Null A sabre for officers of the fusiliers, circa 1900 
Slightly curved single-e…
Description

A sabre for officers of the fusiliers, circa 1900 Slightly curved single-edged blade (stained), half of both sides with rich decorative etching, non-ferrous metal knuckle-bow hilt (slightly deformed, grip cap somewhat loose) with chequering (rubbed) and wire winding (incomplete), the obverse side of the guard plate with vacant fastening holes, the reverse side bears the engraving "v Görne". Partially damaged, signs of age. Length 91.5 cm Condition: II

10492 

A sabre for officers of the fusiliers, circa 1900 Slightly curved single-edged blade (stained), half of both sides with rich decorative etching, non-ferrous metal knuckle-bow hilt (slightly deformed, grip cap somewhat loose) with chequering (rubbed) and wire winding (incomplete), the obverse side of the guard plate with vacant fastening holes, the reverse side bears the engraving "v Görne". Partially damaged, signs of age. Length 91.5 cm Condition: II

Auction is over for this lot. See the results

You may also like

Bisson, EduardFeengestalt. Ca. 1900. crystoleum on convex glass plate. 27 x 18 cm. Signed. Framed in period frame. Bisson, Eduard Fairy figure. Ca. 1900. Crystoleum on convex glass plate. 27 x 18 cm. Signed. Framed in the frame of the period. In the crystoleum technique, an albumen print is glued to the inside of a convex glass plate. In the next step, the paper backing of the print is rubbed off, leaving only the transparent emulsion behind. The work was then colored on the reverse by hand in oil paint. Crysstoleen were very popular between the 1880s and 1910s. - Edouard Bisson was a French painter of the fin de siècle. He is best known for his ethereal depictions of women, in which he concentrated on the exaggeration of a stylized form of female beauty and which are stylistically reminiscent of the Pre-Raphaelites. Bisson exhibited several times at the Paris Salon and won the bronze medal at the 1900 World Exhibition. - The glass with a few superficial scratches in places. Good overall. Crystoleum on convex glass plate. Signed. Framed in a frame of the time. - In the Crystoleum technique, an albumen print is glued to the inside of a convex glass plate. In the following step, the paper backing of the print is rubbed off so that only the transparent emulsion remains. The work was then colored on the reverse side by hand in oil paints. - Edouard Bisson was a French painter of the Fin de Siècle. He is best known for his ethereal depictions of women, in which he concentrated on the exaggeration of a stylized form of female beauty and which are strongly reminiscent of the Pre-Raphaelites in terms of stillness. - On the glass with few and superficial scratches in spots. Overall well preserved.

[South America]. The Costume of the inhabitants of Peru. London, Edington, sd [c. 1805]. In-4 with [1] f. engraved title and 19 plates of costumes stippled and carefully watercolored at the time. Contemporary vellum-style ivory paper spine boards, engraved title label glued to front board. A few minor flaws to the boards, a few small freckles. Some plates show a very slight trace of numbering. Indian representation of the costumes of the Ynca and his Queen ; A Lady of Lima in fer full dress ; Male inhabitant of Lima in the middle class of society ; A Female of Lima of the middle class of society ; Indians Male and Female in Costumes of Festivity ; Female Domestic of Lima of the Class of Quarterons ; Two Female Domestics of Lima, Natives,who have adopted the Spanish dress ; Civilized Indian wearing the Poncho ; Virgin of the Sun ; A Mestizo of Quito professing a liberal art accompanied by his pupil ; Mulattoes of Quito ; Female Indian, habited as the Minerva of Peru ; Female warrior of the Yurimagua Tribe ; Indian Warrior belonging to a barbarous Tribe ; Fighter at a Bull Feast ; Bozal, or Raw-Negro, residing in the district of Lima ; Indian woman of a village, near Lima ; Overseer of a Royal Peruvian Mine ; Llamas or Peruvian sheep. Very rare suite of plates of Peruvian costumes, reprinted from Joseph Skinner's "The present state of Peru...", London, Richard Philipps, 1805. An identical suite was published for Wallis and Edington, dated 1816 (6 copies in public collections, mainly in the United States). (Colas 2751.)