Null High Standard Mod. 102 Supermatic Citation
Cal. .22lr, SN. 813342, bright,…

Description

High Standard Mod. 102 Supermatic Citation Cal. .22lr, SN. 813342, bright, heavy match barrel, prepared for barrel weight, length 5½". Ten-shot. British proof mark. Micro sights. Trigger stop. Standard inscription on both sides. Complete, original bluing, grip sanded. Walnut grip panels with thumb rest. Magazine. WBK: Attention - For this gun we will need to obtain an export license for you, based on your import permit (if needed in your country) or through your firearms dealer - more info here Condition: II

12061

High Standard Mod. 102 Supermatic Citation Cal. .22lr, SN. 813342, bright, heavy match barrel, prepared for barrel weight, length 5½". Ten-shot. British proof mark. Micro sights. Trigger stop. Standard inscription on both sides. Complete, original bluing, grip sanded. Walnut grip panels with thumb rest. Magazine. WBK: Attention - For this gun we will need to obtain an export license for you, based on your import permit (if needed in your country) or through your firearms dealer - more info here Condition: II

Auction is over for this lot. See the results

You may also like

Estim. 1 000 - 1 500 EUR

Gary Cooper Document Signed for High Noon DS, one page, 8.5 x 11, July 20, 1951. Agreement between Gary Cooper and Stanley Kramer Productions relating to "your services as an actor in our motion picture production now entitled 'High Noon.'" The document notes that "as a 'morals clause' has been deleted from an existing agreement between you and Warner Bros. Pictures Corp., we are deleting from your Employment Agreement with us, Section V-3 of Article V...a standard motion picture agreement 'morals clause.'" Signed at the conclusion in fountain pen by Gary Cooper. In fine condition, with some light creasing to the upper left corner. Cooper won the Academy Award for Best Actor in a Leading Role for his portrayal of Marshal Will Kane in the classic Western movie.

Estim. 120 - 150 EUR

Mode illustrée (La), family newspaper. Years 1876 and 1882. 2 vol. in-folio half-red basane, spines with ornate ribbing (period binding). 102 fashion plates engraved out of text and enhanced (52+50). A good copy.

Estim. 12 000 - 15 000 EUR

VICENTE LÓPEZ PORTAÑA (Valencia, 1772 - Madrid, 1850) "Portrait of a Lady. Oil on canvas. It presents faults on the pictorial surface. Bibliography: Díez, José Luis, Catalogue, Vicente López (1772-1850). Catalogue raisonné. Volume II. Madrid, Fundación de Apoyo a la Historia del Arte Hispánico, 1999, pp.188 (P-735) and 758. It has a 20th-century frame following antique models. Measurements: 46 x 35 cm; 64.5 x 50.5 cm (frame). This work shows features inherited from the painting of López Portaña, influences which can be seen in the objective treatment of the sitter, without any hint of idealisation. It follows a realistic style, influenced by the naturalist tradition. In addition, in the work, we can see the artist's interest in portraying the fabrics and the different qualities that make up the lady's clothing, something very much to Vicente López's taste. Vicente López began his training as a disciple of Antonio de Villanueva at the San Carlos Academy in Valencia, where he was awarded the first-class prize in 1786 and 1789, obtaining a pension to study in Madrid. Once at court, the following year he won first place in the competition at the San Fernando Academy. There he learnt the baroque and colourful sense of composition and a taste for precise and analytical drawing. The Baroque lavishness of the frescoes of Luca Giordano and Corrado Giaquinto also had a decisive influence on his language. Now an established artist, he returned to his native city in 1792. There he received important public and private commissions, including portraits of Ferdinand VII and Marshal Soult. In his portraits López shows his Valencian heritage, the weight of the naturalism of Ribera and Ribalta, as well as his mastery in the reproduction of details and qualities. His quality in the field of portraiture led Ferdinand VII to summon him back to court in 1814, appointing him the following year as his first court painter. From then on he became the most sought-after painter by Spanish high society, alternating his work at court with teaching, official posts and private commissions. In 1823 he took over the artistic direction of the Royal Museum of Paintings, for which he painted a superb portrait of Francisco de Goya, now in the Prado. Works by Vicente López are kept in the Museo del Prado, the Museo de Bellas Artes de Valencia San Pío V, the Academia de San Fernando, the Museo Municipal de Játiva, the Museo Nacional de Arte de Cataluña, the New York Historical Society, the Indianapolis Museum of Art, the J. Paul Getty Museum in Los Angeles, the National Gallery of Modern and Contemporary Art in Rome and the Fundación Lázaro Galdiano in Madrid.

Estim. 2 400 - 2 600 EUR

CHARLES EAMES (USA, 1907 – 1978) AND RAY EAMES (USA, 1912 – 1988) for VITRA. A high-back office armchair, model EA-119. Height adjustable and with tilt function. Original black leather upholstery, backside with black hopsak, armrests and five-star base in clome-plated aluminium, with castors. Designed in 1958. Slight traces of wear. Measurements: 102/115 x 58 x 58 cm; 43/56 cm. (seat height). Charles and Ray Eames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

Online payments are secured by Ingenico and encrypted transactions.

Each lot has been authenticated and appraised by an Auction House.

Consult our FAQ or contact us

Composed of several subsidiaries, the Drouot Group is a major player in the art market. Hôtel Drouot, located in the heart of Paris, has been the world's largest public auction center since 1852. 15 salerooms are available to more than 70 auction houses. The emulation generated by an annual offer of 230,000 artworks from 21 major specialities - from Antiquity to street art - attracts some 3,000 visitors every day. The Group's digital platform, Drouot.com, offers digital sales - Live auctions (live broadcasting and participation in auctions), Online-only auctions (dematerialised auctions) and Buy Now sales (sales of lots at fixed prices). Nearly 2 million items are offered annually by 600 auction houses. Auction news is reported every week in La Gazette Drouot, the leading weekly magazine for the art market and culture published by Auctionspress.

More about Drouot

Drouot certified auction houses

Contacts

HÔTEL DROUOT

9, rue Drouot 75009 Paris, France

+33 (0)1 48 00 20 00

[email protected]

DROUOT.com

[email protected]