Mosin Nagant Mod. 1948, Radom
Cal. .22lr, SN. AB16377, matching numbers. Bright…

Description

Mosin Nagant Mod. 1948, Radom Cal. .22lr, SN. AB16377, matching numbers. Bright bore, length 59 cm. Single shot. Sight scaled 25 - 100, standard inscription. Completely reblued. Wooden stock. Sling. Overall length 113 cm. WBK: Attention - For this gun we will need to obtain an export license for you, based on your import permit (if needed in your country) or through your firearms dealer - more info here Condition: II

12474

Mosin Nagant Mod. 1948, Radom

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Estim. 80 - 120 EUR

Charles Saxon, Der Rennsieger humorous caricature with a jockey on his horse with an opulent winner's wreath, pencil drawing with slight yellowing on paper, around 1970, signed "Saxon" lower right, minimal traces of age, framed behind glass and mat, mat opening approx. 21 x 17 cm. humorous caricature with a jockey on his horse with an opulent winner's wreath, pencil drawing with slight yellowing on paper, around 1970, signed "Saxon" lower right, minimal traces of age, framed behind glass and mat, mat opening approx. 21 x 17 cm. Artist info: actually Charles David Isaacson, called Chuck, called himself "Saxon" as an artist, us-American illustrator, commercial and advertising artist as well as cartoonist, animated film designer and musician (1920 Brooklyn/New York City to 1988 Stamford/Connecticut), studied at Columbia University in New York City from 1936-40, artistically self-taught, at the same time drummer in various jazz bands and editor of the humour magazine "Jester", later employed as an editor at Dell Publishing, 1943-45 participated in World War 2 as a pilot in the United States Army Air Corps, then returned to New York. He then returned to New York and became editor of "Modern Screen", while also creating cartoons for "The Saturday Evening Post", 1948-49 cartoon editor of "This Week" magazine, 1950-56 editor of various Dell Public Company magazines, from 1956 employed as a cartoonist for "The New Yorker" magazine, while also working as a commercial artist for various companies such as American Airlines, Kodak etc., In 1972 he was awarded an honorary doctorate in the humanities by Hamilton College Clinton/New York, received various awards and was a prizewinner for cartoons at the Venice Film Festival, 1963 Gold Medal of the Art Directors Club and 1980 Reuben Award, from 1954 he worked in New Canaan/Connecticut, source: Wikipedia and Internet.

Estim. 5 000 - 6 000 EUR

MODEST CUIXART I TÀPIES (Barcelona, 1925 - Palafrugell, Girona, 2007). "Secrot", 1992. Acrylic and material on canvas. Work reproduced full page in "Modest cuixart, Human Surgery", Girona Art Museum, 2006, p. 83. Signed, dated and titled on the back. Measurements: 92 x 73 cm; 95 x 76 cm (frame). Work reproduced full page in "Modest cuixart, Cirugía Humana", Museo de Arte de Girona, 2006, p. 83. The choice to highlight this work in the catalog was the artist's choice. Dark colors generate a dense and intriguing atmosphere. However, Cuixart balances both the concept and the composition through various points of color through which he manages to completely capture the viewer's attention, focusing and directing it through the geometric element. Establishing a visual journey that runs through the entire pictorial surface. As the Modest Cuixart Foundation points out "The last stage corresponds to the 90s and is characterized by a return to the sobriety of his best times through an introspection in the subterranean and atavistic nature that demonstrates a great maturity, technical and conceptual". In this particular case the presence of the human figure indicates those first moments of transition between two artistic stages. Cuixart initially studied medicine, but soon abandoned his studies to devote himself to painting, and entered the Academia Libre de Pintura in Barcelona. In 1948 he participated in the foundation of the group Dau al Set, together with Brossa, Ponç, Tàpies and Tharrats, among others. Concerned with the plastic value of the sign, his work has from the beginning a strong kinship with surrealism, as well as a great sensitivity to the expressive power of color. Towards 1955 he immersed himself in material informalism, which led him to use the "grattage" in works with a certain orientalist flavour. In 1959 he won first prize at the São Paulo Biennial and exhibited at the Documenta in Kassel, and the following year he took part in an exhibition of Spanish avant-garde works at the Tate Gallery in London and the Guggenheim Museum in New York. Cuixart introduces collage in his work in 1962, which will gradually lead him towards pop-art. Enriched by all these experiences, he returns again to flat painting, reaching a very personal critical realism, which synthesizes expressionism with dramatically transformed figuration, always valuing the chromatic qualities. In the seventies he exhibited in numerous national and international capitals, such as Paris, Madrid, São Paulo, Amsterdam, Tokyo, Basel, Barcelona and Milan, among others. In the following decade, Cuixart gradually freed his painting from its aggressive aspects to give it a more lyrical tone. In addition, he participates in a group exhibition at the UNESCO Palace in Paris, receives the Cross of St. George of the Generalitat of Catalonia, and the Cross of Isabella the Catholic. In 1988, he holds an anthological exhibition in Japan, in the cities of Kobe and Tokyo. He continues to work with exuberant colors and shapes, and reincorporates a more material figuration to his work. In 1998 the foundation that bears his name was created in Palafrugell, and the following year he was awarded the Gold Medal for Merit in Fine Arts by the Ministry of Culture. He is represented in the Museo Nacional Centro de Arte Reina Sofía, the Tate Gallery in London, the Museo Nacional de Arte de Cataluña, the Museo de Arte Contemporáneo in Madrid, Barcelona and Saint-Etienne (France), the Patio Herreriano in Valladolid, the Museo de Grabado Español Contemporáneo in Marbella, the Museo de Arte de la Universidad de São Paulo, the Museo de Arte Abstracto in Cuenca and the Museo del Ampurdán, among many others. Work reproduced full page in "Modest cuixart, Cirugía Humana", Girona Art Museum, 2006, p. 83.

Estim. 300 - 400 EUR

PERE COSP (Barcelona, 1907-2007). Pair of shoehorn chairs, 1948-1949. Walnut wood. Marks of use. Upholstery damaged and soiled. In need of refinishing. Old xylophages. Provenance: House in Llavaneras (Barcelona) with interior designed entirely by Pere Cosp in 1948-1949, referenced on the website dedicated to the author, perecosp.wordpress.com, which lists the most important interior designs he made for individuals and companies. Measurements: 72 x 43 x 47 cm. Pair of shimming chairs designed by Pere Cosp, with sabre back legs and openwork backrest. The handcrafted finish is combined with a modern concept, characteristic of the author. Pere Cosp was an interior designer from Barcelona. With a largely self-taught background, Pere Cosp redirected the family craft workshop towards interior design and integral decoration. The profession served him to give free rein to his creative talent, intentionally distanced from the fashions and trends of the time. Proof of the non-conformist and restless personality that defined him are the designs of his furniture, which still retain an innovative and transgressive spirit. Cosp attended the Escuela de Artes y Bellos Oficios (School of Arts and Crafts), as well as the perspective classes of Professor Arola. But more important for him was the practical part: entering the family workshop and experiencing at first hand all the trades that were carried out there: gilding, mouldings and all kinds of restoration work. He also worked with the furniture maker Alonso and the decorator Parcerises. Pere Cosp was a pioneer in the use of materials that could be called humble, such as pine wood, chipboard, raffia, etc., which he elevated to a higher level through their treatment and use. He often collaborated with other trades: in the field of metal, he worked with Biosca y Botey and Pere Peronella. In this line of collaborations, he produced screen feet, wall sconces, outdoor furniture for gardens, an extensive collection of knobs and handles. The decoration of these elements or the final finishing was always done in the workshop. He carried out combinations of great beauty: stone, marble - Terra Passani was the main supplier - mosaic, in collaboration with Bru, glass, Granell, enamel, Morató, lacquers. Over the course of his 50-year career, he transformed around a hundred private homes into modern dwellings, often ahead of their time. His personal stamp impregnated every corner of the home: he distributed spaces, designed the furniture and decided even the smallest decorative detail.

Estim. 200 - 300 EUR

John Minton, British 1917-1957, Quayside and Lighthouse, 1948; linocut printed in three colours on thin tissue paper, signed, dated and numbered 2/6 in pencil, image: 20.3 x 31 cm, (framed) (ARR) Provenance: Osborne Samuel, Modern and Contemporary Art Gallery, London | Private UK Collection

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