Null TAPESTRY PROBABLY FROM THE ATELIERS DE LA MARCHE, SECOND HALF OF THE 17th C…

Description

TAPESTRY PROBABLY FROM THE ATELIERS DE LA MARCHE, SECOND HALF OF THE 17th CENTURY The Triumph of Love In wool and silk, depicting Venus standing on her chariot pulled by two doves, followed by two elegant women and preceded by three putti; wear and old restorations Dimensions:191 x 202 cm (75 ¼ x 79 ½ in.) A mythological tapestry, second half of the 17th century, probably from the Marche's workshops The dynamic play of postures and the twirling character of drapery and hair convey the lively pace of the race and the joy of triumph. The apple, proudly displayed by the goddess, heralds the golden apple offered by Paris.

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TAPESTRY PROBABLY FROM THE ATELIERS DE LA MARCHE, SECOND HALF OF THE 17th CENTURY The Triumph of Love In wool and silk, depicting Venus standing on her chariot pulled by two doves, followed by two elegant women and preceded by three putti; wear and old restorations Dimensions:191 x 202 cm (75 ¼ x 79 ½ in.) A mythological tapestry, second half of the 17th century, probably from the Marche's workshops The dynamic play of postures and the twirling character of drapery and hair convey the lively pace of the race and the joy of triumph. The apple, proudly displayed by the goddess, heralds the golden apple offered by Paris.

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Eugène MUNTZ, QUANTIN éditeur 1882. Bibliothèque de l'enseignement des beaux arts - 390 pages. "LA TAPISSERIE" - History in the East and West through the ages, high and low heald tapestries, index of workshop marks, list of painters who composed cartoons, list of tapestries, etc...

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French Aubusson tapestry, 19th century. "Landscape with castle". Hand-knotted wool. Measurements: 215 x 296 cm. The refinement of this hand-woven tapestry testifies to the high quality of Aubusson tapestries. A luxuriant garden opens before us showing a small lake with bridges on its banks and a castle in the background. Cherry blossoms and rose bushes border the pond. The landscape has been resolved with ease and descriptive precision, in richly contrasting tones with a predominance of green, blue and earthy tones, with pink details. The subject is in keeping with nineteenth-century aristocratic taste. The city of Aubusson agglutinated numerous tapestry workshops, which were created by Flemish weavers who settled in the area at the end of the 16th century. They had a rudimentary operation, compared to the Royal Gobelins Manufacture: they had no painters, dyers, nor a commercial structure, so their tapestries were sold in inns, to a lower class private clientele, mainly provincial aristocrats. In the sixteenth and seventeenth centuries, the Aubusson workshops specialized in vegetable tapestries (with eminently floral decoration), but the situation changed radically when, in the mid-seventeenth century, this center was reorganized by Jean-Baptiste Colbert, minister of Louis XIV, with the aim of converting these workshops into royal manufactories. He then subjected the Aubusson and Felletin workshops to a guild regulation and, in exchange, promised to provide them with a painter and a dyer. This promise, however, would not become effective until the 18th century, a turning point for the workshops of La Marche, which would see a considerable increase in the quality of their tapestries by being able to count on a painter dedicated to making cartons and a dyer who would produce dyes of a higher quality than those used until then.

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