Null Albert Buikema. 1949 - 1994. Jazz ballet dancer. Oil on linen. Dimensions: …

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Albert Buikema. 1949 - 1994. Jazz ballet dancer. Oil on linen. Dimensions: H 50 x W 40 cm. In good condition.

1357

Albert Buikema. 1949 - 1994. Jazz ballet dancer. Oil on linen. Dimensions: H 50 x W 40 cm. In good condition.

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Estim. 500 - 600 EUR

Atelier KARL HAGENAUER (Austria, 1898 - 1956). "Ballerina". Austria, ca. 1940-50's. Silver-plated metal. No signature. Black metal base. It presents wear and some lack in the polychrome of the base. Measurements: 42 x 24 x 5 cm (figure); 2 x 40 x 9 cm (base). In the making of this slender dancer, Karl Hagenauer's style is evident: an essential and synthetic modeling typically Art Deco, but without avoiding naturalism. The son of the goldsmith Carl Hagenauer, Karl studied at the Vienna School of Arts and Crafts, where he was taught by Josef Hoffmann and Oskar Strnad and imbued with the spirit of the Wiener Wekstätte. After obtaining his diploma in architecture, between 1917 and 1919 he did his military service, and upon his return he began working as an architect and in his father's workshop. During these years he created numerous pieces in silver, brass, copper, enamel, ivory, stone and wood. In 1928, after his father's death, he took over the management of the workshop and was responsible for the expansion of the firm, expanding production to include cabinetmaking and opening stores in Vienna and Salzburg. From then on he exhibited his best pieces both in Austria and abroad, was twice awarded the gold medal at the Milan Triennale and was named a member of the Austrian Werkbund and the Werkstätte. Today his pieces are part of collections around the world, including the Victoria & Albert Museum in London, the MoMA and the Jewish Museum in New York, the Casa Lis in Salamanca and many others.

Estim. 14 000 - 15 000 EUR

HANNAH COLLINS (United Kingdom, 1956). "Kitchen. La Laboral Gijón". 2006 Digital print on canvas. Diptych. With Joan Prats gallery stamp on the back. Provenance: Joan Prats Gallery. Barcelona. Measurements: 192 x 274 cm. This photograph was part of the solo exhibition "A future Life", held in 2006 at the Joan Prats gallery in Barcelona. Hannah Collins' photographic work is a reflection on the passage of time and the presence of the human trace in different environments. Her photographs of interior spaces reveal an implicit, latent social history. For the artist, fleeting glimpses of cities do not provide a full understanding of their existence. Far from the documentary character, her scenes consciously mix that reality with a fiction that gives them a new meaning. The dreary, institutional "Kitchen" shown in this photograph is part of the artist's research on migrant lives and memory. It is worth linking it to a later series she would present at LABoral Centro de Arte y Creación Industrial in Gijón (2017), entitled "The Fragile Feast", which focused on kitchen photography, and opened a dialogue between culinary art and photographic art. A British artist and filmmaker, Hannah Collins studied at the Slade School of Fine Arts in London, and later extended her training in the United States thanks to a Fullbright scholarship (1978-79). Throughout her career she has held important solo exhibitions in leading art galleries and art centers in Europe and America, and has participated in group exhibitions held at the Victoria & Albert Museum in London (1987, 1989, 1989, 1989). Albert Museum in London (1987, 1989, 1989, 1995, 2002), the Centre National des Arts Plastiques in Paris (1989), the Museum of Modern Art in Kyoto (1990), the Fundació Joan Miró in Barcelona (1992, 1998), the Museo Español de Arte Moderno in Madrid (1994, 2008), the Saatchi Gallery in London (1994), the Helga de Alvear Gallery in Madrid (1999), the Tate Modern in London (2000), the Centre Georges Pompidou in Paris (2006) and the Kulturhaus in Vienna (2011), among others. Based between London and Barcelona, in 1993 she was nominated for the Turner Prize, in 1991 she won the European Photography Award and in 2004 the Olympus Award. She is currently represented at the Tate Modern in London, the Centre Georges Pompidou in Paris, the MNCA Reina Sofía in Madrid, the MACBA in Barcelona and other public and private collections in Europe and America.

Estim. 150 - 180 EUR

MARKEVITCH Igor (1912 - 1983) MARKEVITCH Igor (1912 - 1983) MUSIC - MARKEVITCH Igor (1912 - 1983) - Autograph letter signed Autograph letter signed, dated “15 Mai 69” by the Ukrainian composer and conductor. Markevitch gained important recognition in 1929 when choreographer-impresario Serge Diaghilev discovered him and commissioned a piano concerto from him. In addition, Diaghilev invited him to collaborate on a ballet with Boris Kochno, a dancer and librettist. He produced at least one major work per year during the 1930s. He was rated among the leading contemporary composers of the time, even to the extent of being hailed as "the second Igor", after Igor Stravinsky. Addressed to the count Franco Zaffrani: “…Je n’avais pas répondu à ton mot du Lancaster qui m’a rejoint à New York (…) Comme toi, je suis très fidèle à mes amitiés, même si les circumstances me tiens éloignée de ceux qui j’aime…”. 1 p. In-4. With letterhead. Envelope with autograph address included. - This item is under temporary import. If the item is delivered within the United Kingdom, it will be subject to a 5% Value Added Tax (VAT) on the hammer price.

Starting price 20 EUR

Jean-Albert BOURGADE (born 1949). Landscape. Lithograph. Signed in the plate lower left, dedicated lower left, titled, signed and dated 1973 in pencil lower right. 27 x 33.5 cm (view). Under glass.

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