Sorgh, Hendrik Maertensz. 1611-1670 Rotterdam, copy after. A Dutch vegetable mar…

Description

Sorgh, Hendrik Maertensz. 1611-1670 Rotterdam, copy after. A Dutch vegetable market. Oil on wood or card, ca. 35 x 45 cm, framed. R. 38.5 x 48 cm. The original painting is in the Gemäldegalerie Alte Meister Kassel under inventory no. GK 285. Copy after Hendrik Maertensz Sorgh: market scene, oil/ panel, framed. 38.5 x 48 cm.

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Sorgh, Hendrik Maertensz. 1611-1670 Rotterdam, copy after. A

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Estim. 900 - 1 350 EUR

Adrien De Braekeleer, attr, Two genre scenes including a view of a Dutch interior, with three elderly men at a table, served by a young maid, furthermore an idyllic backyard scene with people teasing each other and gentlemen having a snack at an improvised table, poetic, finely glazed genre painting, oil on panel, each signed lower left partly indistinctly "A. De Braekeleer" and each probably dated "1852", each with brand stamp "L.C. Gerardts - Anvers [Engl.: Antwerp]" on the reverse of the painting plate and once with old freight label "von Bremen nach Leipzig", old retouches, somewhat in need of cleaning, framed as counterparts in stucco frames of the period which have been subsequently rebronzed (rest.bed.), rebate dimensions approx. 33 x 26 cm. including a view of a Dutch interior, with three elderly men at a table, served by a young maid, furthermore an idyllic backyard scene with people teasing each other and gentlemen having a snack at an improvised table, poetic, finely glazed genre painting, oil on panel, each signed lower left partly indistinctly "A. De Braekeleer" and each probably dated "1852", each with brand stamp "L.C. Gerardts - Anvers [Engl.: Antwerp]" on the reverse of the painting plate and once with old freight label "von Bremen nach Leipzig", old retouches, somewhat in need of cleaning, framed as counterparts in stucco frames of the period which have been subsequently rebronzed (rest.bed.), rebate dimensions approx. 33 x 26 cm. Artist info: actually Ferdinand Norbertus Adrianus De Braekeleer, also Adriaan or Adriaen, Belgian genre painter (1818 Antwerp to 1904 Antwerp-Borgerhout), initially trained and worked as a merchant, later turning to painting and pupil of his uncle Ferdinand de Braekeleer the Elder (1792-1883), influenced by the history painting of Hendrik Baron Leys (1815-1869), who, as the brother-in-law of his teacher Ferdinand de Braekeleer the Elder, worked in his studio for a time, organised various exhibitions in Antwerp, Nijmegen, Rotterdam, The Hague and Ghent, active in Antwerp, source: Thieme-Becker, Bénézit, Müller-Singer, Wurzbach, Müller-Klunzinger, Boetticher, Seubert as well as French. and Dutch Wikipedia.

H. Roymans, Dutch copyist of the 20th century, copy after ''The Grote Markt in Rotterdam'' by Hendrik Martensz. Sorgh (ca.1611-1670), oil on wood, signed ''HRoymans'' lower right, 23 x 30 cm, framed 38 x 46 cm

Estim. 1 400 - 1 500 EUR

REDI, Francis. Experiences concerning various natural things, and particularly those, which are brought to us from the Indies ... written in a letter to the Most Reverend Father Athanasius Chircher. Florence, All'Insegna della Nave, 1671 4to, 255x160 mm, Half vellum and hardback binding; pp. 6, 152. 6 engraved plates, (types of rocks, black pepper, fennel from China, vanilla seeds and leaves, and some other natural specimens from the West and East Indies). Title in red and black, with engraved vignette with the Medici coat of arms, Inscription of contemporary ownership of Giovanni Nicola Barsanti, from Lucca, author of some small literary works in 1670-80.Large specimen with full margins, untrimmed. A little browning here and there due to paper quality (heavier on 2 sheets), slight bump on edge of first few papers, with a few very small tears, but an authentic, unsophisticated copy. First edition of this work by the Italian naturalist and poet Francesco Redi, lying in the Museum's book field, or cabinet of canonical curiosities, containing his "investigations of various botanical and zoological specimens, among which were some brought from India; among them were Chinese star anise, cobra and iguana "stones," vanilla pods, and a leaf of chinchona. The treatise is in the form of a letter to Athanasius Kircher"(Norman catal., no. 1815). 4to, 255x160 mm, quarter vellum, pp. 6, 152. 6 engraved plates, Title in red and black with engraved vignette with Medici's coat of arms. Inscription of contemporary ownership of Giovanni Nicola Barsanti from Lucca, author of little literature works. Specimen with wide margins, not trimmed. Browning due to the quality of paper, a slight bump on the edge of the first leaves, with little tears; a fresh copy. First edition of this work by the Italian naturalist and poet Francesco Redi, lying in the field of the Museum's books, or cabinet of canonical curiosities, containing his "investigations on various botanical and zoological specimens, including some brought from India; among these there were Chinese star anise, "stones" of cobras and iguanas, vanilla pods and a leaf of chinchona. The treatise is in the form of a letter to Athanasius Kircher "

Estim. 280 - 560 EUR

Gerard de Lairesse (1641 Liège - 1711 Amsterdam) after Antiochus and Stratonike Scenic depiction from the history of the Diadochi kingdom of Macedonia. When Stratonike (wife of King Seleucus I) enters the room, the physician measures Antiochus' pulse and discovers that love for his stepmother is the cause of his illness, whereupon King Seleucus hands over his kingdom and his wife to his son. The theme of the lovesick Antiochus was taken up by numerous painters from the Baroque to the Classical period (including Jacques-Louis David), finely executed 18th/19th century copy in approximately the same format after the well-known painting by Gerard de Lairesse, which has been preserved in two versions in the Staatl. Museum in Schwerin (1763) and in the Rijksmuseum in Twenthe (around 1670-1675). Oil on canvas, double; 32.8 cm x 46 cm. Frame. Provenance: from the Michahelles Collection, Hamburg, which has grown over generations. After Gerard de Lairesse (1641 - 1711) Oil on canvas, relined.

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