Description
ANGELA CONNER (BRITISH B. 1935), SIR JOHN BETJEMAN ANGELA CONNER (BRITISH B. 1935)SIR JOHN BETJEMAN BronzeSigned and dated 1974 35cm (13¾in.) High exc. base Another cast was acquired in 1984 by the National Portrait Gallery. Commissioned by Andrew Cavendish, 11th Duke of Devonshire in 1974, Betjeman was a renowned English poet, writer, and broadcaster whose works celebrated English heritage, architecture, and countryside. His poems often depicted scenes of suburban life, rural landscapes, and his love for England's architectural heritage. He served as the Poet Laureate of the United Kingdom from 1972 until his death in 1984, using his position to promote poetry and celebrate British culture. In addition to his poetry, Betjeman was a passionate advocate for architectural preservation. He campaigned tirelessly to protect historic buildings and landmarks from destruction due to modern development, bringing attention to the importance of preserving England's architectural heritage and helped create public support for conservation efforts.The sitting is recorded as taking nearly 12 hours to be completed. Provenance: Direct from the artist's studio collection
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ANGELA CONNER (BRITISH B. 1935), SIR JOHN BETJEMAN ANGELA CONNER (BRITISH B. 1935)SIR JOHN BETJEMAN BronzeSigned and dated 1974 35cm (13¾in.) High exc. base Another cast was acquired in 1984 by the National Portrait Gallery. Commissioned by Andrew Cavendish, 11th Duke of Devonshire in 1974, Betjeman was a renowned English poet, writer, and broadcaster whose works celebrated English heritage, architecture, and countryside. His poems often depicted scenes of suburban life, rural landscapes, and his love for England's architectural heritage. He served as the Poet Laureate of the United Kingdom from 1972 until his death in 1984, using his position to promote poetry and celebrate British culture. In addition to his poetry, Betjeman was a passionate advocate for architectural preservation. He campaigned tirelessly to protect historic buildings and landmarks from destruction due to modern development, bringing attention to the importance of preserving England's architectural heritage and helped create public support for conservation efforts.The sitting is recorded as taking nearly 12 hours to be completed. Provenance: Direct from the artist's studio collection
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