Null Five partially enameled Russian bronze icons, 19th century
Bronze, cast in…

Description

Five partially enameled Russian bronze icons, 19th century Bronze, cast in relief, two enameled. Consisting of a triptych, a crucifix, an icon with St. George, an icon with the extended Deesis and an icon with the guardian angel and the monastery founders Zosima and Sawatii. One with Mark Gallery certificate. Height 5.7 - 11.5 cm. Condition: II

8727

Five partially enameled Russian bronze icons, 19th century Bronze, cast in relief, two enameled. Consisting of a triptych, a crucifix, an icon with St. George, an icon with the extended Deesis and an icon with the guardian angel and the monastery founders Zosima and Sawatii. One with Mark Gallery certificate. Height 5.7 - 11.5 cm. Condition: II

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Estim. 8 000 - 8 500 EUR

MAISON ALPHONSE GIROUX ( act. 1799-1867). Etagère; c. 1860. Chiseled and burnished bronze with engraved glass plates. Work reproduced in C. Payne, Paris Furniture: the luxury market of the 19th century, Éditions Monelle Hayot, 2018, p. 77 (illustrated). Signed Aph Giroux Paris. Measurements: 89.5 x 48 x 48 cm. Etagère made of gilded bronze and Japanese-style glass in its design. Japanese products became increasingly familiar in Paris thanks to a large exhibition in the Japanese pavilion at the Universal Exhibition of 1867 and later in Vienna in 1873. The Parisian firms Christofle and Barbedienne were the main exponents of the new fashion for Japonisme. It was applied mainly to metal furniture with little or no woodwork. In the Western decorative arts and mixed motifs and Japanese in the same object, which can often make it difficult, if not impossible, to define precisely whether the object should be described as chinoiserie or Japonisme. A magazine called Art Amateur in New York was one of the first to use the word "japanesque" as an appropriate response to Giroux's cabinet. Two designer makers and early advocates of an oriental style in Paris were Giroux and Duvinage. The former sold his store to Ferdinand Duvinage and his partner Harinckouk in 1867. Giroux mainly adapted Chinese art; his publication Meubles et fantaisies, circa 1840, shows tables in this new fashionable idiom and is reminiscent of the papier-mâché furniture of the same period. Work reproduced in C. Payne, Paris Furniture: the luxury market of the 19th century, Éditions Monelle Hayot, 2018, p. 77 (illustrated). Signed Aph Giroux Paris.

Starting price 1000 EUR

Sibyllae et Prophetae de Christo Salvatore Vaticinantes (= Die Sibyllinischen Prophezeiungen). Originalgetreues Faksimile des Codex icon. 414 der Bayerischen Staatsbibliothek in München. Mit zahlr. tls. goldgehöhten Miniaturen. Salamanca, CM Editores, 2016. 4°. Reich goldgepr. OLdr. zusammen mit CD Box in goldgepr. OLdr. Kassette. Sibyllae et Prophetae de Christo Salvatore Vaticinantes (= Die Sibyllinischen Prophezeiungen). Originalgetreues Faksimile des Codex icon. 414 der Bayerischen Staatsbibliothek in München. Mit zahlr. tls. goldgehöhten Miniaturen. Salamanca, CM Editores, 2016. 4°. Reich goldgepr. OLdr. zusammen mit CD Box in goldgepr. OLdr. Kassette. Faksimile des Codex icon. 414 der Bayerischen Staatsbibliothek in München, einer französischen Handschrift des späten 15. Jahrhunderts. Diese stammt aus der Werkstatt des Jean Poyer in Tours. - Die Miniaturen setzen die Lebensgeschichte Jesu mit den Prophezeiungen der zwölf Sibyllen in Verbindung. Die Handschrift befand sich u.a. im Besitz des Kurfürsten Maximilian I. von Bayern und schmückte dessen Residenz. - Tadellos erhaltenes, nahezu neuwertiges Exemplar. True to the original facsimile of the Codex icon. 414 of the Bavarian State Library in Munich. With numerous miniatures, some heightened with gold. Rich gilt-embossed orig. leather binding together with CD box in gilt-embossed org. leather cassette. - Facsimile of the French manuscript from the late 15th century. It originates from the workshop of Jean Poyer in Tours. - The miniatures relate the life story of Jesus to the prophecies of the twelve sibyls. - Near mint copy.

Starting price 1000 EUR

Sammlung von 105 Original-Aquarellen mit Darstellungen von Pflanzen. Deutschland, frühes 19. Jh. Feder und Aquarelle auf Vélin. Blattmaße je 24 x 15 cm. Botanik Sammlung von 105 Original-Aquarellen mit Darstellungen von Pflanzen. Deutschland, frühes 19. Jh. Feder und Aquarelle auf Vélin. Blattmaße je 24 x 15 cm. Teils mit beschnittenem Wasserzeichen J. Whatman 1794. - Prachtvolle und farbleuchtende Sammlung feinzeichnerischer Pflanzen-Darstellungen. Als Vorlage diente das zwischen 1786 und 1792 in Wien und Leipzig erschienene Werk "Plantarum indigenarum et exoticarum icones ad vivum coloratae, oder, Sammlung nach der Natur gemalter Abbildungen inn- und ausländlischer Pflanzen". Wie auch in der zweimonatig erschienenen Pflanzenzeitschrift sind die vorliegenden Blätter mit handschriftlichen Titeln in deutscher und lateinischer Sprache versehen. Enthält neben Darstellungen einheimischer und exotischer Pflanzen auch einige Zeichnungen von Pilzen. - Papierbedingt etwas gebräunt und sehr vereinzelt unscheinbar fleckig. Insgesamt sehr gut erhaltene und vielfältige Sammlung. Botany - Collection of 105 original watercolours with depictions of plants. Germany, early 19th century. Pen and watercolour on wove paper. - Partly with trimmed watermark J. Whatman 1794. - Superb and brightly coloured collection of finely drawn depictions of plants. The work "Plantarum indigenarum et exoticarum icones ad vivum coloratae, oder, Sammlung nach der Natur gemalter Abbildungen inn- und ausländlischer Pflanzen", published in Vienna and Leipzig between 1786 and 1792, served as a model. As in the bimonthly plant journal, the present drawings have handwritten titles in German and Latin. Contains illustrations of native and exotic plants as well as some drawings of fungi. - Paper somewhat browned and very occasionally inconspicuously stained. Overall a very well-preserved and varied collection.

Starting price 200 EUR

Kreuzigung Christi. 1. Hälfte 19. Jh. Öl auf Leinwand. 57,5 x 45 cm. - Die Leinwand doubliert. Partiell mit leichtem Craquelée. Firniß etwas angegilbt. Insgesamt gut. Deutsch, 19. Jahrhundert Kreuzigung Christi. 1. Hälfte 19. Jh. Öl auf Leinwand. 57,5 x 45 cm. - Die Leinwand doubliert. Partiell mit leichtem Craquelée. Firniß etwas angegilbt. Insgesamt gut. Dargestellt ist Jesus Christus am Kreuz, zu Füßen einer der Apostel, der ihn beweint. - Das Gemälde veorten wir in der deutschen Schule der 1. Hälfte des 19. Jh. Oil on canvas. - The canvas is doubled. Partially with slight craquelure. Firnis somewhat yellowed. Overall good. - Jesus Christ is depicted on the cross, with one of the apostles weeping at his feet. - We locate the painting in the German school of the first half of the 19th century.

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