Mod. 1916, unknown manufacturer 
Cal. 7x57, SN. P7022, matching numbers. Bright …
Description

Mod. 1916, unknown manufacturer Cal. 7x57, SN. P7022, matching numbers. Bright bore, length 56 cm. Five-shot. German proof mark 1970, sights scaled 4 - 20, inscribed "G. Kopf / Leonberg" in two lines on right side of receiver head. Completely reblued. Light wooden stock. Both sling swivels, leather strapping. Blued cleaning rod. Total length 106 cm. WBK: Attention - For this gun we will need to obtain an export license for you, based on your import permit (if needed in your country) or through your firearms dealer - more info here Condition: II -

12600 

Mod. 1916, unknown manufacturer Cal. 7x57, SN. P7022, matching numbers. Bright bore, length 56 cm. Five-shot. German proof mark 1970, sights scaled 4 - 20, inscribed "G. Kopf / Leonberg" in two lines on right side of receiver head. Completely reblued. Light wooden stock. Both sling swivels, leather strapping. Blued cleaning rod. Total length 106 cm. WBK: Attention - For this gun we will need to obtain an export license for you, based on your import permit (if needed in your country) or through your firearms dealer - more info here Condition: II -

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Hannah Höch, "Katzen" fantastic, slightly abstract depiction of a group of four cats looking at the viewer, typical work of the artist, mixed media (watercolour and opaque colours) on paper, monogrammed lower left "H. H." and dated in pencil "1932" (instead of 1937), signed "Höch" and dated "(19)37" in lead on the reverse, as well as stamp "Hannah Höch/Nachlass Sammlung/König Höch", mounted in passepartout and estate stamp with monogram in lead "GK", titled and dated again on the reverse cardboard and labelled "Japan Kat. No. 103", this probably refers to the exhibition "Das künstlerische Schaffen einer Malerin des DADA", National Museum of Modern Art, Kyoto, Japan 1974, and furthermore "K 37" in pencil, dimensions and estate stamp, mounted in passepartout and framed behind glass, sheet dimensions approx. 20.5 x 16 cm. Artist information: also Hoech, actually Anna Therese Johanne Höch, German painter, collage artist. Painter, collage artist, photographer and graphic artist (1889 Gotha - 1978 West Berlin), representative of Dadaism, studied 1912-14 at the Kunstgewerbeschule Berlin-Charlottenburg under Harold Bengen, 1915 student at the Kunstanstalt am Kunstgewerbemuseum Berlin under Emil Orlik in Berlin, 1916-26 worked for Ullsteinverlag, 1919 co-founder of "Dada-Berlin", from 1920 member of the November Group, 1924 stay in Paris, 1926-29 stay in Holland and member of the "Onafhankelijken (The Independents)", 1932 moved to Berlin, 1933-45 ostracised as "degenerate" and banned from exhibiting, 1965 member of the Akademie der Künste Berlin, 1976 honorary professorship of the City of Berlin, source: Vollmer, Dressler, files of the Reichskammer der Bildenden Künste Berlin, "Wege zu Gabriele Münter und Käthe Kollwitz" and Wikipedia.

Tapestry from the Manufacture Royale d'Aubusson (France), mid-18th century. After a cartoon by Jean-Baptiste PILLEMENT (1728-1808) Technical characteristics : Wool and silk. Dimensions : Height : 290cm ; Width : 490cm. (Very good condition) (Minor wear and restoration) The subject of this panel's register is the allure of chinoiserie. At the time, chinoiserie themes were often interpreted in workshops in France and Flanders. Indeed, this type of tapestry panel was highly prized in salons. Here, the attributes of Diana, the Huntress Goddess (with red drapery, bow and quiver of arrows), and two dogs confronting a wild boar suggest that this panel was intended for the residence of a venerable "pig" hunter. A beautiful border depicting a frame with brightly-colored flowers enhances the tapestry. Characteristics of J-B PILLEMENT's style: He was a charming decorator, and his work is a precious document of 18th-century art. In 1767, Leviez, who had collected the plates engraved after Pillement, published them under the following title: Oeuvres de Jean Pillement peintre et dessinateur célèbre, composées de deux cents pièces dont une partie gravée par lui-même à l'eau-forte : les autres par Carnot, Ravenet, Masson, Wallet et autres habiles graveurs. The first part contains one hundred and thirty Chinese subjects, figures and ornaments, as well as various flowers. The remaining seventy are composed of pretty landscapes and seascapes decorated with figures and animals, the elements, the seasons, the hours of the day and other very pleasing subjects. This work includes mainly decorative elements, natural flowers, ideal flowers and fantasy flowers in the Chinese taste, typical of the Silk and Indian Manufactures. Pillement personally produced some charming etchings. Pillement loved brilliant colors and contrasts of light and shadow, and his paintings had the effect of illuminated theatrical sets, a very fashionable genre in London.