Null A sabre in the style of the sabres of honor under Napoleon I, 20th century …

Description

A sabre in the style of the sabres of honor under Napoleon I, 20th century (copy) Sharp, slightly curved wedge blade with pommel point, without marks. Angular nickel silver knuckle-bow hilt, black leather-covered grip with wire winding. Blued iron scabbard with two ring straps and nickel silver suspension rings. Signs of use and age. Length 100 cm. Condition: II

10219

A sabre in the style of the sabres of honor under Napoleon I, 20th century (copy) Sharp, slightly curved wedge blade with pommel point, without marks. Angular nickel silver knuckle-bow hilt, black leather-covered grip with wire winding. Blued iron scabbard with two ring straps and nickel silver suspension rings. Signs of use and age. Length 100 cm. Condition: II

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Estim. 250 - 400 EUR

PAIR OF VALENTI-STYLE SILVERY LAMPS, THIRD QUARTER OF THE 20TH CENTURY. Silvery metal and in the shape of a candlestick. Fabric lampshades. In working order. 80 cm the largest; 57 cm the smallest.

Estim. 55 000 - 65 000 EUR

Maître de "Los Santos Juanes" (Actif en Castille entre 1525- 1550) École gothique médiévale espagnole du XVe siècle. Monumental oil on panel measuring 145 x 95 cm in outstanding state of conservation and polychrome of origin, the scene with which this work delights us represents the painting depicts Pope St. Gregory the Great, when in the year 590 an epidemic of plague was declared in Rome, which caused numerous deaths. For this reason the Pontiff organized a great procession. Arriving at the Bridge of Helium (today the Bridge of Sant'Angelo), in front of the Castellum Crescentii (ancient mausoleum of Emperor Hadrian), the miracle took place. Pope Gregory looked towards the top of the castle, and there he observed the great figure of the archangel St. Michael, sheathing his sword, who welcomes them, very possibly being a commemorative commission from the Archbishopric to the master from Palencia to decorate a newly built church or cathedral. Bibliography: MATEO GÓMEZ, Isabel "Maestro de los Santos Juanes". Painting of four centuries. Madrid: Caylus, 1997, pp. 36- 39. FIZ, Irene. "A propósito del Maestro de los Santos Juanes." Spanish Archive of Art, Volume 74, No. 295, 2001, p. 259. The technical study, Icono I&R, will include these four works in a future publication dedicated to the Master of the Santos Juanes.

Starting price 350 EUR

Fuchs, ErnstArchitectura Caelestis: Images of the Hidden Prime of Styles. Vorzugsausgabe mit zwei signierten Original-Radierungen. Salzburg, Residenz, 1970. 210 S., 1 Bl. 4°. OLwd. mit Deckel-Illustration in Golddruck und goldgepr. RTitel, in ill. OUmschlag und ill. Lwd.-Schuber in Golddruck. Fuchs, Ernst Architectura Caelestis: Images of the Hidden Prime of Styles. Vorzugsausgabe mit zwei signierten Original-Radierungen. Salzburg, Residenz, 1970. 210 S., 1 Bl. 4°. OLwd. mit Deckel-Illustration in Golddruck und goldgepr. RTitel, in ill. OUmschlag und ill. Lwd.-Schuber in Golddruck. Eines von 200 nummerierten Exemplaren der Vorzugsausgabe mit den beiden signierten und nummerierten Original-Radierungen. - Gutes Exemplar. Die beiden eingebundenen Radierungen sehr sauber. Special edition with two signed original etchings. - One of 200 numbered copies of the special edition with the two signed and numbered original etchings. - Good copy. The two bound etchings very clean.

Starting price 1200 EUR

Lorca, Federico GarcíaChant funèbre pour Ignacio Sanchez Mejias. Mit 10 Textlithographien nach Picasso in schwarz-weiß im Text, 4 Prägedrucke nach Picasso von Guy Descouens und 4 farbige ganzseitige Lithographien nach Picasso. Paris, (Bièvres en Essone), Pierre de Tartas, 1976. 71 S., 2 Bl. Folio. Lose Doppelbogen in Original-Karton mit Prägedruck nach Picasso. In schwarzer OLeinen-Kassette (vereinzelt berieben). Picasso, Pablo Lorca, Federico García Chant funèbre pour Ignacio Sanchez Mejias. Mit 10 Textlithographien nach Picasso in schwarz-weiß im Text, 4 Prägedrucke nach Picasso von Guy Descouens und 4 farbige ganzseitige Lithographien nach Picasso. Paris, (Bièvres en Essone), Pierre de Tartas, 1976. 71 S., 2 Bl. Folio. Lose Doppelbogen in Original-Karton mit Prägedruck nach Picasso. In schwarzer OLeinen-Kassette (vereinzelt berieben). Monod 7276. - "5 empreintes gravées et compositions en couleurs et au lavis gravés sur bois". Eines von 220 nummerierten Exemplaren auf Grand Vélin d'Arches (GA 300 Ex.). Druckvermerk vom Verleger signiert. "Sanchez Mejias was a famous bullfighter, writer and passionate lover of literature. He and Lorca were destined to become friends, and did so through a mutual friend, Encarncion Lopez Julvez, who was a famous dancer and singer and was also known as 'La Argentinita'. Sanchez Mejias was her manager, and it was to her that Lorca dedicated the poem. On August 11th, 1934 at the age of 43, Sanchez Mejias re-entered the bullring at the request of another bull fighter who was injured. At this time Lorca was in the town of Santander. This seems to come across in the narrative style of the Lament, that Lorca has shown up sometime after the tragic event to see Mejias lying dead. Lorca used the lyrical devices learnt in his earlier poems and combined them with the narrative style of the historical ballad. Overall, the poem uses the rhythm of a 'gypsy lament' which carries the emotional impact of the tragedy. - Die Lithographien und Prägedrucke in der Platte von Picasso signiert. Stellenweise mit geringem Abklatsch, sonst sehr sauberes und wohlerhaltenes Exemplar. With 10 text lithographs in black and white in the text, 4 embossed prints after Picasso by Guy Descouens and 4 color full-page lithographs after Picasso. The lithographs and embossed prints in the plate signed by Picasso. - One of 220 numbered copies on Grand Vélin d'Arches (GA 300 copies). Printed note signed by the publisher. - In places with minor darkening, otherwise very clean and well-preserved copy.

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