Null VB 40: Museum of Contemporary Art, Sydney, Australia Performance vb40.068.V…

Description

VB 40: Museum of Contemporary Art, Sydney, Australia Performance vb40.068.vb.pol 3 from an edition of 6 framed work cm 74.5x92.5 image cm 121.5x124.5 sheet cm 127.5x125 frame Vibracolor print The work comes with Certificate of Authenticity on photograph issued and signed by the artist. Massimo Minini Gallery, Brescia Purchased there by the current owner.

58

VB 40: Museum of Contemporary Art, Sydney, Australia Performance vb40.068.vb.pol 3 from an edition of 6 framed work cm 74.5x92.5 image cm 121.5x124.5 sheet cm 127.5x125 frame Vibracolor print The work comes with Certificate of Authenticity on photograph issued and signed by the artist. Massimo Minini Gallery, Brescia Purchased there by the current owner.

Auction is over for this lot. See the results

You may also like

Estim. 80 - 120 EUR

ANDY WARHOL (1928 - 1987) Success is a Job in New York. The Early Art and Business of Andy Warhol 1989 Illustrated monographic catalog published on the occasion of exhibitions held at Grey Art Gallery & Study Center New York University (March 14-April 29 1989), The Carnegie Museum of Art, Pittsburgh (June 10-August 6, 1989), Serpentine Gallery, London (September 1-October 1, 1989) and Institute of Contemporary Art Univesrity of Pennsylvania (October 18-December 3, 1989) 23 x 30.5 cm Grey Art Gallery & Study Center Edition, The Carnegie Museum of Art

Estim. 150 - 300 EUR

CINDY SHERMAN (1954) Cindy Sherman. Retrospective 1997 Illustrated monographic catalog published on the occasion of exhibitions held at the Museum of Contemporary Art, Los Angeles (November 2 - February 1, 1998), Museum of Contemporary Art, Chicago (February 28 - May 31, 1998), Galerie Rudolfinum, Prague (June 25 - August 23, 1998), Barbican Art Gallery, London (September 10 - December 13, 1998), Musée d'art Contemporain de Bordeaux, Bordeaux (February 6 - April 25, 1999), Museum of Contemporary Art, Sydney (June 4 - August 29, 1999) and the Art Gallery of Ontario, Toronto (October 1, 1999 - January 2, 2000) 30.5 x 23.5 cm Thames & Hudson Edition Pages 219 Defects

Estim. 6 500 - 7 000 EUR

LORETTA LUX (Dresden, Germany, 1969). "Hugo and Dylan 1", 2006. Photography, edition 10/20. Work referenced on the artist's website. Measurements: 27 x 22 cm; 50 x 40 cm (frame). The resounding success of photographer Loretta Lux lies, in part, in her cold and unsentimental approach to the children captured through her lens. Her snapshots, which have more to do with metaphors of childhood innocence than with the psychology of individuals, are influenced by the bourgeois portraits of the early twentieth century, showing us young models in domestic settings dressed in eccentric outfits that are now considered old-fashioned. Aesthetically, the mixture of photography, painting and digital manipulation is appreciated, by means of which Lux distorts proportions and places the children in static scenarios. Loretta Lux left East Germany shortly before the fall of the Berlin Wall to travel to Munich, where she studied painting at the Akademie der Bildenden Künste. In 1999 she began taking photographs. She was awarded the 2005 Infinity Award for Art, International Center of Photography, New York, NY. Throughout her career she has exhibited in Israel, Italy, Switzerland, Mexico, Netherlands, USA, Russia, Germany (solo). Currently his work is part of public collections such as the Solomon R. Guggenheim Museum in New York. Guggenheim Museum in New York, the National Museum of Art in Osaka, the Photo Museum in Munich, the Musée de l'Elysée de Lausanne in Switzerland, the Maison Europeenne de la Photographie in Paris, the Museo Nacional Centro de Arte Reina Sofia in Madrid, the Israel Museum, Jerusalem in Israel, the Gemeentemuseum Helmond in the Netherlands, the Art Gallery of New South Wales in Sydney, the National Gallery of Victoria in Melbourne and the Art Gallery of Alberta in Edmonton, Alberta, Canada. In the United States: the Art Institute of Chicago, the Brooklyn Museum of Art, the Denver Art Museum, the Los Angeles County Museum of Art, the Milwaukee Art Museum or the San Francisco Museum of Modern Art. He currently lives and works in Ireland.

Estim. 13 000 - 14 000 EUR

YASUMASA MORIMURA (Osaka, 1951). "Doublonage". Photograph, copy 1/10. Signed and titled on the back. Size: 102 x 81 cm. In "Doublonage", Morimura pays homage to Paul Outerbridge, one of the masters of colour photography who made his mark in New York in the 1930s. Specifically, the Japanese artist bases his work on "Ide necklace", Outerbridge's first advertising commission, which was published in Vanity Fair magazine the year after it was made, although with slight nuances with respect to the original: Morimura dispenses with the letters and labels on the object, thus stripping it of the indications that help to contextualise it. Outerbridge's photograph is kept in important international museums, such as the Met and MoMA in New York. Morimura is a Japanese appropriationist artist. He was born in Osaka and graduated from Kyoto City University of the Arts in 1978. Since 1985, he has shown his work mainly in solo exhibitions internationally, although he has participated in several group exhibitions. Morimura takes images of historical artists (from Édouard Manet to Rembrandt and Cindy Sherman), and inserts his own face and body into them. He even disguises himself as the main subjects that appear in the artworks he appropriated - many of which go against his racial, ethnic and gender boundaries as an Asian man, because most of the artworks he appropriates have Western subjects, particularly female subjects. He also inserted himself into some of the Western male subjects, and most of those works deal mainly with race and ethnicity. Through the use of disguises, he overrides the effects of the male gaze, gender, race, ethnicity and cultural standards, challenging traditional methods of portraiture that alters the original Western artworks by incorporating details related to Japanese culture. For example, in one of his works, Portrait (Futago), he changes the floral shawl of the original artwork, Olympia by Manet, with a kimono decorated with cranes. His works have been exhibited at the Museum of Contemporary Art in Chicago (1992), the Cartier Foundation for Contemporary Art in Jouy-en-Josas, France (1993), the Hara Museum of Art in Tokyo (1994), the Guggenheim Museum. Museum (1994), the Yokohama Museum of Art in Yokohama, Japan (1996), the Museum of Contemporary Art in San Diego (2006), and the Art Gallery of New South Wales in Sydney (2007), among others, and his work is now owned by the Carnegie Museum of Art (Pittsburgh), the Honolulu Museum of Art, the J. Paul Getty Museum (Los Angeles), the J. Paul Getty Museum (Los Angeles), the Hara Museum of Art in Tokyo (1994), the Hara Museum of Art in Tokyo (1994), and the Hara Museum of Art in Tokyo (1994). Paul Getty Museum (Los Angeles), the Museum of Contemporary Art, Chicago, the Museum of Contemporary Art, Los Angeles, the San Francisco Museum of Modern Art and the Whitney Museum of American Art (New York) are among the public collections that hold works by Morimura.

Online payments are secured by Ingenico and encrypted transactions.

Each lot has been authenticated and appraised by an Auction House.

Consult our FAQ or contact us

Composed of several subsidiaries, the Drouot Group is a major player in the art market. Hôtel Drouot, located in the heart of Paris, has been the world's largest public auction center since 1852. 15 salerooms are available to more than 70 auction houses. The emulation generated by an annual offer of 230,000 artworks from 21 major specialities - from Antiquity to street art - attracts some 3,000 visitors every day. The Group's digital platform, Drouot.com, offers digital sales - Live auctions (live broadcasting and participation in auctions), Online-only auctions (dematerialised auctions) and Buy Now sales (sales of lots at fixed prices). Nearly 2 million items are offered annually by 600 auction houses. Auction news is reported every week in La Gazette Drouot, the leading weekly magazine for the art market and culture published by Auctionspress.

More about Drouot

Drouot certified auction houses

Contacts

HÔTEL DROUOT

9, rue Drouot 75009 Paris, France

+33 (0)1 48 00 20 00

[email protected]

DROUOT.com

[email protected]