Null Chaouabti inscrit sur neuf bandes horizontales au nom du scribe Pareneb. Il…

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Chaouabti inscrit sur neuf bandes horizontales au nom du scribe Pareneb. Il porte le collier ousekh, la perruque à méchettes et les instruments aratoires peints Faïence bleu turquoise à rehauts noirs Egypte, Nouvel Empire, XIXe dynastie, 1292-1185 av. J.-C. H: 15,8 cm

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Chaouabti inscrit sur neuf bandes horizontales au nom du scribe Pareneb. Il porte le collier ousekh, la perruque à méchettes et les instruments aratoires peints Faïence bleu turquoise à rehauts noirs Egypte, Nouvel Empire, XIXe dynastie, 1292-1185 av. J.-C. H: 15,8 cm

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Large funerary statuette, oushebti Egypt New Kingdom, 18th-20th Dynasty, 1550-1186 B.C. Wood H. 31 cm Very large mummiform statuette, only the hands protruding from the shroud are visible, the arms are crossed over the chest. Two long sections of the tripartite wig fall on the chest, and a wide section on the back. The face is finely sculpted, marked by prominent cheeks and full lips with a mysterious smile. The grace of this face is reminiscent of early New Kingdom statuary. Some traces of polychromy remain on the eyes and mouth. Chaouabtis were first introduced in the Middle Kingdom as substitutes for mummies in the event of their destruction. During the Second Intermediate Period, inscribed wooden statuettes called chaouabtis (after the Egyptian word for wood, chawab) began to be placed in tombs, and in the New Kingdom, chaouabtis took on a new role as servants of the deceased. They may be depicted with farming implements. By the Third Intermediate Period, the number of chaouabtis placed in the tomb could reach 401 (365 workers and 36 supervisors). During the Late Period, the name of these funerary statuettes changed. They were called oushebtis (responders). They represented servants who responded as if by magic when called upon to perform agricultural tasks for the deceased in the afterlife. Their main function was to ensure the comfort and freedom of the individual from daily labor in the afterlife. Provenance : - Former private collection of Colonel Tweedie, acquired in Exeter (UK) September 1953 - Former private collection of Ernst Dreyfus, Switzerland (died 1978), then through family descent. Comparative literature : - G. James, Shabtis, A Private View, Paris 2002 - J. & L. Aubert, Statuettes Egyptiennes, Chaouabtis et Oushebtis, Paris 1974

GIORGIO GRIFFA Turin 1936 "Horizontal Strips" 67x181, acrylics on canvas, ex. 4/15 Formerly Galleria Multipli, Turin (label on back with title and print run)

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