Null LAURENT de l'ARDECHE Histoire de Napoléon Paris, Dubochet, 1839. Fort in8°,…

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LAURENT de l'ARDECHE Histoire de Napoléon Paris, Dubochet, 1839. Fort in8°, 802 pp, frontispiece and illustrations in text. Bound in half blond calf, edges faded, spine rubbed. First edition of one of the most important works in the writing of the Napoleonic epic.

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LAURENT de l'ARDECHE Histoire de Napoléon Paris, Dubochet, 1839. Fort in8°, 802 pp, frontispiece and illustrations in text. Bound in half blond calf, edges faded, spine rubbed. First edition of one of the most important works in the writing of the Napoleonic epic.

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[PARIS] Set of approximately 15 bound volumes XIXe-XXe siècles including: FOURNIER, Edouard. Histoire des enseignes de Paris. 1 volume. ABBE LEBEUF. History of Paris. 4 volumes. MENDRE, J. History of Paris. 5 volumes. BERTY ET TISSERAND. Le bourg Saint-Germain. 1 volume. OUDIETTE, C. Dictionnaire des environs de Paris. 1 volume. and miscellaneous.

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Embossed copper notary's panonceau based on the model established by the firm "DORVILLE à Paris", close to the seal of Napoleon III resulting from the text of the decree of December 2, 1852: The imperial eagle resting on the crowd on a field of azure surrounded by the cordon of the Legion of Honor, stamped with an open helmet, with imperial crown, the shield set on the mantle of ermines, with Charlemagne's scepter and the hand of Justice (accidents, dents and perforations). Napoleon III period. Height : 44 cm - Width : 36 cm Two books on notaries are included: - KLEBER VEYSSET, Panonceaux et enseignes du notariat, published by the Institut International d'Histoire du notariat, 1979, Paris VIIIe, our panonceau is reproduced on page 401 in this work; - M.-E. and J. LEROUGE, Jetons et documents numismatiques du notariat Français, published by the Institut International d'Histoire du notariat, 1977, Paris, VIIIIe.

Estim. 80 - 120 EUR

CERVANTES: Don Quichotte de la Manche. Dubochet, 1836. 2 vol. in-8 in long-grained havana morocco, cold plate and gilt fillets, each set on the first plate with a painting illustrating the work (stains). Nineteenth-century binding.

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