A Senufo hermaphrodite Figure
Bisexual figure
Senufo, Côte d'Ivoire
Ohne Sockel …
Description

A Senufo hermaphrodite Figure Bisexual figure Senufo, Côte d'Ivoire Ohne Sockel / without base Wood. H 56 cm. Provenance: - Pierre Vérité (1900-1993), Galerie Carrefour, Paris. - Marcel Roux (1909-1993), Paris. Acquired before 1960. - Heirs of Marcel Roux, French-speaking Switzerland. Marcel Roux (1909 - 1993) Marcel Roux is known for his significant contributions to early 20th century architecture in France, particularly in the field of social housing and the modernization of urban structures. Roux studied at the École des Beaux-Arts in Paris and later worked closely with renowned architects such as Le Corbusier. He was strongly influenced by modernism and the principles of functionalism, which is reflected in his clear, rational designs. His work encompassed both public and private projects, placing great emphasis on improving the quality of life through architectural solutions. His interest in form and design and the associated passion for art in general led to a remarkable collection of African figures and masks as well as numerous friendships with well-known collectors and art dealers such as Charles Ratton. CHF 10 000 / 14 000 Weight in grams: 1369 Condition: The condition (any wear, signs of use, tears, any other deterioration and the signs of age etc.) of this lot can be seen in the photos we have uploaded for your documentation. If you have any questions about this item, please do not hesitate to contact Hammer Auctions ([email protected]). The information regarding the condition of the items provided for the convenience of interested parties is an opinion only and should not be treated as a statement of fact. Hammer Auctions accepts no responsibility for any errors or omissions. In the rare event that the item does not match the description in the catalog, Hammer Auctions is here to help. Buyers may return the lot for a full refund provided they notify Hammer Auctions within 5 days of receiving the lot.

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A Senufo hermaphrodite Figure

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A Senufo zoomorphic mask Senufo, Burkina Faso Ohne Sockel / without base Wood, Raphia. H 136 cm. Provenance: - Marcel Roux (1909-1993), Paris. - Heirs of Marcel Roux, French-speaking Switzerland. The Senufo are an ethnic group of around 3 million people in the border triangle of Côte d'Ivoire, Mali and Burkina-Faso. Predominantly living in villages, agriculture, formerly supplemented to a greater extent by hunting, forms the economic basis of the ethnic group. The distinctive mask system of the Senufo is closely linked to various male associations, in particular the Poro association, the central social institution of Senufo society. The hierarchically structured secret society is responsible for the education and initiation of boys and men. It also plays a decisive role in all spiritual and religious aspects of life and ultimately maintains the social order within the community. The Senufo mask system is characterized by a great variety of forms and types. Due to the incomplete oral traditions and the confidentiality of the initiates, the exact classification of atypical specimens, such as this one, is difficult. Further reading: Förster, Till (1988). The art of the Senufo. Zurich: Museum Rietberg. ----------------------------------------------------- Marcel Roux (1909 - 1993) Marcel Roux is known for his significant contributions to early 20th century architecture in France, particularly in the field of social housing and the modernization of urban structures. Roux studied at the École des Beaux-Arts in Paris and later worked closely with renowned architects such as Le Corbusier. He was strongly influenced by modernism and the principles of functionalism, which is reflected in his clear, rational designs. His work encompassed both public and private projects, placing great emphasis on improving the quality of life through architectural solutions. His interest in form and design and the associated passion for art in general led to a remarkable collection of African figures and masks as well as numerous friendships with well-known collectors and art dealers such as Charles Ratton. CHF 1 000 / 2 000 Weight in grams: 5200 Condition: Lower jaw fixed with cable after breakage. Remains of glue in the same place. Break at the upper edge of the mask restored. (See photos). -------------------------------- The condition (possible wear, signs of use, cracks, possible other impairments and signs of age, etc.) of this lot can be seen in the photos we have uploaded for your documentation. If you have any questions about this item, please do not hesitate to contact Hammer Auctions ([email protected]). The information regarding the condition of the items provided for the convenience of interested parties is an opinion only and should not be treated as a statement of fact. Hammer Auctions accepts no responsibility for any errors or omissions. In the rare event that the item does not match the description in the catalog, Hammer Auctions is here to help. Buyers may return the lot for a full refund provided they notify Hammer Auctions within 5 days of receiving the lot.

A Senufo Mask Senufo, Côte d'Ivoire Ohne Sockel / without base Wood, cowrie snails, cord. H 44 cm. Provenance: - Imelda and Paul (1924-2014) Berger-Frei, Riehen. - Berger-Frei community of heirs, Basel. Inventory number on the inside edge: "No. 111 Senoufo" (see photos). ------------------------------------------- The Senufo are an ethnic group of around 3 million people in the border triangle of Côte d'Ivoire, Mali and Burkina-Faso. Predominantly living in villages, agriculture, previously supplemented to a greater extent by hunting, forms the economic basis of the ethnic group. The distinctive mask system of the Senufo is closely linked to various male associations, in particular the Poro association, the central social institution of Senufo society. The hierarchically structured secret society is responsible for the education and initiation of boys and men. It also plays a decisive role in all spiritual and religious aspects of life and ultimately maintains the social order within the community. The Senufo mask system is characterized by a great variety of forms and types. Due to the incomplete oral traditions and the confidentiality of the initiates, it is difficult to precisely identify atypical specimens such as this one. Further reading: Förster, Till (1988). The art of the Senufo. Zurich: Museum Rietberg. CHF 1 000 / 2 000 Weight in grams: 1239 Condition: The condition (any wear, signs of use, tears, any other deterioration and the signs of age, etc.) of this lot can be seen in the photos we have uploaded for your documentation. If you have any questions about this item, please do not hesitate to contact Hammer Auctions ([email protected]). The information regarding the condition of the items provided for the convenience of interested parties is an opinion only and should not be treated as a statement of fact. Hammer Auctions accepts no responsibility for any errors or omissions. In the rare event that the item does not match the description in the catalog, Hammer Auctions is here to help. Buyers may return the lot for a full refund provided they notify Hammer Auctions within 5 days of receiving the lot.

A Senufo Dance Horse, "syoongoro" Senufo, Côte d'Ivoire Ohne Sockel / without base Wood, iron. L 82.5 cm. Provenance: - Imelda and Paul (1924-2014) Berger-Frei, Riehen. - Berger-Frei community of heirs, Basel. The Senufo are an ethnic group of around 3 million people in the border triangle of Côte d'Ivoire, Mali and Burkina-Faso. Predominantly living in villages, agriculture, formerly supplemented to a greater extent by hunting, forms the economic basis of the ethnic group. They are known among art collectors for their high-quality carvings. The symbolism of the cult objects and utensils is often unclear due to the patchy oral tradition and the initiators' duty of confidentiality. Nevertheless, some references to this type of horse depiction can be found in the literature. The sculptures called "syoongoro" were initially often referred to as seats or even neckrests, although they were never used as utensils. However, they are much more cult objects that are managed by the Poro secret society based on age groups. During the regular final rituals of the Poro initiation, a figure called "Syonfolo" ("Lord of the Horse") appears riding one of these wooden horses. The dancer carries the prop with the help of strings that run over his shoulders and are concealed under his robe. His dress is hung with strips of leather and fruit pods that flutter through the air during his wild, erratic dances. The "Syonfolo" appears even before the actual festivities to announce them. He is said to have a cheeky and playful demeanor: "...he jumps around - just like a horse, the young girls say -, he makes antics and jokes and chases after the girls for fun" (Förster 1988). Further reading: - Förster, Till / Homberger, Lorenz (1988). The art of the Senufo. Ivory Coast. Museum Rietberg Zurich. - Chemeche, George / Ezra, Kate / Arnoldi, Mary Jo / Pemberton III, John / de Grunne, Bernard (2011). The Horse Rider in African Art. Woodbridge: Antique Collectors Club. - Krieg, Karl Heinz & Lohse, Wulf (1981). Art and Religion among the Gbato-Senufo, Ivory Coast. Hamburg: Hamburgisches Museum für Völkerkunde. Pages 111-113. CHF 500 / 1 000 Weight in grams: 1719 Condition: Indigenous repair to the left foreleg with iron staple. Damage to the left side of the head (see photos). -------------------------------- The condition (any wear, signs of use, cracks, any other damage and signs of age, etc.) of this lot can be seen in the photos we have uploaded for your documentation. If you have any questions about this item, please do not hesitate to contact Hammer Auctions ([email protected]). The information regarding the condition of the items provided for the convenience of interested parties is an opinion only and should not be treated as a statement of fact. Hammer Auctions accepts no responsibility for any errors or omissions. In the rare event that the item does not match the description in the catalog, Hammer Auctions is here to help. Buyers may return the lot for a full refund provided they notify Hammer Auctions within 5 days of receiving the lot.