelona, 1923 - 2012). "Cistell", 1991. Aquatint and silkscreen, copy 15/30. Signed and numbered in pencil. Measurements: 91 x 62 cm; 100 x 72 cm (frame). Co-founder of "Dau al Set" in 1948, Tàpies begins to exhibit in the Salones de Octubre in Barcelona, as well as in the Salón de los Once held in Madrid in 1949. After his first solo exhibition at the Layetanas Galleries, he travels to Paris in 1950, with a scholarship from the French Institute. In 1953 he had a solo exhibition at Martha Jackson's New York gallery. From then on, his exhibitions, both collective and individual, were held all over the world, in outstanding galleries and in museums such as the Guggenheim in New York or the Modern Art Museum in Paris. Since the seventies, anthologies have been dedicated to him in Tokyo, New York, Rome, Amsterdam, Madrid, Venice, Milan, Vienna and Brussels. Self-taught, Tàpies has created his own style within the avant-garde art of the 20th century, combining tradition and innovation in an abstract style but full of symbolism, giving great importance to the material substratum of the work. It is worth mentioning the marked spiritual sense given by the artist to his work, where the material support transcends its state to signify a profound analysis of the human condition. Tàpies' work has been highly valued internationally, being exhibited in the most prestigious museums in the world. Throughout his career he has received numerous awards and distinctions, including the Praemium Imperiale of Japan, the National Culture Award, the Grand Prix de Painting in France, the Wolf Foundation of the Arts (1981), the Gold Medal of the Generalitat de Catalunya (1983), the Prince of Asturias Award for the Arts (1990), the Picasso Medal of Unesco (1993) and the Velázquez Prize for the Plastic Arts (2003). Antoni Tàpies is represented in major museums around the world, such as the foundation that bears his name in Barcelona, the Reina Sofía in Madrid, the Guggenheim in Berlin, Bilbao and New York, the Fukoka Art Museum in Japan, the MoMA in New York and the Tate Gallery in London.

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