Oviedo Mod. 1916
Cal. 7x57, SN. M5319, matching numbers. Very rough barrel, len…

Description

Oviedo Mod. 1916 Cal. 7x57, SN. M5319, matching numbers. Very rough barrel, length 55 cm. Five-shot. German proof mark 1979, Lange sights scaled 4 - 20, receiver head marked crown / "Fabrica de Armas / Oviedo / 1925", on the left Frankonia importer's stamp. Original finish partially spotted. Bright lock. Walnut stock with both side sling swivels. Leather strapping. Cleaning rod. Total length 105 cm. WBK: Attention - For this gun we will need to obtain an export license for you, based on your import permit (if needed in your country) or through your firearms dealer - more info here Condition: III -

12602

Oviedo Mod. 1916

Auction is over for this lot. See the results

You may also like

Estim. 2 400 - 3 600 EUR

Hannah Höch, "Katzen" fantastic, slightly abstract depiction of a group of four cats looking at the viewer, typical work of the artist, mixed media (watercolour and opaque colours) on paper, monogrammed lower left "H. H." and dated in pencil "1932" (instead of 1937), signed "Höch" and dated "(19)37" in lead on the reverse, as well as stamp "Hannah Höch/Nachlass Sammlung/König Höch", mounted in passepartout and estate stamp with monogram in lead "GK", titled and dated again on the reverse cardboard and labelled "Japan Kat. No. 103", this probably refers to the exhibition "Das künstlerische Schaffen einer Malerin des DADA", National Museum of Modern Art, Kyoto, Japan 1974, and furthermore "K 37" in pencil, dimensions and estate stamp, mounted in passepartout and framed behind glass, sheet dimensions approx. 20.5 x 16 cm. Artist information: also Hoech, actually Anna Therese Johanne Höch, German painter, collage artist. Painter, collage artist, photographer and graphic artist (1889 Gotha - 1978 West Berlin), representative of Dadaism, studied 1912-14 at the Kunstgewerbeschule Berlin-Charlottenburg under Harold Bengen, 1915 student at the Kunstanstalt am Kunstgewerbemuseum Berlin under Emil Orlik in Berlin, 1916-26 worked for Ullsteinverlag, 1919 co-founder of "Dada-Berlin", from 1920 member of the November Group, 1924 stay in Paris, 1926-29 stay in Holland and member of the "Onafhankelijken (The Independents)", 1932 moved to Berlin, 1933-45 ostracised as "degenerate" and banned from exhibiting, 1965 member of the Akademie der Künste Berlin, 1976 honorary professorship of the City of Berlin, source: Vollmer, Dressler, files of the Reichskammer der Bildenden Künste Berlin, "Wege zu Gabriele Münter und Käthe Kollwitz" and Wikipedia.

Estim. 3 500 - 4 000 EUR

ARTURO SOUTO FEIJOO (Pontevedra, 1902 - Mexico City, 1964). "Woman with regional attire". Oil on táblex. Signed in the inferior margin. Measurements: 70 x 55 cm; 87 x 72 cm (frame). Portrait of girl with regionalist attire. Arturo Souto uses here a palette of hallmarks and a brushstroke of explicit and generous stroke in matter. The puffed sleeves in white combine with the black dress and the red laced corset, and with the jet hair gathered in a bun. The oval face has the fine features of an adolescent woman. Son and disciple of the painter Alfredo Souto, Arturo lived in his youth between Oviedo, Zaragoza, Lugo and La Coruña, until he settled in Seville, where he studied between 1916 and 1920 at the Industrial School of Arts and Crafts and Fine Arts. By paternal indications he decided to study to become a quantity surveyor once again in Galicia, where the rural and maritime environments would have a decisive influence on Souto's initial plastic vision. In 1922, determined to devote himself to painting, he settled in Madrid and entered the San Fernando Royal Academy of Fine Arts, where he coincided with Salvador Dalí and other renowned artists. A fan of social gatherings, he lived with writers and intellectuals, and became friends with Valle Inclán. The year after his arrival in Madrid, in 1923, he marries Carmen Alabarce. In 1925 he held his first individual exhibition. That same year he participates in the Manifesto of the Iberians, with a group of nonconformists positioned against the official art of the Spain of the time. With them he held an exhibition at the Palacio del Retiro that was a real revolution. During these years Souto lived on his father's pension and on what he obtained from decorating porcelain, and managed to raise enough funds to make his first trip to Paris in 1926. In 1931 he will return to the city of the Seine, this time thanks to a scholarship of the Diputación de Pontevedra. Enthusiastic about the new aesthetic currents he met in Paris, he worked intensely and became interested in Giorgio de Chirico, who had a great influence on his work. Already in Spain, he participates in important group exhibitions and holds exhibitions in Madrid (from 1928), Pontevedra (1928), Santiago de Compostela (1930), La Coruña (1931), Vigo (1932) and other locations. During these years he experimented with different techniques, and developed a work marked by a certain decadence. In 1931 he visits several European museums thanks to a new grant from the Diputación, and signs in Madrid the manifesto of the Agrupación Gremial de Artistas Plásticos. His exhibitions follow one after the other all over Spain, and he makes the international leap showing his work in Copenhagen and Berlin. In 1934 he was granted a scholarship to the Spanish Academy in Rome, where he remained until 1936. On his return to Spain he was surprised by the National Uprising, and joined the Republican side, devoting himself to propaganda work with drawings and posters. In 1937 he participates in the International Exposition of Paris, in the pavilion designed by Sert where Picasso's "Guernica" was located. After the war he went into exile, first in Bordeaux and then in Havana. He visited the United States and finally settled in Mexico in 1942. In 1962 he returns to Spain, where he will hold some exhibitions, although he will finally die in Mexico in 1964, where he had traveled to liquidate his interests in the city and to be able to settle definitively in Spain. He is currently represented in the NovaCaixaGalicia Collection, the Museum of Pontevedra and other collections, both public and private.

Starting price 150 EUR

G. MAYR (? -1916), St Francis of Assisi, around 1900, Georg Mayr (unkn. -1916 ): St Francis of Assisi surrounded by animals, c. 1900, Felt-tip pen Technique: Felt-tip pen on , mounted on Paper Inscription: lower left monogrammed: "GM". Date: c. 1900 Description: Sketchy depiction of St Francis of Assisi (c. 1181 Assisi - 1226 ibid.), the patron saint of Italy, animals and nature conservation. St Francis is depicted in full figure standing next to individual trees and surrounded by birds. Provenance: Verso: Detail of a fairy tale from Snow White and the Seven Dwarfs, The dwarfs carry the glass coffin Keywords: St Francis, Saint, Animals, Birds, Genre, Figure, 20th century, Modern, Religious, Italy, Assisi (Umbrian), Size: Transparent paper: 15,2 cm x 11,0 cm (6 x 4,3 in) Condition: Good condition. The paper is slightly browned and has some creases and creases. The lower right corner of the sheet is creased and partially torn off.

Online payments are secured by Ingenico and encrypted transactions.

Each lot has been authenticated and appraised by an Auction House.

Consult our FAQ or contact us

Composed of several subsidiaries, the Drouot Group is a major player in the art market. Hôtel Drouot, located in the heart of Paris, has been the world's largest public auction center since 1852. 15 salerooms are available to more than 70 auction houses. The emulation generated by an annual offer of 230,000 artworks from 21 major specialities - from Antiquity to street art - attracts some 3,000 visitors every day. The Group's digital platform, Drouot.com, offers digital sales - Live auctions (live broadcasting and participation in auctions), Online-only auctions (dematerialised auctions) and Buy Now sales (sales of lots at fixed prices). Nearly 2 million items are offered annually by 600 auction houses. Auction news is reported every week in La Gazette Drouot, the leading weekly magazine for the art market and culture published by Auctionspress.

More about Drouot

Drouot certified auction houses

Contacts

HÔTEL DROUOT

9, rue Drouot 75009 Paris, France

+33 (0)1 48 00 20 00

[email protected]

DROUOT.com

[email protected]