Null The dancer, 1910-1915
Black patinated bronze with reddish tones, 56 x 18 x …

Description

The dancer, 1910-1915 Black patinated bronze with reddish tones, 56 x 18 x 15 cm

87

The dancer, 1910-1915 Black patinated bronze with reddish tones, 56 x 18 x 15 cm

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Estim. 1 000 - 1 200 EUR

Battle scene on horseback.Venice, Wagner, before 1752 Etching and burin with trace of coloring. Platemark 261x378 mm. Inscriptions on the lower margin: in the center "Guerrier vago d'onor morte non teme"; on the left "Franc. Simonini inven."; to the right "Zuccarelli Sculp. Appo Wagner Venezia C.P.E.S." Print in antique frame with original glass. Fine specimen. Beautiful proof, with traces of contemporary coloring, in blue tones for the horses and in orange tones for the fortifications in the background. Scene derived from Francesco Simonini, the famous eighteenth-century "battaglista" who renewed the genre. Succi: " With casual and picturesque language Zuccarelli fixes the martial eagerness of the combatants in the silvery tones of competition, of typically Venetian taste pdf inventive freshness and for lightness of carving." [With casual and picturesque language Zuccarelli fixes the martial ardor of the fighters in the silvery tones of the competition, with a typically Venetian taste for inventive freshness and lightness of carving.] The date comes from Zuccarelli's collaboration with Wagner, which ended in 1752 when the Venetian artist went to London, where he remained for a decade

Estim. 400 - 500 EUR

Colored woodcut. 360x255 mm. Signed: Toyokuni ga. Censorship: Aratame. Good impression with slight defectes, restored holes at top. Performance of a play during the Niwaka festival, courtesan, butterfly dancer, servant with rat costume.

Estim. 4 000 - 4 500 EUR

CASOLANI, Alexander. Coronation of the Virgin with Angels and Cherubs. 1552 - 1607 Watercolor drawing on paper. 444x325 mm. Black pen and monochrome watercolor on hazelnut tones. reinforced. Good conditions. Grand and complex representation, with the Holy Trinity crowning the Virgin, venerated by two kneeling cherubs. In the foreground, on the sides, two musical angels with lute and harp. The central scene is framed by a crowd of angels and cherubs emerging from the clouds. The Sienese painter, influenced by Barocci and Veronese, was an eminent representative of the mannerism of the late sixteenth century.

Estim. 2 400 - 2 800 EUR

BISON, Joseph Bernardino. Pond with ducks. Drawing. 1762 - 1844 Sheet of mm. 246x180. Drawing with black pencil on laid paper with watermark trace. Signature at the bottom to the left. Good state of conservation. Nice glimpse of bucolic taste.

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