Null Henri-G PILLOT (1915-2001), Saint-Cyrien (123rd promotion "du Soldat inconn…
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Henri-G PILLOT (1915-2001), Saint-Cyrien (123rd promotion "du Soldat inconnu" 1936-38) and military history enthusiast. Superb diorama depicting an episode from the battle of Miranda-de-Coryo (Portugal) on March 14, 1811, where squadron leader MARBOT is challenged to a duel by an English officer. Scale 1/35. The diorama comes with a handwritten note by Henri-G PILLOT, explaining this episode of the battle. 24 x 13.5 x 14 cm. (Diorama of remarkable craftsmanship, in good condition). Note: During the "Iberian Peninsular War" (1801-1813), Portugal first had to contend with Spanish troops, who reversed their alliance and joined forces with France in the War of the Oranges (1801), before facing the three great French invasions decided by Napoleon I, in 1807, 1809 and 1810-1811. In 1811, as part of the 3rd French invasion of Portugal, the battle of Miranda-de-Coryo (Portugal) on March 14, 1811, was one of a series of small, delaying battles fought by the rearguard of the French army under Marshal NEY against the Anglo-Portuguese coalition commanded by WELLINGTON. In the end, the French forces retreated from the Kingdom of Spain. On March 14, 1811, squadron leader MARBOT, aide-de-camp to Marshal MASSENA, after delivering a message to Marshal NEY, was challenged to a duel and wounded in an ambush by an officer of the English outpost.

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Henri-G PILLOT (1915-2001), Saint-Cyrien (123rd promotion "du Soldat inconnu" 1936-38) and military history enthusiast. Superb diorama depicting an episode from the battle of Miranda-de-Coryo (Portugal) on March 14, 1811, where squadron leader MARBOT is challenged to a duel by an English officer. Scale 1/35. The diorama comes with a handwritten note by Henri-G PILLOT, explaining this episode of the battle. 24 x 13.5 x 14 cm. (Diorama of remarkable craftsmanship, in good condition). Note: During the "Iberian Peninsular War" (1801-1813), Portugal first had to contend with Spanish troops, who reversed their alliance and joined forces with France in the War of the Oranges (1801), before facing the three great French invasions decided by Napoleon I, in 1807, 1809 and 1810-1811. In 1811, as part of the 3rd French invasion of Portugal, the battle of Miranda-de-Coryo (Portugal) on March 14, 1811, was one of a series of small, delaying battles fought by the rearguard of the French army under Marshal NEY against the Anglo-Portuguese coalition commanded by WELLINGTON. In the end, the French forces retreated from the Kingdom of Spain. On March 14, 1811, squadron leader MARBOT, aide-de-camp to Marshal MASSENA, after delivering a message to Marshal NEY, was challenged to a duel and wounded in an ambush by an officer of the English outpost.

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MARC RIBOUD (Saint-Genis-Laval, 1923-Paris, 2016). "Young girl holding a flower", Washington, 1967. Gelatin silver. Later print. Signed and dedicated "to Patrick" in ink, in the margin. Provenance: Zwigoff collection, New York. Measurements: 25 x 36 cm (image); 31 x 40.5 cm (paper). This photograph of a young woman holding a flower in front of soldiers, taken in the context of a demonstration in Washington against the Vietnam War, is one of Marc Riboud's most celebrated images. The value of the scene, in addition to the emotional force it conveys, is the ability to universalize the message of hope in the midst of the outbreak of violence. Because, in any case, it was always the human side of conflicts that Riboud claimed in his photographs as a war correspondent. Thus, while taking photographs of the war in Vietnam and the Chinese cultural revolution, he also reflected aspects of daily life in cities such as Fez, Angkor, Shaanxi or Benares. Marc Riboud was a French photographer specialized in photojournalism who was part of the Magnum agency. At the outbreak of World War II he was fighting in the Resistance so he began his engineering studies at the École Centrale de Lyon in 1945. He learned photography in a self-taught way from the age of fifteen, using a Vest Pocket Kodak camera provided by his father. After working as an engineer, in 1952 he joined the Magnum agency, after meeting Henri Cartier-Bresson and Robert Capa, where he made the most important reports of his career until 1979. His first photograph published in Life in 1953 was "Painter at the Eiffel Tower". He was among the first photographers allowed to enter China in 1957 and almost the only Westerner to report on the Vietnam War from North Vietnam. He has published numerous books and has exhibited his work in many cities. In 2003 he received the Cornell Capa Award from the Infinity Awards. There have been several retrospective exhibitions of his work such as the one held in 1997 in New York and in 2005 in Paris. Exhibitions (selection since 2010): 2010 Au jardin de Krishna Riboud, Musée national des Arts Asiatiques-Guimet, Paris. 2011 I comme Image, Maison européenne de la photo, Paris. 2012 During the Heritage Days', Saint-Genis-Laval. 2014-2015 Marc Riboud - Beginning of the century, Rhône-Alpes Regional Council. 2014 De grace un geste - Richard Anacreonte Museum of Modern Art, Granville.

HISTORICAL DOCUMENTS and miscellaneous. -Approximately 60 letters and documents, preserved in a burgundy morocco portfolio bearing the arms of the Counts of Antioch, and about 160 photographs. -Adenauer (Konrad). Signed letter, in German, to Baron Bruno de Leusse. Bürgenstock, August 4, 1952. "Von meinem Sohn Georg höre ich von der guten Aufnahme, die er bei ihrer Gattin und Ihnen gefunden hat. Ich danke Ihnen vielmals dafür. ich hoffe sehr, dass er Ihnen nicht zur Last fallen wird. Wenn ich eine Bitte äussern darf, dann ist es die folgende. Sorgen Sie bitte dafür, dass er abends um 10Uhr spätestens zu Bett geht. Er braucht viel Schlaf, denn er hat einen schweren Winter vor sich..." Translation: "My son Georg tells me of the warm welcome he received from you and your wife. I would like to thank you for this. I do hope that his presence will not be a burden to you. If I can express one wish, it is this. Please see to it that he goes to bed no later than 10 o'clock in the evening. He needs plenty of sleep, for he has a hard winter ahead of him..." -Bismarck (Otto von). 4 autograph letters signed, in French, [to Baron Charles de Talleyrand-Périgord]. Berlin, 1862-1864 and n.d. "I would be very grateful to you, my dear Baron, if you would do me the pleasure of dropping by my house tomorrow at noon. I have a Council meeting at my house at one o'clock, and in the morning my advisors won't allow me to go out, lest the reel should stop in my absence. So please excuse me, if I disturb you on time at lunchtime..." Etc. -Eugenie (Empress). 2 autograph letters signed to Baron Charles de Talleyrand-Périgord. Arenenberg [in the Swiss canton of Thurgau, 1884], to congratulate him on the marriage of his daughter Marie-Marguerite to Count Adhémar de Brotty d'Antioche, and Farnborough [in Hampshire, 1886 or 1890], to express her condolences on the death of one of his daughters. -Order of the Visitation]. -Fusina (Marie-Emmanuel). Signed as Mother Superior of the Visitation monastery in Annecy, countersigned by four other sisters from the same monastery. Annecy, 1922. "...We declare that we have received... from Baron Chaulin, the missionary cross of Saint François de Sales, our Father and Founder, which he himself passed around the neck of Maurice de Brotty d'Antioche at the time of his conversion [the latter had until then been a Protestant]..." -Paley (Olga Valerianovna Karnovitch, Princess). Autograph letter signed. Tsarskoye Selo [imperial residence near St. Petersburg], August 30, 1915. "...I have received the title of Princess Paley (o i: ) which is the name of the Cossack hetman under Peter the Great and sung by Pushkin in "Poltava". She is one of my maternal ancestors, and her name died out with my grandmother. We are very happy to leave the German name of Hohenfelsen, given to us by the Regent of Bavaria. Everything German is hated, abhorred and despised in Russia, and they deserve it! We won't make peace here for anything in the world until we've brought them down completely..." Born Olga Karnovitch, daughter of the tsar's chamberlain, divorced, she morganatically married Grand Duke Paul Romanov (son of tsar Alexander II): she was then titled first Countess of Hohenfelsen, then, in 1915, Princess Paley. -Paris (Henri d'Orléans, comte de)]. Photographic portrait, cliché Pierre Ligey in Paris, with autograph signed letter (1934, ink faded), and signed letter (Rabat, 1942), both addressed to Baron Robert Chaulin. -Édouard de Cazenove de Pradines (as secretary to the Comte de Chambord, to Comte Adhémar de Brotty d'Antioche, 1882), Robert d'Orléans, Duc de Chartres (to Comte Adhémar de Brotty d'Antioche, 1901), Dorothée de Courlande, duchesse de Dino (2lettres au général Simon Bernard, 1837), Édouard Drouyn de Lhuys (to comte Alphonse de Brotty d'Antioche, 1864), Gaston Alexandre Auguste de Galliffet (8lettres, 1890-1901 et s.d., on famous people, Charles Haas, Madame Standish, the Duchesse d'Uzès, etc.), Alexandre Mikhaïlovitch Gortchakov (9lettres in his capacity as Russian Foreign Minister to Baron Charles de Talleyrand-Périgord, s.d.), Isabella II of Spain (1882, twelve years after her abdication), Victor Bonaparte, Prince Napoleon (1914, concerning the birth of his son Louis Bonaparte), Sophie de Wurtemberg, Queen of Holland (to Rose-Amour de Roisin, Baroness Falck, 1846), Marie Clémentine Anne de Rochechouart-Mortemart, Duchesse d'Uzès (3letters, s.d.), Henriette de Belgique, duchesse de Vendôme (1911), Victoria d'Angleterre, impératrice douairière d'Allemagne (to Marie-Marguerite de Talleyrand-Périgord, comtesse d'Antioche, 1896), and more. -Approx. 160 photographs, mostly portraits, preserved.