Null MDF ITALIA, Neuland Industriedesign, 2005-2017 Random 3C M bookcase
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MDF ITALIA, Neuland Industriedesign, 2005-2017 Random 3C M bookcase Medium olive green color Medium-density fiberboard (6mm thick), lacquered Melamine back Width 46.4 x depth 25 x height 217 cm

663 

MDF ITALIA, Neuland Industriedesign, 2005-2017 Random 3C M bookcase Medium olive green color Medium-density fiberboard (6mm thick), lacquered Melamine back Width 46.4 x depth 25 x height 217 cm

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STÉPHANE COUTURIER (Neuilly-sur-Seine, Hauts-de-Seine, 1957) "Seoul Yoido Dong, 1998. Photograph. Size: 127 x 107 cm; 133 x 112 cm (frame). Stéphane Couturier dedicated a series of photographs to the South Korean capital, as well as to other cities, in which his interest in abstracting urban details is evident. He deals with the subject of metropolitan transformations from a unique perspective and is considered the leading French exponent of "urban archaeology", as is Thomas Struth in the German context. He began exhibiting urban themes in Parisian galleries in the mid-1990s. Specialised in architectural photography, he lives and works in Paris. He was awarded the Niépce Prize in 2003. Stéphane Couturier's work, which came to light with his series on the Renault factory in Boulogne-Billancourt, is essentially composed of large-format photographs taken with a camera or medium format, in which the viewer's eye is lost, captivated by the details. The strength of his images comes from this visual play based exclusively on film, until his recent series Melting Point, taken at the Toyota factory in Valenciennes. Here he experimented with the fusion of 2 previously scanned images; the result is a profusion of richly coloured details that magically achieves a great coherence. Stéphane Couturier has progressively turned towards artistic photography: his photographs of building sites reveal an organic city in transformation and colour, sometimes in giant diptychs or triptychs. In Landscape, he focuses on the new cities of California, but always under a cloudy sky that overwhelms the different shots. His work has been exhibited at the Bibliothèque nationale de France in Paris (2004), the Seoul Museum of Art (2005), the Moscow Museum of Architecture (2006), the International Center of Photography in New York (2006), the Hôtel des Arts in Toulon (2014), the Maison Européenne de la Photographie in Paris (2015), the Musée Nicéphore Niepce in Châlon sur Saône (2016), the Musée de la Photographie in Charleroi, Belgium (2017) and the Musée Fernand Léger in Biot (2018). His work has also been published in several books. He is represented by Galerie Particulière 1 in Paris, Benrubi Gallery in New York, Galerie Kornfeld in Berlin and Galerie Christophe Guye in Zurich. In May 2018, Stéphane Couturier signed a petition with leading personalities from the world of culture to boycott the joint "France-Israel" cultural season, which, according to the petition, serves as a "showcase" for the State of Israel to the detriment of the Palestinian people. Stéphane Couturier has participated in numerous exhibitions, some of which are listed here: 2021 Stéphane Couturier, Christophe Guye Galerie, Zurich, Switzerland 2016 Alger, Climat de France, Musée Nicéphore-Niépce, Chalon-sur-Saône, France Anaklasis, La Galerie Particulière, Paris, France; Paris Photo, Galerie Particulière Booth, Grand Palais, Paris, France.

WILLIAM KLEIN (New York, 1926- Paris, 2022) . "Simone + Nina, Piazza di Spagna, Rome," 1960. Gelatin silver print. Signed, titled, dated in pencil (on reverse). Provenance: private collection Solomon New York. Measurements: 45 x 37 cm (image); 51 x 40,8 cm (paper). The photograph "Simone + Nina, Piazza di Spagna, Rome" by William Klein, taken in 1960, shows his innovative style and his commitment to street photography, his desire to take fashion photography out of the studio. On this occasion, he plays with the rhythmic and contrasting line of the zebra crossing. The composition is elaborate but pretends to be casual, which results in a great visual achievement: the vespa (iconic element of Italian streets), the agitation of this neuralgic square of Rome, the elegant silhouettes of Nina and SImone... compose a kind of film still. Such is the spontaneous impression and the narrative richness it conveys. William Klein was an American photographer and film director. Although born in New York and educated at the City College of New York, Klein's activity was mainly in France. He had directed a number of feature films (including the 1966 film "Qui êtes-vous, Polly Maggoo" and the anti-American satire "Mr. Freedom"). In the photographic field, Klein won the Nadar Award in 1956. In 1947, while in the army, he traveled for the first time to Paris and since then lived and worked in this city, with which he fell in love. In 1948 he enrolled at the Sorbonne University, where he was a student of Fernand Léger, among others. His best known works revolve around fashion and street photography, of which he was considered one of the creators and masters. Awards: In 1988 he was awarded the culture prize of the German photography association. In 1990 he received the International Award of the Hasselblad Foundation. In 2005 he received the PhotoEspaña award. Photography books: 1956. Life Is Good & Good for You in New York: Trance witness revels, Éditions su Seul, Paris. 1959. Rome: the City and its People, Feltrinelli, Milan. 1964. Tokyo, Zokeisha Publications, Tokyo. 1964. Moscow, Zokeisha Publications, Tokyo. 1989. Close up, Thames and Hudson, London, New York and Paris. KLEIN, W. (1990). Torino '90, Federico Motta, Milan. 1994. In and Out of Fashion, Random House, New York and London.

WILLIAM KLEIN (New York, 1926- Paris, 2022) . "Simone + Sophia Loren, Rome," 1960. Gelatin silver print. Signed, titled, dated in pencil (on reverse). Provenance: private collection Solomon, New York. Measurements: 46 x 34.5 cm (image); 51 x 41 cm (paper). A shopkeeper holds with both hands a large cut-out poster with a life-size image of Sophia Loren. Simone looks sideways at the grande dame of Italian cinema, and behind her float a wall clock and a traffic sign. This is a sidewalk scene in which the chaotic spontaneity of human life and the calculating eye of William Klein, one of the most "cinematic" photographers of his time , coincide. William Klein was an American photographer and film director. Although he was born in New York and educated at the City College of New York, Klein's activity developed mainly in France. He had directed a number of feature films (including the 1966 film "Qui êtes-vous, Polly Maggoo" and the anti-American satire "Mr. Freedom"). In the photographic field, Klein won the Nadar Award in 1956. In 1947, while in the army, he traveled for the first time to Paris and since then lived and worked in this city, with which he fell in love. In 1948 he enrolled at the Sorbonne University, where he was a student of Fernand Léger, among others. His best known works revolve around fashion and street photography, of which he was considered one of the creators and masters. Awards: In 1988 he was awarded the culture prize of the German photography association. In 1990 he received the International Award of the Hasselblad Foundation. In 2005 he received the PhotoEspaña award. Photography books: 1956. Life Is Good & Good for You in New York: Trance witness revels, Éditions su Seul, Paris. 1959. Rome: the City and its People, Feltrinelli, Milan. 1964. Tokyo, Zokeisha Publications, Tokyo. 1964. Moscow, Zokeisha Publications, Tokyo. 1989. Close up, Thames and Hudson, London, New York and Paris. KLEIN, W. (1990). Torino '90, Federico Motta, Milan. 1994. In and Out of Fashion, Random House, New York and London.