AN EXTREMELY RARE AND WELL-PRESERVED MEN’S OMEGA 18K YELLOW GOLD ELECTRONIC BRAC…
Description

AN EXTREMELY RARE AND WELL-PRESERVED MEN’S OMEGA 18K YELLOW GOLD ELECTRONIC BRACELET WATCH. SEAMASTER F300HZ ELECTRONIC. Brand: Omega Model: Seamaster F300Hz Electronic Case reference: 198.0005 Year: Circa 1970's Movement: Electronic F200Hz, 12 Jewels, Cal. 1250, No. 32896874 Dial: Champagne, gilt applied hour markers with black insert, gilt applied Omega logo over a red background at the 12 o'clock position, black inner minute division, gilt and black stick hands with luminous insert, red centre seconds hand, date aperture at the 3 o'clock position with a white calendar disk and black Arabic numerals Material: 18k yellow gold, 18k yellow gold bi directional bezel with a burgundy insert and white Arabic numerals graduated for the decompression steps Bracelet/Strap: 18k integrated yellow gold, 18k yellow gold deployment clasp Signed: Dial, movement, case, bracelet, clasp Dimension: 42.4mm Omega, founded in 1848, has a rich history of producing innovative and reliable timepieces. The Seamaster line, introduced in 1948, is renowned for its connection to professional diving and robust design. The F300Hz Electronic model from the 1970s represents a significant period in Omega’s history, showcasing the brand’s commitment to electronic advancements and luxury watchmaking. The Omega Seamaster F300Hz Electronic in 18k yellow gold is a remarkable example of Omega’s legacy of innovation and luxury. Its striking design, advanced electronic movement, and historical significance make it a coveted piece for collectors and enthusiasts. This watch is more than just a timekeeping instrument; it is a testament to the enduring excellence of Omega and a celebration of horological mastery. This Omega Seamaster F300Hz Electronic, case reference 198.0005, from the 1970s, exemplifies the brand’s dedication to pioneering technology and luxurious craftsmanship. Crafted entirely in 18k yellow gold, this timepiece is not only a marvel of electronic watchmaking but also a striking piece of jewelry. Its rare and well-preserved condition makes it a highly desirable item for collectors and enthusiasts alike. The watch features a sophisticated champagne dial adorned with gilt applied hour markers that have black inserts, providing a refined contrast. The gilt applied Omega logo set against a red background at the 12 o’clock position adds a touch of distinction. The black inner minute division, along with the gilt and black stick hands featuring luminous inserts, ensures excellent legibility. The red center seconds hand and the date aperture at the 3 o’clock position, complete with a white calendar disk and black Arabic numerals, enhance both the functionality and aesthetic appeal of the dial. This Omega Seamaster is housed in a robust 18k yellow gold case, measuring a substantial 42.4mm in diameter. The case is complemented by an 18k yellow gold bi-directional bezel with a burgundy insert, marked with white Arabic numerals for decompression steps. This unique feature underscores the watch’s connection to professional diving and adds a functional yet stylish element to its design. At the heart of this watch is the Omega Caliber 1250, an electronic movement with a frequency of 300Hz, featuring 12 jewels. This movement, numbered 32896874, is renowned for its precision and innovation, representing a significant advancement in electronic timekeeping during the 1970s. The Caliber 1250 ensures accurate timekeeping and exemplifies Omega’s commitment to technological innovation. The watch is paired with an integrated 18k yellow gold bracelet, enhancing its luxurious appearance and ensuring a seamless look. The bracelet is fitted with an 18k yellow gold deployment clasp, providing both security and comfort. This combination of materials and design highlights the watch’s elegance and makes it a true statement piece. Every component of this watch bears the Omega signature, confirming its authenticity and heritage. The dial, movement, case, bracelet, and clasp are all signed, providing assurance of its provenance and adding to its collectible value.

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AN EXTREMELY RARE AND WELL-PRESERVED MEN’S OMEGA 18K YELLOW

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A RED STANDSTONE RELIEF DEPICTING SARASWATI WITH ATTENDANTS, CENTRAL INDIA, 10TH-12TH CENTURY A RED STANDSTONE RELIEF DEPICTING SARASWATI WITH ATTENDANTS, CENTRAL INDIA, 10TH-12TH CENTURY Carved in relief within recessed niches, depicting the four-armed goddess Saraswati seated in ardhaparyankasana in the center, her primary hands hold the vina while the secondary hands hold a bell and a pot each, she is flanked by attendants and devotees on either side, the latter seated on makaras raising their offerings to the goddess of wisdom. To the extreme ends are two further goddesses, each with two lotus stocks in their raised hands and a water pot in their lowered left hand, the right hand in abhaya mudra. All under a running frieze of lozenges and disks. Provenance: A private collection in the USA. Collection of Leonardo Vigorelli, Bergamo, acquired from above. Leonardo Vigorelli is a retired Italian art dealer and noted collector, specializing in African and ancient Hindu-Buddhist art. After studying anthropology and decades of travel as well as extensive field research in India, the Himalayan region, Southeast Asia, and Africa, he founded the Dalton Somaré art gallery in Milan, Italy, which today is being run by his two sons. Condition: Good condition, commensurate with age. Old wear, losses, nicks, scratches, signs of weathering and erosion, soil encrustations, remnants of adhesive. One major crack to the left side of the relief. Displaying exceptionally well! Italian Export License: Licenza Esport. Definit. N. 133, dated 22 September 2009, has been granted by the Ufficio Esportazione di Milano, Ministero per i Beni e le Attività Culturali. A copy accompanies this lot. Dimensions: Height 35 cm, Length 168 cm Expert’s note: This architectural temple fragment, rare and extraordinary for its size and preservation, stands as a remarkable testament not only to the historical and artistic wealth of Central India, but also to those who preserved it over the years. Fragments such as the present lot, provide a valuable glimpse into the sophisticated craftsmanship and cultural milieu of the time, despite being a relatively small part of a larger whole. Compare the closely related relief carvings at the Bhoramdeo Temple, Chhattisgarh, dated to 10 th-12 th century. Note the similar design on the band of lozenge interspersed by disks. Auction result comparison: Type: Related Auction: Christie’s New York, 11 September 2019, lot 305 Price: USD 275,000 or approx. EUR 305,000 converted and adjusted for inflation at the time of writing Description: A large and important buff sandstone relief with seven Matrikas, Central India, 8 th-9 th century Expert remark: Compare the related relief carving. Note the size (134.6 cm).

A Kuba Flute and a Bwa Flute, "mpiru" 2 flutes Cuba and Bwa, DR Congo and Burkina Faso Ohne Sockel / without base Wood. H 35,5 - 36 cm. Provenance: Gérald Minkoff (1937-2009) and Muriel Olesen (1948-2020), Geneva. Aerophones are found in many variations throughout Africa, with regionally homogeneous forms enabling a clear geographical classification. The extremely popular instruments are played in different ways depending on the occasion: for themselves or for listeners, individually or in a group, for entertainment or ritually, on the occasion of initiations, celebrations, weddings, births, funerals, etc., or even when hunting to give signals and communicate. The majority of flutes are the personal property of men. They generally receive their first flute on the occasion of their own initiation or as a gift, for example at their engagement. In the simpler form, the handy pipes can be carved by the men themselves, while the more noble versions, both in terms of shape and material, are produced by skilled and paid carvers. The design of the African notch flutes usually allows only two to three notes to be played at different intervals. Accompanied by other flutes, this creates complex monotonous melodies that are close in sound to the local languages. As a result, the nuanced tone sequences can be understood like spoken words according to common literature. The most frequently encountered are notched flutes carved from wood with a cross hole, two or three finger holes and air vents. Rarer are those made of ivory, bone or metal, as well as specimens that are supplemented with other materials such as leather. The almost invariably abstract forms often depict anthropo-zoomorphic hybrid creatures that combine female and male attributes. Worn as jewelry on hanging holes, the instruments are also status symbols and external signs of the owner's rank and affiliation. Particularly valuable notched flutes are well-preserved examples which, in addition to their provenance, age and rarity, also show visible signs of use and a patina that has developed over the years, encrusted and/or shiny, in nuanced brown to black tones. Further reading: Brown, E. (1999). Turn up the Volume. Los Angeles: UCLA Fowler Museum of Cultural History. ----------------------------------------------------- Gérald Minkoff and Muriel Olesen Muriel Minkoff-Olesen (1948- 2020) completed her training at the School of Design in Geneva. Gérald Minkoff (1937-2009) was a trained anthropologist and biologist. Both achieved fame as artists and from their meeting in 1967, the emblematic couple of contemporary art were inseparable. The travel-loving Olesen-Minkoff duo explored life like curious nomads, roaming the globe from Africa to Asia, Oceania, America and Patagonia. As artists and experienced collectors of contemporary art, they understandably had a keen sensitivity to the aesthetics and concepts of non-European art. The couple's Geneva apartment, perhaps their most beautiful joint work, thus became a place where the works of close friends such as Daniel Spoerri, Arman and Man Ray, as well as their own photographs, lived together with almost a thousand objects from Africa, Oceania, Asia and South America. CHF 200 / 400 Weight in grams: 469 Condition: The condition of this lot (wear, signs of use, tears, any other detractions and the signs of age, etc. The condition of this lot (wear, tears, possible other impairments and signs of age, if applicable) can be seen in the photos we have uploaded for your documentation. Please do not hesitate to contact Hammer Auctions with any questions regarding this lot ([email protected]). The statements regarding the condition of the items made for the convenience of interested parties are opinions only and should not be treated as statements of fact. Hammer Auctions accepts no responsibility for any errors or omissions. In the rare event that the item does not match the description in the catalog, Hammer Auctions is here to help. Buyers may return the lot for a full refund provided Hammer Auctions has been notified within 5 days of receipt of the lot.

3 Bwa Flutes, "mpiru" 3 notch flutes, "mpiru" Bwa, Burkina Faso Ohne Sockel / without base Wood, leather. H 18 - 22,5 cm. Provenance: Gérald Minkoff (1937-2009) and Muriel Olesen (1948-2020), Geneva. Aerophones are found in many variations throughout Africa, whereby regionally homogeneous forms allow a clear geographical classification. The extremely popular instruments are played in different ways depending on the occasion: for themselves or for listeners, individually or in a group, for entertainment or ritually, on the occasion of initiations, celebrations, weddings, births, funerals, etc., or even when hunting to give signals and communicate. The majority of flutes are the personal property of men. They generally receive their first flute on the occasion of their own initiation or as a gift, for example at their engagement. In the simpler form, the handy pipes can be carved by the men themselves, while the more noble versions, both in terms of shape and material, are produced by skilled and paid carvers. The design of the African notch flutes usually allows only two to three notes to be played at different intervals. Accompanied by other flutes, this creates complex monotonous melodies that are close in sound to the local languages. As a result, the nuanced tone sequences can be understood like spoken words according to common literature. The most frequently encountered are notched flutes carved from wood with a cross hole, two or three finger holes and air vents. Rarer are those made of ivory, bone or metal, as well as specimens that are supplemented with other materials such as leather. The almost invariably abstract forms often depict anthropo-zoomorphic hybrid creatures that combine female and male attributes. Worn as jewelry on hanging holes, the instruments are also status symbols and external signs of the owner's rank and affiliation. Particularly valuable notched flutes are well-preserved examples which, in addition to their provenance, age and rarity, also show visible signs of use and a patina that has developed over the years, encrusted and/or shiny, in nuanced brown to black tones. Further reading: Brown, E. (1999). Turn up the Volume. Los Angeles: UCLA Fowler Museum of Cultural History. ----------------------------------------------------- Gérald Minkoff and Muriel Olesen Muriel Minkoff-Olesen (1948- 2020) completed her training at the School of Design in Geneva. Gérald Minkoff (1937-2009) was a trained anthropologist and biologist. Both achieved fame as artists and from their meeting in 1967, the emblematic couple of contemporary art were inseparable. The travel-loving Olesen-Minkoff duo explored life like curious nomads, roaming the globe from Africa to Asia, Oceania, America and Patagonia. As artists and experienced collectors of contemporary art, they understandably had a keen sensitivity to the aesthetics and concepts of non-European art. The couple's Geneva apartment, perhaps their most beautiful joint work, thus became a place where the works of close friends such as Daniel Spoerri, Arman and Man Ray, as well as their own photographs, lived together with almost a thousand objects from Africa, Oceania, Asia and South America. CHF 200 / 400 Weight in grams: 206 Condition: The condition of this lot (wear, signs of use, tears, any other detractions and the signs of age, etc. The condition of this lot (wear, tears, possible other impairments and signs of age, if applicable) can be seen in the photos we have uploaded for your documentation. Please do not hesitate to contact Hammer Auctions with any questions regarding this lot ([email protected]). The statements regarding the condition of the items made for the convenience of interested parties are opinions only and should not be treated as statements of fact. Hammer Auctions accepts no responsibility for any errors or omissions. In the rare event that the item does not match the description in the catalog, Hammer Auctions is here to help. Buyers may return the lot for a full refund provided Hammer Auctions has been notified within 5 days of receipt of the lot.