A Senufo Mask, "kponyugo"
Mask, "kponyugo"
Senufo, Côte d'Ivoire
Mit Sockel / wi…
Description

A Senufo Mask, "kponyugo" Mask, "kponyugo" Senufo, Côte d'Ivoire Mit Sockel / with base Wood. H 81.5 cm. Provenance: Gérald Minkoff (1937-2009) and Muriel Olesen (1948-2020), Geneva. The Senufo are an ethnic group of around 3 million people in the border triangle of Côte d'Ivoire, Mali and Burkina-Faso. Predominantly living in villages, agriculture, formerly supplemented to a greater extent by hunting, forms the economic basis of the ethnic group. They have a distinctive mask system, which is associated with various male associations, including the poro association, and are known among art collectors for their high-quality carvings. The symbolism of the cult and everyday objects is often unclear due to the patchy oral tradition and the initiators' duty of confidentiality. Nevertheless, some references to this rare type of mask can be found in the literature. The menacing appearance of this hybrid creature combines attributes of the crocodile, the hyena and the antelope, reflecting its function in the fight against ominous forces: The powerful jaws studded with pointed teeth reminiscent of a crocodile's or hyena's mouth, the dagger-like tusks resembling the canines of the warthog and the powerful antelope horns emphasize the aggressive characteristics of the masks, from whose maws wild swarms of bees or bursts of fire are said to have occasionally escaped (which is why the mask is also called "cracheur de feu" in French). Further reading: - Hahner-Herzog, Iris (1997). The second face. Munich: Prestel. - Förster, Till (1988). The art of the Senufo. Zurich: Museum Rietberg. ----------------------------------------------------- Gérald Minkoff and Muriel Olesen Muriel Minkoff-Olesen (1948- 2020) completed her training at the School of Design in Geneva. Gérald Minkoff (1937-2009) was a trained anthropologist and biologist. Both achieved fame as artists and from their meeting in 1967, the emblematic couple of contemporary art were inseparable. The travel-loving Olesen-Minkoff duo explored life like curious nomads, roaming the globe from Africa to Asia, Oceania, America and Patagonia. As artists and experienced collectors of contemporary art, they understandably had a keen sensitivity to the aesthetics and concepts of non-European art. The couple's Geneva apartment, perhaps their most beautiful joint work, thus became a place where the works of close friends such as Daniel Spoerri, Arman and Man Ray, as well as their own photographs, lived together with almost a thousand objects from Africa, Oceania, Asia and South America. CHF 4 000 / 8 000 Weight in grams: 4800 Condition: Both small horns on the forehead glued after breakage. -------------------------------- The condition (any wear, signs of use, cracks, any other damage and signs of age, etc.) of this lot can be seen in the photos we have uploaded for your documentation. If you have any questions about this item, please do not hesitate to contact Hammer Auctions ([email protected]). The information regarding the condition of the items provided for the convenience of interested parties is an opinion only and should not be treated as a statement of fact. Hammer Auctions accepts no responsibility for any errors or omissions. In the rare event that the item does not match the description in the catalog, Hammer Auctions is here to help. Buyers may return the lot for a full refund provided they notify Hammer Auctions within 5 days of receiving the lot.

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A Senufo Mask, "kponyugo"

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A Senufo zoomorphic mask Senufo, Burkina Faso Ohne Sockel / without base Wood, Raphia. H 136 cm. Provenance: - Marcel Roux (1909-1993), Paris. - Heirs of Marcel Roux, French-speaking Switzerland. The Senufo are an ethnic group of around 3 million people in the border triangle of Côte d'Ivoire, Mali and Burkina-Faso. Predominantly living in villages, agriculture, formerly supplemented to a greater extent by hunting, forms the economic basis of the ethnic group. The distinctive mask system of the Senufo is closely linked to various male associations, in particular the Poro association, the central social institution of Senufo society. The hierarchically structured secret society is responsible for the education and initiation of boys and men. It also plays a decisive role in all spiritual and religious aspects of life and ultimately maintains the social order within the community. The Senufo mask system is characterized by a great variety of forms and types. Due to the incomplete oral traditions and the confidentiality of the initiates, the exact classification of atypical specimens, such as this one, is difficult. Further reading: Förster, Till (1988). The art of the Senufo. Zurich: Museum Rietberg. ----------------------------------------------------- Marcel Roux (1909 - 1993) Marcel Roux is known for his significant contributions to early 20th century architecture in France, particularly in the field of social housing and the modernization of urban structures. Roux studied at the École des Beaux-Arts in Paris and later worked closely with renowned architects such as Le Corbusier. He was strongly influenced by modernism and the principles of functionalism, which is reflected in his clear, rational designs. His work encompassed both public and private projects, placing great emphasis on improving the quality of life through architectural solutions. His interest in form and design and the associated passion for art in general led to a remarkable collection of African figures and masks as well as numerous friendships with well-known collectors and art dealers such as Charles Ratton. CHF 1 000 / 2 000 Weight in grams: 5200 Condition: Lower jaw fixed with cable after breakage. Remains of glue in the same place. Break at the upper edge of the mask restored. (See photos). -------------------------------- The condition (possible wear, signs of use, cracks, possible other impairments and signs of age, etc.) of this lot can be seen in the photos we have uploaded for your documentation. If you have any questions about this item, please do not hesitate to contact Hammer Auctions ([email protected]). The information regarding the condition of the items provided for the convenience of interested parties is an opinion only and should not be treated as a statement of fact. Hammer Auctions accepts no responsibility for any errors or omissions. In the rare event that the item does not match the description in the catalog, Hammer Auctions is here to help. Buyers may return the lot for a full refund provided they notify Hammer Auctions within 5 days of receiving the lot.

A Senufo Mask Senufo, Côte d'Ivoire Ohne Sockel / without base Wood, cowrie snails, cord. H 44 cm. Provenance: - Imelda and Paul (1924-2014) Berger-Frei, Riehen. - Berger-Frei community of heirs, Basel. Inventory number on the inside edge: "No. 111 Senoufo" (see photos). ------------------------------------------- The Senufo are an ethnic group of around 3 million people in the border triangle of Côte d'Ivoire, Mali and Burkina-Faso. Predominantly living in villages, agriculture, previously supplemented to a greater extent by hunting, forms the economic basis of the ethnic group. The distinctive mask system of the Senufo is closely linked to various male associations, in particular the Poro association, the central social institution of Senufo society. The hierarchically structured secret society is responsible for the education and initiation of boys and men. It also plays a decisive role in all spiritual and religious aspects of life and ultimately maintains the social order within the community. The Senufo mask system is characterized by a great variety of forms and types. Due to the incomplete oral traditions and the confidentiality of the initiates, it is difficult to precisely identify atypical specimens such as this one. Further reading: Förster, Till (1988). The art of the Senufo. Zurich: Museum Rietberg. CHF 1 000 / 2 000 Weight in grams: 1239 Condition: The condition (any wear, signs of use, tears, any other deterioration and the signs of age, etc.) of this lot can be seen in the photos we have uploaded for your documentation. If you have any questions about this item, please do not hesitate to contact Hammer Auctions ([email protected]). The information regarding the condition of the items provided for the convenience of interested parties is an opinion only and should not be treated as a statement of fact. Hammer Auctions accepts no responsibility for any errors or omissions. In the rare event that the item does not match the description in the catalog, Hammer Auctions is here to help. Buyers may return the lot for a full refund provided they notify Hammer Auctions within 5 days of receiving the lot.