Ballester-Rigaud M1911 A1
Cal. .45Auto, SN. 13591, matching numbers. Bright bor…

Description

Ballester-Rigaud M1911 A1 Cal. .45Auto, SN. 13591, matching numbers. Bright bore barrel. German proof mark. On left side of slide company name, on right side Argentine coat of arms next to "Ejercito Argentino". Dark wooden grip panels. Magazine. WBK: Attention - For this gun we will need to obtain an export license for you, based on your import permit (if needed in your country) or through your firearms dealer - more info here Condition: II -

12209

Ballester-Rigaud M1911 A1

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Estim. 300 - 400 EUR

RIGAUD (Jacques). [Recueil choisi des plus belles vues des palais, des châteaux et maisons royales de Paris et des envions]. Paris, chez l'auteur, [xviiiesiècle]. 31 plates mounted on strong paper sheets in an oblong folio volume, burgundy chagrin, smooth spine cold-stamped, framed with cold-stamped and gilt fillets with large corner fleurons, gilt title in the center of the first board and gilt coat of arms in the center of the second; plates trimmed a little short, worn binding with detached upper board, lower headpiece missing, upper flyleaf torn (binding circa 1840). A collection of suites engraved successively over a period from around 1720 to 1752, the original edition of which was published around 1738, and the plates of which could also be sold individually. Different editions, and even copies of the same edition, therefore show fluctuating collations (cf. Berlin Katalog, Millard, Cohen-Seymour de Ricci). The present copy includes the following plates, listed in order of binding: Diverses vues du château de Versailles. 1 View taken from the grand avenue between the two stables. 2 View of the Versailles stables from the second gate. 3Special view of the chapel at the Château de Versailles. 4 View of the Château de Versailles. Taken from the terrace opposite the chapel. 5.view of the château and part of the town of Versailles. From the estang side. [6] View of the Château de Versailles from the Orangerie. Taken beyond the large lake known as the pièce des Suisses. -Remarkable places in the garden and park of Versailles. 7 View of the Orangerie at Versailles. Taken from the balustrade at the edge of the château terrace. 8.view of the Bassin de Latone taken from the edge of the château terrace. [1] View of the groves in the Versailles garden. The ballroom. [5] Apollo's basin. 6] Enceladus' basin. 8] The water theater. 9] View of Neptune's basin in the garden of Versailles. 10.view of Trianon in the Versailles park from the avenue side. 11.three fountains. -Various views of the Château Royal de Marli, near Versailles. 1 This first view is taken at the main entrance near the gate on the way in from Paris. 2 View of the Château de Marli from the petit parterre. 3 View of Château de Marli taken from the bottom of the grand parterre. -Various views of Château de Chantilli. 1739. [1] View from the main entrance. [Veue particulière des écuries de Chantilli du côté du manège. [View of the Chantilli waterfall. [110] Veue du grand canal de Chantilli prise à sa source. -Various veues of the Château de Seaux belonging to monseigneur le Duc du Maine. 1736. [1] Veue du château de Seaux du côté de la grande avenue prise à la première grille. [Veue du château de Seaux prise du haut de l'allée de la Diane. [View of the Château de Seaux from the distance opposite the Châtenay side. [View of the Seaux waterfall. [View of the Seaux flowerbeds and the Grand Canal from a distance. -Various views of St-Cloud. [Paris], chez le srDuChange et chez l'auteur, 1730. 1] View of the Château de St-Cloud from the grand avenue to the second gate. 4. View of the St-Cloud waterfall. -[...remarkable places in Paris]. ÀParis, chez le SrDuchange, et chez l'auteur, 1729. [4]. Les promenades du palais des Thuilleries. [7]. Les promenades du Luxembourg. Provenance: Comtes d'Antioche (gilded coat of arms on lower cover, armorial vignette ex-libris on first flyleaf; handwritten ex-dono from Charles de Brotty d'Antioche, dated 1880, to his son Adhémar, on second flyleaf).

Estim. 600 - 800 EUR

LA FONTAINE (Jean de). Contes et nouvelles en vers. Amsterdam [Paris, Barbou], sn, 1762. 2 vol. in-8 bound in non-uniform contemporary red morocco. First volume: smooth spine decorated with DERÔME's characteristic bird's irons, gilt title and tomaison, triple fillet framing the boards, small gilt fleurons in the spandrels, gilt roulette on the edges and the chasses, blue moire endpapers, gilt edges. Slight rubbing and very fine scratches. Second volume: smooth spine adorned with gilt fleur-de-lys, green morocco title-piece, triple gilt fillet framing the boards, gilt fillet on the edges, gilt roulette on the endpapers, gilt edges. Spine very slightly faded, slight rubbing on the title page, light dampstain on the boards. XIV-(2)-268-(2) pp, 8 pp (Avis au relieur), 1 portrait and 39 figures; (2)-VIII-(2)-306-(4) pp, 16 pp (Avis au relieur des tomes 1 et 2 regroupés), 1 portrait and 41 figures (the first 8 pages of the avis au relieur are thus present in both tome 1 and tome 2). Fermiers généraux edition, containing an abridged Life of La Fontaine by Diderot and ending with five tales not by La Fontaine: la Couturière, le Gascon et la Cruche by Autereau; Promettre est un et tenir est un autre by Vergier; le Rossignol attributed to either Lamblin or Du Trousset de Valincourt. The illustrations include 2 portraits (La Fontaine after Rigaud engraved by Ficquet and Eisen after Vispré engraved by Ficquet), 80 figures by Eisen engraved by Aliamet, Baquoy, Choffard, Delafosse, Flipart, Lemire, Leveau, de Longueil and Ouvrier and 4 vignettes and 53 culs-de-lampe by Choffard, the last of which contains his portrait. The figures of Le Cas de conscience and Le Diable de Papefiguière are uncovered. Volume 1: paper very lightly browned in places, small scattered foxing, small tear in upper margin of first plate of Le Faucon, large modern bookplate pastedown on first and last endpapers and on recto of portrait, handwritten note in ink and pencil (19th century) on verso of 0-title. In volume 2, very small angular loss on pp. 37-38, very light foxing in places and a few pages very slightly browned. "Among the illustrated books of the 18th century, this edition of La Fontaine's tales, known as the Fermiers généraux edition because they paid for it, is the most beautiful and pleasing overall; it is also Eisen's masterpiece. As a result, [...], it is highly sought-after and expensive, especially when the proofs are first-rate, and the binding is elegant and well-executed." (Cohen) A fine copy of the Fermiers généraux edition, both in contemporary morocco, with a first volume bound by Derôme and 2 uncovered figures (Cohen, 558; Tchemerzine, VI, 378; Rothschild, 925).

Estim. 80 - 100 EUR

BOUVIER (Mgr). Les Mystères du Confessionnal. Prologue. - Manual for Confessors. - Epilogue by Curé X***. Rome, Paris, Londres, Genève, Amsterdam, Bruxelles, Madrid, Vienne, Berlin, Saint-Petersbourg, sn, sd. In-4, 319-[1] pp. Fawn half-chagrin, spine ribbed and decorated, gilt title (modern binding). Very curious work by the anticlerical and libertarian publisher Maurice LACHÂTRE (1814-1900) for the prologue, commentary and epilogue, and indebted to Paulin FRANQUES and A.R. for the translation of the Latin texts. Engraved illustrations in the text. Bishop of Le Mans in the mid-19th century, Mgr Bouvier castigates, among other things, fornication, prostitution, incest, "clerics who excite shameful actions", the "different kinds of lust consumed against nature" - pollution, sodomy and bestiality -, "morose delectation", kissing, women's finery, dishonest speech and indecent looks, balls and shows. Translation accompanied by a violent anti-clerical and atheist pamphlet expressing the theses of libertarian communism, which emerged in the 1880s. The text was blacklisted on January 19, 1877. Rare. (Gay III, 313 for Meulenaere's 1880 edition).

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