Rifle Mod. 1893 
Cal. 7x57, SN. 6595, not matching numbered. Rough barrel, lengt…
Description

Rifle Mod. 1893 Cal. 7x57, SN. 6595, not matching numbered. Rough barrel, length 73 cm. Five-shot. German proof mark 1969, sights scaled 4 - 20, "Hege" importer's stamp on left side of receiver head. Completely reblued. Both sling swivels. Light walnut stock. Cleaning rod. Total length 124 cm. WBK: Attention - For this gun we will need to obtain an export license for you, based on your import permit (if needed in your country) or through your firearms dealer - more info here Condition: III

12599 

Rifle Mod. 1893

Auction is over for this lot. See the results

You may also like

Koloman Moser, "Allegorie der Malkunst" sitting female nude drawing on a canvas and in the background portrait of a helmeted young man in profile, lower left ligated monogram "FVKG", colour lithograph on green paper, 1900, ligatured monogram "KM" lower right, published as the title vignette of the cover of the annual portfolio of the Gesellschaft für vervielfältigende Kunst in Vienna, typographic text on the reverse, matted and framed behind glass, dimensions approx. 14 x 15 cm. Artist info: also Kolo Moser, important Austrian painter. Graphic artist, illustrator and applied artist (1868 Vienna - 1918 Vienna), studied at the Academy in Vienna from 1886-89 under Franz Rumpler, Christian Griepenkerl and Matthias von Trenkwald, at the same time temporarily working as an illustrator for the magazines "Wiener Mode" and "Meggendorfer-Blätter", 1892-93 drawing teacher for the children of Archduke Karl Ludwig at Wartholz Castle in Reichenau an der Rax, 1892-97 member of the "Siebener-Club", 1893-95 studied at the Vienna School of Arts and Crafts under Franz Matsch, 1896 admitted to the Vienna House of Artists, 1897 co-founder of the Vienna Secession and worked for its magazine "Ver Sacrum", from 1899 teacher at the Vienna School of Arts and Crafts, undertook numerous study trips, including to Abbazia, Lovakia and Vienna. including to Abbazia, Lovran, Trieste, Venice and Padua, 1903 founding member of the Wiener Werkstätte, 1907 left the Wiener Werkstätte and turned to painting, active in Vienna, source: Thieme-Becker, Wikipedia and Internet.

Koloman Moser, Lesendes Mädchen lesende junge Frau, umgeben von Pflanzen, das Blatt entstand als Titelbild der 12-bändigen Reihe "Handzeichnungen alter Meister aus der Albertina Wien", erschienen im Verlag Ferdinand Schenk im Jahre 1910, Farbdruck auf toned paper, unter der Darstellung im Medium signiert "Koloman Moser", auf Unterlagekarton moniert und hinter Glas gerahmt, Darstellungmaße ca. 12,5 x 12,5 cm, Blattmaße ca. 13,5 x 13,3 cm. Artist info: also "Kolo Moser", important Austrian painter, graphic artist, illustrator. Painter, graphic artist, illustrator and applied artist (1868 Vienna - 1918 Vienna), studied from 1886-89 at the academy in Vienna under Franz Rumpler, Christian Griepenkerl and Matthias von Trenkwald, at the same time temporarily active as illustrator for the magazines "Wiener Mode" and "Meggendorfer-Blätter", 1892-93 drawing teacher of the children of Archduke Karl Ludwig at Wartholz Castle in Reichenau an der Rax, 1892-97 member of the "Siebener-Club", 1893-95 studied at the Vienna School of Arts and Crafts under Franz Matsch, 1896 admitted to the Vienna House of Artists, 1897 co-founder of the Vienna Secession and worked for its magazine "Ver Sacrum", from 1899 teacher at the Vienna School of Arts and Crafts, undertook numerous study trips, including to Abbazia, Lovakia and Vienna. including to Abbazia, Lovran, Trieste, Venice and Padua, 1903 founding member of the Wiener Werkstätte, 1907 left the Wiener Werkstätte and turned to painting, active in Vienna, source: Thieme-Becker, Wikipedia and Internet.

JOAN MIRÓ I FERRÀ (Barcelona, 1893 - Palma de Mallorca, 1983). Barcelona series, 1972. Etching, aquatint and carborundum. Copy 'Bon a tiré', 1972. Signed and inscribed in pencil. Inscribed: "Bat. Miró 6/IV/72 - 28/III/72 (6)." Ref. no. 602, p. 234, "Miró Graveur", Vol. II. Measurements: 70 x 105 cm; 87 x 122 cm (frame). Joan Miró is formed in Barcelona, and debuts individually in 1918, in the Dalmau Galleries. In 1920 he moved to Paris and met Picasso, Raynal, Max Jacob, Tzara and the Dadaists. There, under the influence of surrealist poets and painters, he matures his style; he tries to transpose surrealist poetry to the visual, based on memory, fantasy and the irrational. His third exhibition in Paris, in 1928, was his first great triumph: the Museum of Modern Art in New York acquired two of his works. He returned to Spain in 1941, and that same year the museum dedicated a retrospective to him that would be his definitive international consecration. Throughout his life he received numerous awards, such as the Grand Prizes of the Venice Biennale and the Guggenheim Foundation, the Carnegie Prize for Painting, the Gold Medals of the Generalitat de Catalunya and the Fine Arts, and was named Doctor Honoris Causa by the universities of Harvard and Barcelona. His work can currently be seen at the Joan Miró Foundation in Barcelona, as well as at the Thyssen-Bornemisza Museum, the MoMA in New York, the Reina Sofía Museum in Madrid, the National Gallery in Washington, the MNAM in Paris and the Albright-Knox Art Gallery in Buffalo.