Null Hi-Standard Super Citation Mod. 104
Cal. .22lr, SN. 1977008, matching numb…

Description

Hi-Standard Super Citation Mod. 104 Cal. .22lr, SN. 1977008, matching numbers. Bright bore, length 140 mm. Ten-shot. German proof 1958. Adjustable micro sights. Standard inscription. Complete, original finish. Wooden grip panels with chequering. Magazine. Comes with two extra magazines. WBK: Attention - For this gun we will need to obtain an export license for you, based on your import permit (if needed in your country) or through your firearms dealer - more info here Condition: I - II

12065

Hi-Standard Super Citation Mod. 104 Cal. .22lr, SN. 1977008, matching numbers. Bright bore, length 140 mm. Ten-shot. German proof 1958. Adjustable micro sights. Standard inscription. Complete, original finish. Wooden grip panels with chequering. Magazine. Comes with two extra magazines. WBK: Attention - For this gun we will need to obtain an export license for you, based on your import permit (if needed in your country) or through your firearms dealer - more info here Condition: I - II

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Starting price 200 EUR

Sánchez de las Brozas, FranciscoMinerva, seu de causis linguae latinae commentarius. Cui inserta sunt, uncis inclusa, quae addidit Gasp. Scioppius, et notae Jac Perizonii (...). With engraved frontispiece and title in red and black. Amsterdam, Janssonius van Waesberge, 1714. 1 white p., 15 ll., 864 p., 32 p., 31 ll. Index, 2 white pp. 8°. Pgt. d. With fillet gilding, small corner fleurons and armorial supralibros on the boards, hs. R. title and mounted modern R. label, modern cotton clasps (somewhat stained, rubbed and bumped, small tear at head, gilding somewhat faded in places). Sánchez de las Brozas, Francisco Minerva, seu de causis linguae latinae commentarius. Cui inserta sunt, uncis inclusa, quae addidit Gasp. Scioppius, et notae Jac Perizonii (...). With engraved frontispiece and title in red and black. Amsterdam, Janssonius van Waesberge, 1714. 1 white p., 15 ll., 864 p., 32 p., 31 ll. Index, 2 white pp. 8°. Pgt. d. With fillet gilding, small corner fleurons and armorial supralibros on the boards, hs. R. title and mounted modern R. label, modern cotton clasps (somewhat stained, rubbed and bumped, capital with small tear, gilding somewhat faded in places). Cf. Brunet V, 118 - Beautiful edition of one of the Spanish scholar's major works. The first edition was published in 1587 (cf. also Jöcher IV, 104). The work was published until the 19th century and helped the author to the honorary title of "father of the Latin language". - Endpapers with small losses and adhesions, overall somewhat browned and stained, with occasional small annotations. Annotations. Overall well-preserved copy in decorative binding. With engraved frontispiece and title in red and black. Contemporary vellum binding with fillet gilding, small corner fleurons and coat of arms supralibros on covers, handwritten spine title & mounted modern spine label, modern cotton strap clasps (slightly stained, rubbed & bumped, capital with small tear, gilding partly a bit faded). - Fine edition of one of the main works of the Spanish scholar. The first edition appeared in 1587, the work was published until the 19th century and helped the author to the honorary title of "Father of the Latin language". - Endpapers with small missing parts and glue stains, overall somewhat browned and stained, occasionally with small handwritten annotations. Altogether well preserved copy in decorative binding. This work is taxed. The hammer price is subject to a 23.95% surcharge and the final invoice amount is subject to 7% (books) or 19% VAT in the European Union. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

Starting price 100 EUR

Set of 11 cameras including : - SANKYO Sound XL40S camera for Super 8 sound or silent film, with microphone and leather case. - MINOLTA Dimage 7 camera, Minolta GT Lens 7.2-50.8 mm, with box and papers. - KODAK Instamatic 104 camera. - ALTIC 35 mm Focus Free camera. Original box. - OLYMPUS camera with 130 mm zoom. - HANDY-5 camera with 35 mm zoom. Imitation leather case. - OLYMPUS Multi AF camera with 110 mmm superzoom. Instruction manual. - KODAK Instamatic camera. - ZEISS IKON Ikonta gusseted camera with 120 mm Novar Anastigmat lens. Leather case. - MINOLTA Dynax 7000i camera with Minolta AF Lens 28-85. Instruction manual. - Aiptex Pocket Cam 4000 AF digital camera with 8.4 mm zoom lens. Imitation leather case. As is.

Estim. 6 000 - 8 000 EUR

CARICATURE (La), complete collection from no. 1 (November 4, 1830) to no. 251 (August 27, 1835). 9 volumes in-4, havana half calf, smooth spine decorated, gilt title, tomaison and dates (period binding). Numerous rubs. Each issue consists of 2 printed ff. and one to three lithographed plates by Grandville, Daumier, Traviès, Monnier, Adam, Charlet, Devéria, Lami, Raffet, Forest, etc. etc., thus forming 526 (of 527) lithographed plates (including plates 56bis, 132bis "croquades [de Louis Philippe] faites à l'audience", 153bis), some of which folding or partially colored, with the pink poster bound in volume 5. Each volume with its printed title, as well as the tables of each issue (text and plates) up to n°234). Missing only plate no. 450 ("Revolutionary Supper" by Benjamin). With 23 (of 24) additional plates ("dessin de la souscription mensuelle") including Daumier's 2 famous engravings "Le Ventre législatif" and "Rue Transnonain, le 15 avril 1834" (missing 23rd supplement "Le Docteur Gervais..." by Traviès). With duplicate issues 193, 195, 187 and 189 bound at the end of the last volume. The set thus comprises a total of 485 full-page engraved LITHOGRAPHIES (some folding or on double pages counting double or triple), including 104 IN COLOR. Numerous freckles, text pages more or less browned, light or russet dampening in places. (Detailed list on request.) This illustrated periodical was run by its founder Charles Philipon until early 1839, with Auguste Audibert as editor-in-chief, then Louis Desnoyers. The periodical was first published by Aubert, a print merchant based at no. 31 Galerie Vero-Dodat. Honoré de Balzac, who was associated with Philipon in the creation of the journal, wrote the prospectus and contributed some thirty articles under various pseudonyms until February 1831, as well as the essay Petites Misères de la vie conjugale in 1830. From 1832, the title was changed to La Caricature politique, morale, littéraire et scénique. The 251 issues published between 1830 and 1835 represent a corpus of 2,000 pages and 530 lithographs. La Caricature fought against the power of Louis-Philippe I ("Philipon contre Philippe"), making it an important publication in the history of French caricature. Faced with royal censorship bans and other lawsuits brought by the authorities, Philipon founded the Association pour la Liberté de la Presse (Association for Press Freedom) to ensure the paper's survival and finance its various expenses. In return, subscribers received a monthly lithograph. It appeared under the name La Lithographie mensuelle from August 1832 to 1834. La Caricature temporarily ceased publication following the enactment of the press law of September 9, 1835, in the wake of the Fieschi assassination attempt. Resumed in 1838 under the title La Caricature provisoire, the paper changed its formula and subtitle. From issue no. 36 of July 7, 1839, it was known as La Caricature morale judiciaire, littéraire, artistique, fashionable et scénique, then in January 1842 as La Caricature, revue satirique des modes, des théâtres, de la musique, des tribunaux et de la littérature. Political satire gave way to studies of manners and social satire. Emmanuel Gonzalès was editor from 1839 to 1840, and Louis Huart from 1840 to 1843, when it was absorbed by Le Charivari. Created in the atmosphere of the years of political and social protest that followed the advent of the July monarchy, La Caricature is the prototype of the committed satirical newspaper. Along with Le Charivari, it was the most successful of the many sheets published at the time, contributing to the undermining of the July monarchy. The verve of its editors and the talent of the greatest caricaturists of the time (led by Daumier, Grandville and Traviès) explain the notoriety acquired by the paper in this battle. Its charges against Louis-Philippe's regime led to numerous prosecutions, including the sentencing of its editor, Charles Philipon, inventor of the "pear", to six months' imprisonment for "outrages à la personne du roi" (November 1831). (source Wikipedia.)

Estim. 180 - 200 EUR

GABRIEL TEIXIDÓ (Barcelona, 1947) for Carpyen Barcelona. Table lamp "Aura", 70s. Metal. Electrified. With wear and tear marks. With publisher's label. Measurements: 59 x 35 x 35 cm. Table lamp model "Aura" of purely functional design, reduced to its essence, but that at the same time is a nod to the traditional design of lighting pieces. Gabriel Teixidó trained at the Escuela de Artes Aplicadas y Oficios Artísticos in Barcelona and later established himself as a freelance in 1970. Throughout his career he has collaborated with companies such as Andreu World, Kendo Mobiliario, Enea, Oken, Joker, Grassoler, Santa&Cole, Disform, Grupo T, Interi, Aridi, Biok, Point, Levesta and Permasa. He has been awarded two SIDI prizes for the Bolero chair in 1986 (Gasisa) and the Columba lamp in 1987 (Carpyen Iluminación), Delta de Plata prizes from ADI-FAD in 1997 for the HI-FI lamp (Carpyen Iluminación) and more recently in 1997 the Truck table from the company Aridi and the Apta chair from Andreu World were also selected as finalists in the ADI-FAD prizes. He defines himself as a designer who is "quite" industrial, and is not influenced by fashions. The designer himself says "what interests me is that my designs are useful, that people feel comfortable with them, that they are a help".

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