Null Hembrug Mod. 1894
Cal. 9,4mmHembrug, SN. 327, matching numbers. Mild barre…

Description

Hembrug Mod. 1894 Cal. 9,4mmHembrug, SN. 327, matching numbers. Mild barrel, length 110 mm. Six-shot, fluted cylinder, slightly worn finish. Stamped "GS" on left side of frame and on loading flap. Grip panels with coarse chequering. Lanyard ring. WBK: Attention - For this gun we will need to obtain an export license for you, based on your import permit (if needed in your country) or through your firearms dealer - more info here Condition: II -

12421

Hembrug Mod. 1894 Cal. 9,4mmHembrug, SN. 327, matching numbers. Mild barrel, length 110 mm. Six-shot, fluted cylinder, slightly worn finish. Stamped "GS" on left side of frame and on loading flap. Grip panels with coarse chequering. Lanyard ring. WBK: Attention - For this gun we will need to obtain an export license for you, based on your import permit (if needed in your country) or through your firearms dealer - more info here Condition: II -

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Estim. 180 - 220 EUR

A SCARCE .177 WALTHER LG51 (53'Z') BREAK-BARREL MATCH AIR-RIFLE, serial no. 026654, circa 1960, with blued 17 3/4in. barrel, tunnel fore-sight with removable element, provision for rear-sight at breech (not supplied), plain air-chamber marked 'WALTHER LG CAL 4.5' over 'MOD 51' and 'WALTHER'S PATENT', no provision for telescopic sight, figured walnut half-stock, the top of wrist fitted with a Walther peep-sight with large pan-head aperture, chequered pistol-grip, deep fore-end with finger grooves, much apparent original finish.

Estim. 1 000 - 1 200 EUR

Attributed to the workshop Rigalt-Graell i Cia. "Coat of arms of the King of Aragon", ca. 1940. Leaded glass, painted with fire grisaille. With the legend attributed to Horace: "Multa renascentur qua iam cecidere". The wooden frame has xylophages. It needs restoration. Measurements: 151 x 67 cm; 162 x 78 cm (frame). Stained glass painted with grisaille on fire. It dates from the forties and the experts presume its possible origin from the prestigious Barcelona workshop Rigalt, Graell i Cia. It shows the coat of arms of the king of Aragon framed by architectural arches of lobed profile. It is accompanied by a legend written in Latin on a phylactery that includes an aphorism attributed to Horace: "many things will be reborn that had already fallen". It can be interpreted as meaning that customs, beliefs and fashions perish but are always reborn, albeit camouflaged with other names or other forms. In this context, it refers to the imperishable values of the royal family. The stained glass workshop constituted by members of the Rigalt and Granell families of Barcelona, was operational from 1890 to 1984. Its precedents are found in the draftsman and glazier Antoni Rigalt i Blanch (1850-1914), raised in an artistic environment, since he was the nephew of the painter and draftsman Lluís Rigalt i Farriols (1814-1894). He trained as a draughtsman at the Llotja school in Barcelona, teaching drawing until 1901. His move to glassmaker did not follow the traditional pattern starting as an apprentice in a workshop, but he did it after his artistic and theoretical training. Related to the most important artists and architects of the time, he was a regular collaborator in the works of the architect Lluís Domènech i Montaner. From the Rigalt and Granell workshop came some of the most important works of stained glass of Catalan modernism, such as those made for the Palau de la Música Catalana, the Casa Lleó Morera in Barcelona or the Casa Navàs in Reus. They worked on the works of architects Lluís Domènech i Montaner, Enric Sagnier, August Font i Carreras, among others. They also carried out a large number of restorations of medieval stained glass, such as those of the Cathedral of León or the monastery of Santes Creus. The workshop participated in numerous exhibitions, especially in the period under the direction of Antoni Rigalt, in many of which it received awards: the Universal Exhibition of Barcelona in 1888; the Exhibition of Fine Arts and Artistic Industries of Barcelona, in 1892, 1896 and 1898; the Exhibition of Fine Arts in Madrid in 1899; the National Exhibition of Art in 1900; the International Exhibition of Art in Barcelona in 1907 and 1911; the Universal Exhibition of Barcelona in 1929; the National Exhibition of Decorative Arts in 1947.

Starting price 5000 EUR

Sander, FReichenbachia. Orchids illustrated and described ... with the assistance of scientific authority. First (und) Second Series. 4 Bde. Mit 192 farblithogr. Tafeln. St. Albans, F. Sander / London, Sotheran u.a., 1888-1894. Gr.-Fol. Weinrote HMaroquinbde. d. Zt. mit farblich etw. abweichenden Lwd.-Deckeln, marmor. Schnitt, goldgepr. RTiteln, RVerg. u. goldgepr. DTiteln (berieben, bestoßen, tls. fleckig, Gelenke tls. beschabt u. etw. eingerissen, Kapitale z.T. mit kl. Beschädigungen u. Fehlstellen, 2 Bde. leicht schief gelesen). Botanik Sander, F Reichenbachia. Orchids illustrated and described ... with the assistance of scientific authority. First (und) Second Series. 4 Bde. Mit 192 farblithogr. Tafeln. St. Albans, F. Sander / London, Sotheran u.a., 1888-1894. Gr.-Fol. Weinrote HMaroquinbde. d. Zt. mit farblich etw. abweichenden Lwd.-Deckeln, marmor. Schnitt, goldgepr. RTiteln, RVerg. u. goldgepr. DTiteln (berieben, bestoßen, tls. fleckig, Gelenke tls. beschabt u. etw. eingerissen, Kapitale z.T. mit kl. Beschädigungen u. Fehlstellen, 2 Bde. leicht schief gelesen). Nissen BBI 1722. - Great Flower Books, S. 75. - Stafleu-Cowan TL2 10.219. - Bd. 1: 116 S., Taf. 1-48. - Bd. II: 106 S., Taf. 49-96. - Second Series Bd. I: 104 S., Taf. 1-48. - Second Series Bd. II: 113 S., Taf. 49-96. - Prachtvoll ausgestattetes Standardwerk der Orchideenkunde in 4 Bänden mit chromolithogr. Tafeln von G. Leutzsch, J. Mansell u. J.L. Macfarlanenach nach Zeichnungen von H.G. Moon, W.H. Fitch u. A.H. Loch. - Papierbedingt gering gebräunt, einige Seidenhemdchen des 1. Bds. mit kl. Einrissen, 2nd Series mit abweichendem Vorsatzpapier und an den Gelenken verstärkt, tls. (vorwiegend erste u. letzte Bll.) etw. stockfleckig, ein fl. Vorsatz lose, 1 Taf. mit hinterlegten Läsuren im Außenrand, 1 Textbl. mit hinterlegtem Riss, Taf. sonst in insg. wohlerhaltenem Zustand. With 192 fine chromolithogr. plates. Contemp. half leather with cloth boards (slightly different in colour in each series), marbled edges, gilt stamped titles to spines and front boards, and spine gilt (rubbed, bumped, partially stained, joints partly chafed and somewhat teared, end of spines partially with small defects, 2 vols. read slightly askew). - An "important and authoritative work for orchid growers" (Great Flowers Books). Named in honour of the botanist and celebrated orchidologist Heinrich Gustav Reichenbach (1824-1889). "By modern standards the work was of a monstrous size ... Where the orchid was concerned, Sander never spared himself, but even so, the care lavished on the Reichenbachia still provokes astonishment. Apart from the elegance of Moon's drawings, the technical standards would have been a tribute to any large printing house. The blocks were hand-made, out of wood, and the chromolithographs were produced by the use of as many as twenty inks. The cost to Sander was enourmous, and it is said to have been well over GBP 7,000 ... It is no wonder that Sander often remarked in later years that the project almost ruined him" (A. Swinson, Frederick Sander: The Orchid King, 1970). - Each plate protected with a tissue guard, and predomonanty finished by hand with gum arabic or added colour. - Minor browning due to paper, some tissue guards of vol. 1 with slight tears, partially with offset due to added colour, the 2nd series with different marbled endpapers and with reinforced inner hinges, some foxing (predominantly first and last leaves), 1 free endpaper loose, 1 plate with backed defects in the margin, 1 text shee with backed tear, plates in overall fine condition, overall well preserved set. Dieses Werk ist regelbesteuert. Auf den Zuschlagspreis fallen 23,95% Aufgeld sowie auf den Rechnungsendbetrag 7% (Bücher) bzw. 19% Mehrwertsteuer in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

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