Null Probably Hermann-Josef Stein '87, Schwalbenschwanz, etching, no. 29/60, ger…

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Probably Hermann-Josef Stein '87, Schwalbenschwanz, etching, no. 29/60, ger./glass, RG 40 x 30.5cm.

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Probably Hermann-Josef Stein '87, Schwalbenschwanz, etching, no. 29/60, ger./glass, RG 40 x 30.5cm.

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Starting price 190 EUR

Marcel GROMAIRE Macbeth, Shakespeare: the fight, 1958 Original etching Signed in pencil Limited to 60 unnumbered copies On Montval laid paper 38x28.5 cm References: François Gromaire no. 187 to 206, Monod no. 10289 Information: This work is one of sixty albums (out of one hundred and eighty copies) featuring a suite of twenty original etchings, signed by the artist. The etchings were printed by Raymond HAASEN. The copperplates were scratched after printing. Very good condition. Mandatory shipping, up to 5 lithographs in your parcel for €14.76 incl. VAT in Metropolitan France, and €29.64 incl. VAT for Europe (Transport insurance not included, see CGE).

Starting price 100 EUR

F. KOBELL (1740-1799), Figures at rapids, 1774, Etching Ferdinand von Kobell (1740 Mannheim - 1799 Munich): Landscape with torrent and figures at rapids, 1774, Etching Technique: Etching on Paper, mounted on Paper Stamp: Verso Collector's stamp, Lugt no.: 2239b. Unknown/not identified. Mark: "R.S". unknown. 20th century Verso Collector's stamp, Unknown/not identified. Mark: "L". Inscription: Lower middle signed in the printing plate: "F. Kobell". Lower middle dated: "1774". Date: 1774 Description: A detailed, monochrome work of art conveys a scenic landscape. An idyllic depiction shows a river winding its way through a rocky valley. Lush trees flank the scene, while a figure in the foreground climbs over stones. Keywords: artwork; monochrome; landscape; idyll; river; rocks; valley; trees; nature; scenery; figure; stones; lushness; richness of detail; depiction; graphics, 18th century, Classicism, Landscape, Germany, Size: Paper: 11,7 cm x 9,2 cm (4,6 x 3,6 in), Plate: 10,8 cm x 8,5 cm (4,3 x 3,3 in)

Starting price 80 EUR

N. BITTNER (1786) after DE PIAN (1784), Destruction of Jerusalem, theatre backdrop, around 1818, E Norbert Bittner (1786 - 1851 ) after Antonio de Pian (1784 Venice - 1851 Vienna): Destruction of Jerusalem, theatre backdrop with antique, orientalising city architecture, c. 1818, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "N. Bittner f. N. 87 / de Pian invt.". At the lower part inscribed: "La Destruzione die Gerusaleme". Date: c. 1818 Description: This work shows an idyllic veduta, captured in an etching. The picture reveals a composition of various architectural elements - Gothic spires, a classical dome and an Egyptian pyramid shape - embedded in an exotic landscape with palm trees. Architectural precision and the atmospheric play of light characterise the depiction, which suggests an imagined, idealised scenery. Source: Norbert Bittner (1786 -1851 ) Theaterdecorationen nach den Original Skitzen des k.k. Hof Theater Mahlers Anton de Pian, gestochen und verlegt von Norbert Bittner, um, 1818, No. 87 | Theater, Landscape, Architecture Keywords: Etching; Veduta; Architecture; Gothic; Classicism; Egypt; Dome; Pyramid; Palm trees; Landscape; Exoticism; Play of light; Imagined; Idealised; Idyll; Art history; Composition; Atmosphere; Accuracy of detail; Precision, 19th century, Romanticism, Architecture, Austria, Vienna, Size: Paper: 17,5 cm x 21,8 cm (6,9 x 8,6 in), Plate: 13,3 cm x 15,6 cm (5,2 x 6,1 in)

Starting price 350 EUR

Pechstein, MaxKöpfe. Original-Mappe mit Deckelillustration für die Edition 10 Holzschnitte. Berlin, Fritz Gurlitt, 1919. Druck in Rot auf bräunlicher Pappe. 60 x 48,5 cm. OHLwd. (etw. fleckig, berieben u. bestoßen). Expressionismus Pechstein, Max Köpfe. Original-Mappe mit Deckelillustration für die Edition 10 Holzschnitte. Berlin, Fritz Gurlitt, 1919. Druck in Rot auf bräunlicher Pappe. 60 x 48,5 cm. OHLwd. (etw. fleckig, berieben u. bestoßen). Provenienz: Aus Der Sammlung Hermann Gerlinger, Würzburg (mit dem Sammlerstempel im Innendeckel, Lugt 6032). - Spielmann, Die Maler der Brücke, S. 284, SHG-Nr. 420 (m. Abb.). - Gerlinger/Schneider, Die Maler der Brücke, S. 402, SHG-Nr. 875 (m. Abb.). - Vgl. Krüger H 166-175, S. 163. - Die Mappe für die grafische Serie "Köpfe" von 1917 wurde als zweites Werk der Gurlitt-Presse in einer kleinen Auflage von nur 14 Exemplaren veröffentlicht. Hierzu entsprechend gestaltete er den Titel für den Mappendeckel im ähnlichen Stil. - Enthält KEINE Graphiken. - Etw. gebrauchsspurig, insgesamt jedoch gut erhalten. - Beigegeben: 3 Bll. Lithographien aus: Reisebilder Italien-Südsee. Blattmaße 28 x 36 cm. Expressionism - Original portfolio with cover illustration for the edition of 10 woodcuts. Print in red on brownish cardboard. Orig. half cloth (somewhat stained, rubbed and bumped). - Provenance: From the Hermann Gerlinger Collection, Würzburg (with the collector's stamp on the inside cover, Lugt 6032). - The portfolio for the graphic series "Köpfe" from 1917 was published as the second work of the Gurlitt press in a small edition of only 14 copies. Accordingly, he designed the title for the portfolio cover in a similar style. - Contains NO graphics. - Some traces of use, but overall in fine condition. - Added: as mentioned above.

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