Null Combination Gun, Drilling Sauer & Sohn with ZF
Cal. 8x57JRS, Cal. 16/70, C…

Description

Combination Gun, Drilling Sauer & Sohn with ZF Cal. 8x57JRS, Cal. 16/70, Cal. .22WinMag, SN. 502, bright barrels, length 60 cm, right shot barrel with adjustable, muzzle-length bullet barrel in caliber .22 Magnum. German proof mark 1956, fixed sights with automatic rear sight and bead sight. Guilloche barrel rib with dealer's mark " J.G. Anschütz Ulm-Donau". Action with double barrel hook locking and Greener crossbolt. Silver colored receiver with simple engraving. Double trigger, the front trigger with French set trigger. Stock with chequering, pistol grip and cheek. Cracked on the right side behind the receiver, blemish has no effect on stability or function. Plastic butt plate with Sauer logo. Mounted with SEM a ZF Zeiss Diatal 6x reticle 4a, optics clear, tube with slight dent on the objective side. Sling swivel. Stock length 37cm. Weapon with wear marks, action tight, technically in good order. Overall length 103 cm. WBK: Attention - For this gun we will need to obtain an export license for you, based on your import permit (if needed in your country) or through your firearms dealer - more info here Condition: II

11250

Combination Gun, Drilling Sauer & Sohn with ZF Cal. 8x57JRS, Cal. 16/70, Cal. .22WinMag, SN. 502, bright barrels, length 60 cm, right shot barrel with adjustable, muzzle-length bullet barrel in caliber .22 Magnum. German proof mark 1956, fixed sights with automatic rear sight and bead sight. Guilloche barrel rib with dealer's mark " J.G. Anschütz Ulm-Donau". Action with double barrel hook locking and Greener crossbolt. Silver colored receiver with simple engraving. Double trigger, the front trigger with French set trigger. Stock with chequering, pistol grip and cheek. Cracked on the right side behind the receiver, blemish has no effect on stability or function. Plastic butt plate with Sauer logo. Mounted with SEM a ZF Zeiss Diatal 6x reticle 4a, optics clear, tube with slight dent on the objective side. Sling swivel. Stock length 37cm. Weapon with wear marks, action tight, technically in good order. Overall length 103 cm. WBK: Attention - For this gun we will need to obtain an export license for you, based on your import permit (if needed in your country) or through your firearms dealer - more info here Condition: II

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Estim. 900 - 1 000 EUR

HENRI III. P.S. "Henry". St-Maur des Fosséz, June 27, 1586. Piece on oblong vellum (34 x 24.5 cm), titled on verso. Under two-sided glass, modern gilt frame. Very fine document signed by King Henri III, granting a favor to Antoine d'Estrées for the exploitation of part of the Compiègne forest: "(...) ayant esgard aux bons et recommandables services que le Sr d'Estrées chevallier de ses Ordres cons. en son Conseil d'Estat, cappitaine de cinquante hommes d'armes de ses ordonnances et son lieutenant général au gouvernement de Picardye, a des longtemps faict au feuz roys ses prédécesseurs (...); aussy pour luy donner moyen de supporter la despence qu'il est contrainct faire, Sa Majesté luy a accordé et faict don de toutes et chacunes les souches des arbres et tonture des layes qui sont en la forest de Cuise près Compiègne, garde de Jehan Barlet Glorieux et Loys Le Maire, sergens, suivant le bail qui en a été faict des boys vanduz par le Grand M[aître] des Eaux et Forests de France (...)." Son of the Grand Master of Artillery of France and Catherine de Bourbon, Antoine d'Estrées (before 1529-1609) was a gentleman of the Duke of Alençon, when Henri III appointed him governor of Pierrefond (1575), seneschal and then governor of Boulonnais (1575-78). Chevalier de St-Michel, he was created Chevalier du St-Esprit in the 1st promotion at the Order's creation in 1578, and obtained from the King the erection of his seigneury of Cœuvres into a marquisate (1585), as well as the lieutenancy general in Picardy in March 1586. When Henri III was assassinated, he immediately offered his services to the King of Navarre, and settled in his government at La Fère. His defense of Noyon against Mayenne in 1593 led to his appointment as Lieutenant General of Paris and the Ile de France. One of his daughters, Gabrielle, was Henri IV's famous mistress.

Estim. 2 000 - 4 000 EUR

An Isoko Mask Isoko, Nigeria Mit Sockel / with base Holz, Rattan. H 38 cm. Provenienz: - Thierry Santos, Paris. - Galerie Alain & Abla Lecomte, Paris. - 2006: Westschweizer Privatsammlung. Ein Zertifikat der Galerie Lecomte (2006) wird dem Käufer ausgehändigt. Bei Sotheby's Paris (09.04.2022, "Living Contemporary", Lot 14) mit einer Schätzung von € 5'000-7'000 unverkauft. Eine identische (?) Maske wird von Philip M. Peek in "For Spirits and Kings - African art from the Paul and Ruth Tishman Collection" wie folgt beschrieben: 82. MASK FOR ERESE FESTIVAL Nigeria, Igbo-Isoko, Bendel State, Ase village Wood, raffa, cowrie sbells, brass tacks, H. 11¾ in. (29.8 cm.) 1940-60? This mask is virtually identical to one of three headdresses recorded in Ase, Bendel State, Nigeria, in 1971 (see fig. 30). The three are owned by Odiri, priest of Onye-uku-Ekukeni, the major clan deity for warfare. Fach mask is topped by a joined pair of unidentified animals further honoring the deity. Worn by masqueraders covered with feathers and colorful head scarves, such headdresses are the focus of the Erese festival celebrated each March to cleanse the town before other festivals can be held. This ceremony is properly known as Erese Okpokponso (from the Isoko kpo, "go," and Igbo nso, "forbidden," or "to move/drive away forbidden things"). The combination of Isoko and Igbo terms reflects Ase's complex history. The ancestors of Ase's founders left Benin centuries ago and gradually, over many generations, moved down the Niger River. Reaching the junction of the Niger and Ase rivers, two brothers went up the Ase and settled. The senior brother soon left to found what was to become the Isoko town of Aviara. For years Ase remained "junior" to Aviara, but later became affiliated with the powerful Ndosimili Igbo town of Abo. Ase now considers itself completely Igbo. A further reflection of the difficulty in tracing the origins of Niger delta and riverain communities is that Ekukeni quarter, where the creators of the Erese festival live, was settled by migrants from Erohwa, an ancient clan now linked to the Isoko but predating even the Ijo in the western Niger delta. Weiterführende Literatur: Vogel, Susan / Translations and additional research by Kate EZRA (1981). For Spirits and Kings. African art from the Paul and Ruth Tishman Collection. New York: The Metropolitan Museum of Art. Seite 143 CHF 2 000 / 4 000 Gewicht in Gramm: 1884 Zustand: Der Zustand (allfällige Abnutzung, Gebrauchsspuren, Risse, eventuelle andere Beeinträchtigungen und die Altersspuren usw.) dieses Lots ist auf den Fotos, die wir für Ihre Dokumentation hochgeladen haben, zu sehen. Für alle Fragen zu diesem Objekt steht Ihnen Hammer Auktionen gerne zur Verfügung ([email protected]). Die Angaben zum Zustand der Objekte, die aus Sachdienlichkeit gegenüber den Interessenten gemacht wurden, sind nur eine Meinung und sollten nicht als Tatsachenbehauptung behandelt werden. Hammer Auktionen übernimmt keine Verantwortung für etwaige Fehler oder Unterlassungen. Im seltenen Fall, dass der Artikel nicht mit der Beschreibung im Katalog übereinstimmt, ist Hammer Auktionen hier, um zu helfen. Käufer können das Lot gegen volle Rückerstattung zurückgeben, sofern sie Hammer Auktionen innerhalb von 5 Tagen nach Erhalt des Lots benachrichtigen.

Estim. 2 000 - 4 000 EUR

A LARGE PUNCH BOWL DEPICTING A TIGER HUNT, QIANLONG PERIOD A LARGE PUNCH BOWL DEPICTING A TIGER HUNT, QIANLONG PERIOD China, 1736-1795. Well potted with deep rounded sides supported on a tapered foot, intricately painted in bright enamels with two panels depicting a tiger hunt, one side showing the capture and the other with the tiger being carried back home, separated by smaller panels depicting beauties in gardens, one depicting two ladies playing with a dog and the other a maiden with her suitor, each panel enclosed by gilt-decorated scrolling vines with stylized bats and dragons, against a brocade-patterned ground. Provenance: F rom a good European collection. Condition: Old wear and firing irregularities, rubbing and losses to enamels, some cracks which have been stabilized with staples, few tiny losses, and a glaze flake below the rim with an associated minor old fill. Overall presenting very well. Weight: 2,186 g Dimensions: Diameter 34.5 cm The rim encircled to the interior by a band of gilt bamboo and enameled floral blossoms, the well finely painted with melons, hibiscus, pomegranate, peony blossoms, and plums, and the foot with a gilt band of lotus scroll. The imperial hunt of the Qing dynasty was an annual rite of the emperors of China during the Qing dynasty. It was first organized in 1681 by the Kangxi Emperor at the Imperial hunting grounds at Mulan in modern-day Weichang Manchu and Mongol Autonomous County, near what would become the summer residence of the Qing emperors at Chengde. Starting in 1683 the event was held annually at Mulan during the autumn, lasting up to a month. The Qing dynasty hunt was a synthesis of earlier Chinese and Inner Asian hunting traditions, particularly those of the Manchus and Mongols. The emperor himself participated in the hunt, along with thousands of soldiers, imperial family members, and government officials. Kangxi's son, the Yongzheng Emperor, never hunted at Mulan as an emperor, though he had done so as a prince. Yongzheng regretted his failure to continue the custom, and instructed his sons to maintain their hunting skills. The next emperor to hunt at Mulan was Qianlong, who revived and expanded his grandfather's tradition. Mulan held deep significance for Qianlong, who erected a stele there in 1751. The Qianlong Emperor held over forty hunts in his reign. To protect him from potentially dangerous game such as bears or tigers, the emperor would be accompanied by a number of troops such as the ‘tiger-gun brigade’. If a tiger was caught, the emperor usually killed it personally, as part of the spectacle demonstrating the bravery and martial skill of the imperial lineage. In 1692, the Kangxi Emperor killed a bear by wounding it with an arrow and finishing it off with a pike. Under the Kangxi Emperor, tiger hunts were conducted by having captive animals brought in cages, and then releasing them into the hunting grounds. Auction result comparison: Type: Closely related Auction: Christie’s New York, 10 April 2019, lot 48 Price: USD 40,000 or approx. EUR 45,000 converted and adjusted for inflation at the time of writing Description: A rare large tiger and foxhunting bowl, Qianlong period, circa 1775 Expert remark: Compare the closely related subject and decorations with similar restorations, cracks, and chips to the rim. Note this lot is painted to the interior with an English foxhunting scene. Note the size (40.6 cm).

Starting price 150 EUR

P. GUNST (1659) after WERFF (1659), Porträt Duc d'Alençon (1555-1584), Copper engraving Pieter van Gunst (around 1659 Amsterdam - 1731 ibid.) after Adriaen van der Werff (1659 Rotterdam - 1722 ibid.): Porträt Duke of Alençon, François-Hercule de Valois (1555-1584), , Copper engraving Technique: Copper engraving on Paper Inscription: At the lower part signed in the printing plate: "Adr.n vander Werff pinx. / P. à Gunst sculps.". Date: Description: Depiction of the young Prince of France as a bust in half profile. Theatre masks and snakes in the frame. Person: Duke François-Hercule de Valois, Alençon (1555 Saint-Germain-En-Laye - 1584 Château-Thierry) The youngest son of King Henry II of France of the House of Valois and his wife, Catherine de Medici. All the other sons of the ruling couple became kings of France in succession (Francis II 1559-1560, Charles IX 1560-1574, Henry III 1574-1589) or, as in one case, died in infancy. François-Hercule held numerous titles: he was Prince of France as well as Duke of Alençon and Château-Thierry, Count of Le Perche, Mantes, Meulan (1566-1584), Duke of Évreux and Count of Dreux (1569-1584), Count of Maine, Duke of Anjou, Touraine and Berry (1576-1584), Count of Flanders (1582-1583) and seven times Pair of France. His early death at the age of 29, unmarried and childless, led to the passing of the succession from the House of Valois to the Bourbon Henry of Navarre. François-Hercule was buried in the Basilica of Saint-Denis. Keywords: Nobility, Prince, King's son, Portrait, Theatre, 18th century, Rococo, Portraits, France, Size: Paper: 34,3 cm x 20,5 cm (13,5 x 8,1 in), Plate: 31,7 cm x 18,6 cm (12,5 x 7,3 in), Depiction: 29,8 cm x 17,4 cm (11,7 x 6,9 in) Condition: Very good condition. Minimal creases upper right. Isolated pale stains recognisable on the sheet margin.

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