Bayard-Pieper, Mod. 1908
Cal. 7,65mmBrowning, SN. 120172, matching numbers. Mil…

Description

Bayard-Pieper, Mod. 1908 Cal. 7,65mmBrowning, SN. 120172, matching numbers. Mild barrel, length 55 mm. Five-shot. Imperial acceptance marks. Patent on breech, on the left "Cal. 7,65 Modèle Depose", on frame manufacturer. Complete original bluing. Black hard rubber grip panels. Magazine. Almost new condition. WBK: Attention - For this gun we will need to obtain an export license for you, based on your import permit (if needed in your country) or through your firearms dealer - more info here Condition: II

12759

Bayard-Pieper, Mod. 1908

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Estim. 20 - 40 EUR

Lot of 11 studies on Balzac: Madeleine Fargeaud, Balzac et la recherche de l'Absolu. Paris, Hachette, 1968. Paperback. E. J. Oliver, Balzac the European. London and New York, Sheed and Ward, 1959. Full cloth. Annette Rosa and Isabelle Tournier, Balzac. Paris, Armand Colin 1992. paperback. E. Preston, Recherches sur la technique de Balzac Les Presses françaises, 1927. Paperback. Samuel Rogers, Balzac and the Novel. University of Wisconsin Press, 1953. Full cloth. Judith Lyon-Caen, La Lecture et la vie - Les usages du roman au temps de Balzac. Paris, Tallandier, 2006. Paperback. Edmond Biré, Honoré de Balzac. Paris, Honoré Champion, 1897. Paperback. Mary F. Sandars, Honoré de Balzac, his life and writings. London, John Murray, 1904. Full cloth. [Collective] Balzac and the nineteenth century : studies in French literature presented to Herbert J. Hunt by pupils, colleagues and friends / edited by D. G. Charlton, J. Gaudon and Anthony R. Pugh. Leicester University Press, 1972. Full cloth. Georges Hourdin, Balzac romancier des passions. Temps Présent, 1950. Jean-Louis Bory, Pour Balzac et quelques autres - Musique 1. Julliard, 1960, paperback. Lot of 12 studies (13 volumes) on Balzac: Nicole Felkay, Balzac et ses éditeurs 1822-1837. Essai sur la librairie romantique. Promodis, 1987. Paperback Léon-François Hoffmann, Répertoire géographique de La Comédie humaine. José Corti, 1965-1968. 2 paperback volumes. Claude Lachet, Thématique et Technique du Lys dans la Vallée de Balzac. Nouvelles éditions Debresse, 1978. Paperback. [Collective] Balzac: Illusions perdues. L'œuvre capitale dans l'œuvre. C.R.I.N., 1988. Collected by Françoise VAN Rossum-Guyon. Paperback. Stefan Zweig, Balzac, sein Weltbild aus den Werken - Volume11 of Aus der Gedankenwelt grosser Geister. Bd.11. R Lutz, 1908, paperback, poor condition. André Allemand, Honoré de Balzac - Création et passion. Plon, 1963. Paperback. Agnès Guglielmetti, Fire and light in Balzac's La Peau de chagrin. Les réseaux symboliques du vocabulaire des sensations. Paris, Lettres Modernes, 1978. Paperback. Pierre Bayard, Balzac et le troc de l'imaginaire - Lecture de La Peau de chagrin. Lettres modernes Minard, 1978. Paperback. Michel Lichtlé, Balzac, le texte et la loi. Presses Universitaires de Paris Sorbonne, 2012. Paperback. [Collective] Balzac voyageur - Parcours, déplacements, mutations. Textes réunis et présentés par Nicole Mozet et Paule Petitier. Published by Université François Rabelais, Tours, 2004. Paperback. Gabriel Faure, Pèlerinages dauphinois. Grenoble, Éditions J. Rey, 1925. Paperback. René Jouanne, Alençon sur les pas de Balzac. In: Le Pays Bas-Normand, 1970, N° 4. Paperback. Lot de 10 études sur Balzac : Aline Mura-Brunel, Silence du roman - Balzac et le romanesque contemporain. Amsterdam, Rodopi, 2004. Kristina Wingard, Les problèmes des couples mariés dans La Comédie humaine d'Honoré de Balzac. Uppsala, 1978. Thesis. Patrick Berthier, Balzac et l'imprimerie. Imprimerie nationale, 1999. Pierre Danger, L'éros balzacien - structures du désir dans la Comédie Humaine. José Corti, 1989. Claude-Marie Senninger, Honoré de Balzac par Théophile Gautier. Paris, Nizet, 1980. [Lucienne Frappier-Mazur, Genèses du Roman - Balzac et Sand. Amsterdam, Rodopi, 2004. Linzy Erika Dickinson, Theatre in Balzac's La Comédie humaine. Amsterdam, Rodopi, 2000. H.U. Forest, L'esthétique du roman balzacien. Paris, PUF, 1950. [Maison Balzac], "Souscrivez à la comédie humaine". 2001. Paperback set.

Estim. 6 000 - 6 500 EUR

SONIA DELAUNAY (Odessa, 1885 - Paris, 1979). "Projet de tissu", ca.1920's. Gouache on paper. Provenance: Doyle auction, New York. Measurements: 42.5 x 31 cm; 57 x 46 cm (frame). Sonia Delaunay's "Tissu Project" was an innovative approach to textile design that integrated the principles of Orphic art into garments. The Tissue Project represents an avant-garde fusion of art and design. Sonia, along with Robert Delaunay, engendered Orphism, an artistic movement exploring the use of color and geometric-kinetic abstraction. From this research, Sonia explored the plastic possibilities applied to fashion and design, achieving dynamic and vibrant patterns. Another key idea was the idea of simultaneity: the consideration that colors interact with each other when placed side by side, creating a sense of movement and depth. Sonia applied this theory to painting and textile design. Born Sonia Ilínichna Stern, Sonia Delaunay is better known by her married name, which she adopted after marrying Robert Delaunay. A French painter and designer of Ukrainian origin, she was, along with her husband, one of the main representatives of abstract art, as well as the creator of simultanism. She grew up in St. Petersburg, in contact with the collection of paintings of the Barbizon School of her uncle and with the cultural life of the city. In 1903 she moved to Germany to further her education, where she discovered contemporary painting and studied drawing with Schmidt-Reuter. Two years later he moved to Paris and enrolled in the Academie de la Palette, where he was also initiated in engraving by Grossman. During these years he approached the European avant-garde through German expressionism, with a work that also reveals echoes of post-impressionism. In 1908 he held his first exhibition, showing works from his recently initiated Fauvist period. Two years later he married Delaunay, with whom he shared aesthetic concerns. Their art then underwent a change of direction, towards abstraction. The artist will then move towards the decorative arts, always with a purely abstract colorist language that will attract the attention of her peers and also of the critics. Although in 1912 she returned to painting, her fame as a designer had already been established throughout Europe. From then on, she frequently participated in important European exhibitions, such as the Berlin Autumn Salon or the Salon des Indépendants in Paris. During the First World War she lived in Spain and Portugal, where she developed an intense creative activity, including collaboration with Diaghilev's ballet. In 1921 the couple returned to Paris, where Sonia Delaunay continued to work on important projects, in addition to exhibiting her work both in Europe and the United States. Already fully recognized from the fifties onwards, compilations of her work began to be published, and in fact in 1958 her first retrospective exhibition was dedicated to her in Bielefeld (Germany). In addition, in 1975 she was named officer of the French Legion of Honor. Currently Delaunay is represented in major collections around the world, including the MoMA in New York, the Hermitage in St. Petersburg, the Reina Sofia in Madrid, the Albertina in Vienna and Haifa in Israel.

Estim. 600 - 800 EUR

Bal des Quat'z'Arts. A major party organized by the students of the Ecole Nationale des Beaux-Arts de Paris, generally costumed on the theme of antique periods, held at the end of each annual session. For the 63 balls organized between 1892 and 1966, tickets, invitations and posters were produced by the Beaux-Arts students, and today constitute a veritable panorama of fashion in the graphic arts. The set presented here includes 35 invitations and admission cards for the years 1896, 1901, 1905, 1908, 1910, 1912, 1914, 1920, 1925, 1927, 1928, 1930, 1935, 1937 and 1950.

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